French Expressionism

APAH: Graves

Ch. 33: Slide List

Early 20th century Modernism

French Expressionism

Fauvism

33-1Matisse, Woman with the Hat, 1905, o/c, approx. 2’ 8” x 2’.

Matisse, Portrait with Green Stripe, 1905 (not in book)

Matisse, Le Bonheur de Vivre/”The Joy of Life”, 1905, o/c, 5’ x 7’. (not in book)

33-2Matisse, Red Room (Harmony in Red), 1908-1909, o/c, 5’11” x 8’1”.

Derain, Big Ben, 1905 (not in book)

33-3Derain, LondonBridge, 1906, o/c, 2’2” x 3’3”.

33-4Rouault, The Old King, 1916-1936, o/c, approx. 2’6” x 1’9”.

German Expressionsim

Die Brücke

33-5Kirchner, Street: Dresden, 1908

Kirchner, Street: Berlin, 1913 (not in book)

33-6Emil Nolde, Saint Mary of Egypt among Sinners, 1912, left panel of a triptych, o/c, approx. 2’10” x 3’3”.

Der Blaue Reiter

33-7Kandinsky, Improvisation 28: 2nd version, 1912, o/c, approx. 3’8” x 5’4”.

Kandinsky, The Cannon, 1913 (not in book)

33-8Franz Marc, Fate of the Animals, 1913, o/c, approx. 6’5” x 8’10”.

Marc, The Large Blue Horses, 1911, o/c, 3’ x 6’. (not in book)

Early Expressionist Sculpture

33-8Maillol, The Mediterranean, 1902-1905

Abstraction

33-10Picasso, Gertrude Stein, 1906-1907, o/c, approx. 3’3” x 2’8”.

Picasso, The Tragedy, 1908 (not in book)

Cubism

33-11Picasso, Les Demoiselles d’Avignon, 1907, o/c, 8’ x 7’8”.

Picasso, Ma Jolie, 1911, o/c, 39” x 25”. (not in book)

33-12Georges Braque, The Portuguese, 1911, o/c, approx. 3’10” x 2’8”.

33-14Picasso, Still-Life with Chair Caning, 1911-1912, oil and oil cloth on canvas on canvas, approx 11” x 1’2”.

33-16Picasso, Three Musicians, 1921, o/c, 6’7” x 7’3”.

Picasso, Young Girl Before Mirror, 1932 (not in book)

Purism

33-20Leger, The City, 1919, o/c, 7’7” x 9’10”.

Futurism

33-21Balla, Dynamism of a Dog on a Leash, 1912, o/c, approx. 2’11” x 3’7”.

33-22Boccioni, Unique Forms of Continuity in Space, 1913, bronze, approx. 3’8”Hx2’11”x1’4”.

33-23Severini, Armored Train, 1915, o/c, 3’10” x 2’10”.

Dada

33-24Arp, Collage Arranged According to the Laws of Chance, 1916-1917, torn and pasted paper, approx. 1’7” x 1’2”.

Duchamp, LHOOQ, 1919, 7” x 4”. (not in book)

33-25Duchamp, Fountain (2nd version), 1950, ready-made glazed sanitary china with black paint, 12”H.

33-26Hannah Hoch, Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919-1920, photomontage, 3’9”x 3’.

The Armory Show

33-29Duchamp, Nude Descending a Staircase, No. 2, 1912, o/c, approx. 4’10” x 2’11”.

33-32Man Ray, Cadeau (Gift), 1958.

33-33Davis, Lucky Strike, 1921

Precisionism

33-35Charles Sheeler, The Upper Deck, 1929, o/c, approx. 2’5” x 1’10”.

33-36Charles Demuth, My Egypt, 1927, o/c, approx. 3’ x 2’6”.

33-37Georgia O’Keeffe, New York, Night, 1929, o/c, approx. 3’4” x 1’7”.

German Expressionism

33-39Max Beckmann, Night, 1918-1919, o/c, approx. 4’4” x 5’.

33-41Kathe Kollwitz, Memorial to Karl Liebknecht, 1919, woodcut.

Surrealism and Fantasy

33-44DeChirico, Mystery and Melancholy of a Street, 1914, o/c, approx. 2’10” x 2’4”.

33-45Max Ernst, Two Children Are Threatened by a Nightingale, 1924, oil on wood with wood construction, approx. 2’4”H x 1’11”W x 5”D.

33-46Dali, The Persistence of Memory, 1931, o/c, approx. 9” x 1’1”.

33-47Rene Magritte, The Treachery (or Perfidy) of Images, 1928-1929, o/c, 2’ x 3’1”.

33-48Oppenheim, Object, 1936, fur-covered cup.

33-49Kahlo, The Two Fridas, 1939, o/c, 5’7” x 5’7”.

33-50Miro, Painting, 1933, o/c, 5’8” x 6’5”.

33-51Klee, Twittering Machine, 1922, watercolor and pen and ink, on oil transfer drawing on paper, mounted on cardboard, 2’1” x 1’7”.

33-52Chagall, I and the Village, 1911, o/c, approx. 6’4” x 5’.

Suprematism and Constructivism

33-53Kazimer Malevich, Suprematist Composition: Airplane Flying, 1915, o/c, approx. 1’11” x 1’7”.

33-55Tatlin, Monument to the Third International, 1919-1920

Mondrian, The Red Tree, 1909-1910

33-56Mondrian, Composition in Red, Blue, and Yellow, 1930, o/c, approx. 2’5” x 1’9”.

33-57Rietveld, Shcröder House, 1924, Utrecht, The Netherlands.

33-59Albers, Homage to the Square: Ascending, 1953, oil on board, approx. 3’8”SQ.

33-60Gropius, Shopblock (Bauhaus), 1925-1926, Dessau, Germany.

33-65Le Corbusier, Villa Savoye, 1929, Poissy-sur-Seine, France.

33-66Van Alen, Chrysler Building, 1928-1930, New York, NY.

33-67Wright, Robie House, 1909, Chicago, Illinois.

33-69Wright, Falling Water (Kaufmann House), 1935-1939, Bear Run, PA.

33-70Brancusi, Bird in Space, 1932-1940,4’6”x8”x6”.

33--72Moore, Reclining Figure, 1939, elm wood, 3’1”x6’7”x2’6”.

33-73Calder, #125, 1957, approx. 42’.

33-74Picasso, Guernica, 1937, o/c, 11’6” x 25’6”.

33-75Lange, Migrant Mother, 1936, gelatin silver print.

33-76Hopper, Nighthawks, 1942, o/c, approx. 2’6” x 4’9”.

33-77Lawrence, No. 49 from Migration of the Negro, 1940-1941, tempera on masonite, 1’ x 1’6”.

33-78Wood, American Gothic, 1930, o/beaverboard, 2’6” x 2’1”.

33-79Thomas Hart Benton, Pioneer Days and Early Settlers, State Capitol, Jefferson City, 1936, mural.

33-81Diego Rivera, Ancient Mexico, from the History of Mexico fresco murals, National Palace, Mexico City, 1929-1935, fresco.