Before you start - English

I am very much looking forward to seeing you all in September. In the meantime, here are some things to do before you start.

Writing

1. Your strengths and enthusiasms. I am asking you to write a short piece (a side or two, typed; no more). Tell me about your strengths and enthusiasms in the subject ‘English’. Note the inverted commas. One of our first sessions asks the question: what is ‘English’? Try to convey, as clearly as you can, what you think English is, what it is about English that excites you and why you want to teach it. There are no right or wrong answers but it is good to make your views explicit at the outset and at various points in the programme reflect on ways in which previous opinions have been reinforced or challenged.

This is also an opportunity for you to introduce yourself as a writer, as during the year you will be asked periodically to write reflectively and analytically about how your knowledge and understanding are developing. The organisation and presentation of the writing are important. The writing needs to be in the first person. For some of you perhaps, the strong personal - almost autobiographical - emphasis may seem very different from the kind of writing you did at university but we positively want you to use ‘I’!

Please email this to me by Monday, 18 August. The remaining tasks should be ready for the beginning of the English course.

2. Developing your subject knowledge.Please have ready for the beginning of the course an electronic version of your updated subject audit. For the purposes of interview, you may well have ‘bigged up’ the state of your knowledge. This is perfectly understandable and reasonable. Well, you have got a place now. In the cold light of day, what do you know? How confident would you be about teaching a particular topic? Don’t be too humble; have proper confidence in what you know, but at the same time be realistic.

3. Self-audit of prior experience - see the attached form.

4. CV: have this ready for the beginning of the course.

Reading

During the English ITE programme you will obviously develop your subject knowledge by encountering new areas of ‘English’ and/or deepening your knowledge in areas with which you are already familiar, particularly through teaching. It is important to realise, however, that the emphasis of the English ITE programme is on bringing your knowledge to bear in a way that is ‘pedagogically useful’ – in a way that helps others to learn - rather than on directly teaching you the kinds of themes or topics that you studied during your degree. It is important, therefore, that you yourself take responsibility for developing your subject knowledge, and begin this process before the programme starts in September.

At the beginning of the course, I would like you to give me an updated subject audit, adding in a different colour the reading that you have undertaken since your interview.

Essential pre-course reading

Here is some reading to be getting on with. PGCE trainees will be given a substantial bursary to spend in the UEL bookshop once they are enrolled on the programme in September. They should also get two free books. If you can, buy Davison and Dowson and one of the grammar books before you start, and borrow the rest for now.

Children’s literature

  • David Almond*Skellig
  • John Boyne*The Boy in the Striped Pyjamas
  • Henrietta Branford *Fire, Bed and Bone
  • Maurice Gleitzman*Two Weeks with the Queen
  • Beverley Naidoo: *No Turning Back
  • Louis Sachar*Holes
  • Robert Swindells: *Stone Cold

Shakespeare

Macbeth and Romeo & Juliet. Any edition will do, but if you are buyingcopies choose the Cambridge Schools Edition - general editor Rex Gibson. Try to read at least one play in this edition to get an idea of the sort of activities a teacher could use in teaching.

Other literature

  • Charles Dickens: Oliver twist
  • Arthur Miller: A View from the Bridge
  • John Steinbeck:Of Mice and Men

Grammar

Most of you have to brush up your knowledge of grammar and linguistics. This will be an ongoing concern during the year but it is best to do a little, often. While we will devote some time to grammar during the course, we cannot ‘teach you grammar’ in the time available. It is important, therefore, that you teach yourself. Studying grammar is essentially linguistic consciousness-raising. It is not really a matter of mugging up rules to be applied inflexibly; it is about understanding how language works as a system, and how you make meaning. For background, read The Grammar Paper 1 (pdf, attached). Different grammarians may have different approaches or terminology. Find one you like and stick to it. Have a look at:

  • Crystal, D (2004) Making Sense of Grammar Longman.
  • Cameron, D (2007) The Teacher’s Guide to Grammar OUP
  • Dick Hudson’s grammar site:

Teaching English

  • Davison J & Daly C (eds) (2014) Fourth Edition Learning to Teach English in the Secondary School: the first three chapters.

London: Routledge. A good general book on English teaching. Worth buying.

(To Be Published May 23rd 2014 by Routledge)

More children’s literature

One of the joys of teaching English is the excellence of much fiction for young people. We will focus on novels marked with an asterisk* early in the course but read as many others on the list as possible. Develop your own tastes and read a lot of what you enjoy. Go to the Carnegie Medal Website and look up the list of recent winners and add them to this list.

David Almond*Skellig

David AlmondKit’s Wilderness

Bernard AshleyLittle Soldier

Julie BertagnaExodus

Terence BlackerTransfer

Malorie BlackmanNoughts and Crosses

Valerie BloomSurprising Joy

John Boyne*The Boy in the Striped Pyjamas

Judy BlumeTiger Eyes, Forever

Tim BowlerRiver Boy, Starseeker

Henrietta Branford *Fire, Bed and Bone

Theresa BreslinWhispers in the Graveyard

Kevin BrooksLucas

MelvinBurgessJunk, Lady, Bloodtide

Alyssa BrugmanWalking Naked

Betsy ByarsThe Eighteenth Emergency

Gennifer CholdenkoAl Capone Does My Shirts

Sharon CreechRuby Holler

Gillian CrossTightrope

Kevin Crossley-Holland The Arthur Trilogy (beginning with The Seeing Stone)

Tanuja Desai HidierBorn Confused

Berlie DohertyGrannie was a Buffer Girl, Dear Nobody

Jennifer DonnellyA Gathering Light

Virginia Euwer WolffMake Lemonade

Anne FineFlour Babies, The Tulip Touch

Catherine Forde Fat Boy Swim

Neil GaimanCoraline

Graham GardnerInventing Elliot

Alan GarnerThe Owl Service

Susan GatesDusk

Jamila GavinThe Wheel of Surya

Maurice Gleitzman*Two Weeks with the Queen

Rosa GuyThe Friends

Mark HaddonThe Curious Incident of the Dog in the Night-Time

Laurie Halse AndersonSpeak, Catalyst

Anthony HorovitzStormbreaker

Lesley HowarthMaphead

David KlassYou Don’t Know Me

Michelle MagorianGoodnight Mr Tom

Jan MarkUseful Idiots

Adeline Yen MahChinese Cinderella

Geraldine McCaughrean Forever X, A Little Lower than the Angels

Hilary McKaySaffy’s Angel

Michael MorpugoPrivate Peaceful

Beverley Naidoo*No Turning Back

William NicholsonThe Wind Singer series

Gudrun PausewangThe Final Journey

Ann PillingBlack Harvest

Philip Pullman His Dark Materials Trilogy: Northern Lights,

The Subtle Knife,The Amber Spyglass

Bali Rai(Un)arranged Marriage; Rani and Sukh

Celia ReesWitch Child

Philip RidleyScribbleboy

Meg RosoffJust in Case

Louis Sachar*Holes

Rosemary SutcliffBeowulf

Jerry Spinelli Milkweed

Theresa ThomlinsonMeet Me by the Steelmen

Robert Swindells*Stone Cold

Robert WestallGulf

Jacqueline WilsonPopular with primary and lower secondary pupils

Benjamin ZephaniahRefugee Boy, Face

Richard Quarshie, Programme Leader, Secondary English Initial Teacher Education

2 May 2014