All Speakers Are Requested to Send Their Presentations to Via Wetransfer Before 3 June

ALL SPEAKERS ARE REQUESTED TO SEND THEIR PRESENTATIONS TO VIA WETRANSFER BEFORE 3 JUNE

MONDAY 11 JUNE

09:00 – 10:30 Paper Sessions 1, Tuinzaal

Welcome

Bart Rutten and Ninke Bloemberg, Centraal Museum Utrecht, the Netherlands

Introduction

Bianca du Mortier, Rijksmuseum, Amsterdam, the Netherlands

Making a New Look

Alexandra Palmer, Royal Ontario Museum, Toronto, Canada

Fixer les plis, suspendre le temps. Grès’ innovative pleating technique

Anabela Becho, CIAUD – Research Center in Architecture, Urbanism and

Design, Lisbon, Portugal

11:00 – 12:30 Paper Sessions 2, Tuinzaal

Catherinettes, a textile custom on the 25th of November. How the traditional meaning is defining a new attitude today.

Dorothea Nicolai, Board member of the ICOM Costume Committee, Austria

Innovative designs by Female Fashion Designers

MadeliefHohé, Gemeentemuseum, The Hague, the Netherlands

Personal Blossoming

Trudie Rosa de Carvalho, Palace het Loo, Apeldoorn, the Netherlands

Leather without Skin

Inge Specht, Dutch Leather and Shoe Museum, Waalwijk, the Netherlands

14:00 – 15:30 Paper Sessions 3, Tuinzaal

The 21st-century Little Black Dress: addressing and redressing shifting social codes in fashion

Georgina Ripley, National Museums Scotland, Edinburgh, United Kingdom

Selvedges and Edges

Kirsten Toftegaard, DesignmuseumDanmark, Copenhagen, Denmark

Modernization, Christianity, Fashion and the Adaptation of ‘White’ Among Widows in Eastern Nigeria

Louisa nnenna Onuoha and OluwaseyiOgundeji, National Commission for Museums and Monuments, Abuja, Nigeria

The Curious Case of Belgian Fashion Designer Dirk van Saene

Eve Demoen, Modemuseum Hasselt, Hasselt, Belgium

TUESDAY 12 JUNE

09:00 – 10:30 Paper Sessions 4, Tuinzaal

Gaston d'Almeida and Roger Vivier - Païva and Laboremus.

Two studios in Paris and new marketing strategies for shoe design (1920s - 1930s)

Rosita Nenno, Frankfurt, Germany

Innovation face to face: Museum in the Making

Tilmann Bruhn, Badisches Landesmuseum, Karlsruhe, Germany

Fashion collaborative culture

María Victoria Salías, Museo de la Historia del Traje, Buenos Aires, Argentina

Impression 3 D Versl'impression de vêtements sur mesure

Amine Hadj, Higher Institute of Arts and Crafts of Sfax, Sfax, Tunisia

11:00 – 12:30 Paper Sessions 5, Tuinzaal

The progress of pockets and purses (or #whatsinyourbag)

Alexandra Kim, Montgomery’s Inn, Toronto, Canada

La collection “Estudos de TrajesItalianos” de Victor Meirellesauprès les musées Victor Meirelles (Florianópolis/SC – BR) et Nacional de Belas Artes (Rio de Janeiro/RJ – BR)

Mara RúbiaSant’Anna-Muller, Universidade do Estado de Santa Catarina, Florianópolis, Brazil

Novelty Through Performance Costume: From Material to Immaterial dimensions

Sofia Pantouvaki, Aalto University, Espoo, Finland

New Media for Exhibition of Historic Fashion: The Drexel Digital Museum Project

Kathi Martin, Drexel University, Philadelphia, United States

WEDNESDAY 13 JUNE

09:00 – 10:30 Paper Sessions 6, Tuinzaal

Fashion in Modern Serbia: Tradition, Innovation, and interpretation

Draginja Maskareli, Museum of Applied Art, Belgrade, Serbia

The traditional costume of nobility and bourgeoisie as an expression of patriotism in 19th century Galicia

Joanna Regina Kowalska, National Museum, Krakow, Poland

Azerbaijan Kelaghayis

Amina Melikova, National Art Museum, Bakoe, Azerbaijan

Between justuacorps, żupan and kontusz

Beata Biedrońska-Słotowa, Poland

11:00 – 12:30 Paper Sessions 7, Tuinzaal

Innovating Tradition. Discontinuity in traditional costumes of Upper Franconia

Meike Bianchi-Köningstein, Bauernmuseum Bamberger Land, Frensdorf, Germany

Dress of the Javanese poor and the German elite: batik in the works of Henry van de Velde

Maria Wronska-Friend, James Cook University, Cairns, Australia

Fashion and Innovation: Decolonizing Fashion Thinking

Daan van Dartel, Museum of World Cultures, the Netherlands

Santos Dumont's style: male fashion and innovation at Rio de Janeiro during the Belle-Epoque

Maria Cristina Volpi, Universidade Federal do Rio de Janeiro, Rio de Janeiro, Brazil

14:00 – 15:00 Paper Sessions 8, Tuinzaal

Industrial Revolution: Value and devaluation of African Sacred Traditional Tenues

KajiAppolinaire, Musée La Blackitude, Yaoundé, Cameroon

The Merci Train Mannequins. The creative craft of thankfulness

Annelena de Groot, MA Student University of Amsterdam, Amsterdam, the Netherlands

Clothes for everyone - The importance of ready-to-wear, advertising and store architecture for the success of C&A between 1841 and 1911

Maria Spitz, Draiflessen Collection, Mettingen, Germany

THURSDAY 14 JUNE

10:00 – 11:30 Paper Sessions 9, Textielmuseum

Promoting artificial silk: Fashion design competitions organized by the Goldberger Textile Factory between 1929-1931

JuditSzatmári, Kiscell Museum, Budapest, Hungary

„Those who master the yarn will control the market“ Textile Innovations and the effects on the hosiery industry between 1938 and 1990

Michaela Breil, Augsburg Textile and Industry Museum, Augsburg, Germany

Thousand Needles Now and Then. The rediscovered Innovation in Material

Markéta Vinglerová, Museum of Decorative Arts, Prague, Czech Republic

Lace, 1550-1600. New technologies in renaissance Europe

Frieda Sorber, ModeMuseumAntwerp, Antwerp, Belgium

12:00 – 13:00 Paper Sessions 10, Textielmuseum

Chintz, new in the 17th century

Gieneke Arnolli, Fries Museum, Leeuwarden, the Netherlands

Gelatin and the production of sequins and other decorative elements on costumes

Marjolein Koek, Rijksmuseum, Amsterdam, the Netherlands

Unlikely bedfellows: the inventions of nineteenth century silver manufacturer Elkington & Co. and their influence on fashion and textiles

Joanne Horton, De Montfort University, Leicester, United Kingdom

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