Kofi Awoonor - Ghana

SONG OF WAR

I shall sleep in white calico;

War has come upon the sons of men

And I shall sleep in calico;

Let the boys go forward,

Kpli and his people should go forward;

Let the white man’s guns boom,

We are marching forward;

We all shall sleep in calico.

When we start, the ground shall shake;

The war is within our very huts;

Cowards should fall back

And live at home with the women;

They who go near our wives

While we are away in battle

Shall lose their calabashes when we come.

Where has it been heard before

That a snake has bitten a child

In front of its own mother;

The war is upon us

It is within our very huts

And the sons of men shall fight it

Let the white man’s guns boom

And its smoke cover us

We are fighting them to die.

We shall die on the battle field

We shall like death at no other place,

Our guns shall die with us

And our sharp knives shall perish with us

We shall die on the battlefield.

Wole Soyinka - Nigeria

TELEPHONE CONVERSATION

The price seemed reasonable, location

Indifferent. The landlady swore she lived

Off premises. Nothing remained

But self-confession. ‘Madam,” I warned,

‘I hate a wasted journey – I am African.’

Silence. Silenced transmission of

Pressurized good-breeding. Voice, when it came,

Lipstick coated, long gold-rolled

Cigarette-holder pipped. Caught I was, foully.

“HOW DARK’ … I had not misheard …’ARE YOU LIGHT

OR VERY DARK?’ Button B. Button A. Stench

Of rancid breath of public hide-and-speak.

Red booth. Red pillar-box. Red double-tierred

Omnibus squelching tar. It was real! Shamed

By ill-mannered silence, surrender

Pushed dumbfoundment to beg simplification.

Considerate she was, varying the emphasis-

‘ARE YOU DARK? OR VERY LIGHT?’ revelation came.

‘You mean—like plain or milk chocolate?’

Her assent was clinical, crushing in its light

Impersonality, rapidly, wave-length adjusted.

I chose. ‘West African sepia’- and as afterthought,

‘Down in my passport.’ Silence for spectroscopic

Flight of fancy, till truthfulness changed her accent

Hard on the mouthpiece. ‘WHATS THAT?’ conceding

‘DON’T KNOW WHAT THAT IS.’ ‘Like brunette.’

‘THAT’S DARK, ISN’T IT?’ ‘Not altogether.

Facially, I am brunette, but madam, you should see

The rest of me. Palm of my hand, soles of my feet

Are a peroxide blonde. Friction, cause—

Foolishly madam—by sitting down, has turned

My bottom raven black—One moment madam!’ –sensing

Her receiver rearing on the thunderclap

About my ears –‘Madam,’ I pleaded, ‘wouldn’t you rather

See for yourself?’