PUBLICATIONS: Books

  1. Clare Wallace The Theatre of David Greig. London: Methuen, 2013. ISBN 9781408157329.

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PUBLICATIONS: edited Books

  1. Anja Müller and Clare Wallace eds. Cosmotopia: Transnational Identities in David Greig’s Theatre. Prague: Litteraria Pragensia Books, 2011. ISBN 978-80-7308-355-7. Contributors include Mark Fisher, David Greig, Marilena Zaroulia, David Pattie, Maggie Inchley, Charlotte Thompson, Michael Raab, Dawn Fowler, Fiona Wilkie, Peter Billingham, Sandra Heinen.

PUBLICATIONS: Book Chapters, Introductions, sections

  1. “Irish Drama since the 1990s: Disruptions.” The Oxford Handbook of Modern Irish Theatre. Eds. Nicholas Grene and Chris Morash. Forthcoming June 2016. ISBN 978-0-19-870613-7.
  1. “Writing for ‘the real national theatre’—Stewart Parker’s Plays for Television.” Irish Theatre in Transition. Eds. Donald Morse and Csilla Bertha. Basingstoke: Palgrave Macmillan, 2015. 216-229. ISBN: 9781137450685.
  1. “Suspect Culture.” British Theatre Companies: From Fringe to Mainstream. Eds Elizabeth Tomlin and Graham Saunders. London: Methuen, 2015. 179-206. ISBN: 9781408177273.
  1. “‘The heel of the oppressor in a Ferragamo shoe’ Medium and Message in Improbable Frequency.” Beyond Realism: Experimental and Unconventional Drama since the Revival. Eds. Joan Dean and José Lanters. Amsterdam: Rodopi, 2015. 189-202. ISBN 9789042039193.
  1. “Intervention, Interaction, Insufficiency: Theatre’s Critical Repertoire?” (with Ondřej Pilný) JCDE Special Issue Theatre and Politics: Theatre As Cultural Intervention 2.1 (2014): 1-7. Berlin: De Gruyter. ISSN:2195-0164
  1. “Playing with Proximity: Precarious Ethics on Stage in the New Millennium.” Ethical Speculations in Contemporary British Theatre. Eds. Mireia Aragay and Enric Monforte. Basingstoke: Palgrave Macmillan, 2014. 117-134. ISBN10: 1-137-29756-5.
  1. “‘All the Old Ghosts’: Monologue and Memory in Friel, Pinter and Beckett.” ‘Tis to Create & in Creating Live: Essays in Honour of Martin Procházka. Eds Ondřej Pilný and Mirka Horová. Prague: Faculty of Arts, 2013. 238-245. ISBN 978-8073084455.
  1. “Monologue Plays.” Drama Online Digital Library, Bloomsbury 2013
  1. “The Art of Disclosure, the Ethics of Monologue in McPherson’s Drama.” The Theatre of Conor McPherson: Right beside the Beyond'. Ed. Eamonn Jordan and Lilian Chambers. Dublin: Carysfort, 2012. 43-60. ISBN 9781904505617.
  1. “Hidden Histories and Unwelcome Memories in Hugo Hamilton’s The Speckled People.” Ireland in Drama, Film and Popular Culture. Eds. Sandra Mayer, Julia Novak and Margarete Rubik. Trier: Wissenschaftlicher Verlag Trier, 2012. 167-174. ISBN 978-3-868213850.
  1. “Uncertain Convictions and the Politics of Perception.” Ethical Debates in Contemporary Theatre and Drama. Eds Mark Berninger and Bernhard Reitz. Contemporary Drama in English 19. Trier: Wissenschaftlicher Verlag Trier, 2012. 55-64. ISBN 978-3-86821-377-5.
  1. “Twentieth Century American Drama.” Lectures in American Literature. Ed. Justin Quinn et al. Prague: Karolinum, 2011. 178-186; 215-221; 243-250; 281-287. ISBN 978-80-246-1996-5.
  1. “David Harrower.” The Methuen Drama Guide to Contemporary British Playwrights. Eds. Aleks Sierz, Martin Middeke and Peter Paul Schnierer. London: Methuen Drama series, 2011. 243-262. ISBN 978-1408122785.
  1. “Neutral Spaces and Transnational Encounters.” Cosmotopia: Transnational Identities in David Greig’s Theatre (with Anja Müller). Eds. Anja Müller and Clare Wallace. Prague: Litteraria Pragensia Books, 2011. 1-13. ISBN 978-80-7308-355-7.
  1. “Unfinished Business—Allegories of Otherness in Dunsinane.” Cosmotopia: Transnational Identities in David Greig’s Theatre (with Anja Müller). Eds. Anja Müller and Clare Wallace. Prague: Litteraria Pragensia Books, 2011. 196-213. ISBN 978-80-7308-355-7.
  1. “Conor McPherson.” The Methuen Drama Guide to Contemporary Irish Playwrights.Eds. Martin Middeke and Peter Paul Schnierer. London: Methuen Drama series, 2010. 271-289. ISBN-13: 9781408113462.
  1. “Sarah Kane, Experiential Theatre and the Revenant Avant-Garde.” Sarah Kane in Context. Eds. Laurens De Vos and Graham Saunders. Manchester: Manchester UP, 2010.88-99. ISBN-13: 9780719011395.
  2. “Home Places: Irish Drama since 1990.” Irish Literature Since 1990: Diverse Voices. (with Ondřej Pilný). Eds. Scott Brewster and Michael Parker. Manchester: Manchester UP, 2009. 43-58.ISBN-13: 978-0719075636.

PUBLICATIONS: JOURNAL Articles (Refereed) (11)

1.“Yes and No? Dissensus and David Greig’s Recent Work.” Contemporary Theatre Review. ISSN 1048-6801Forthcoming 2016.

2.“Stewart Parker: A Sceptic in a Credulous World.” Ilha do Desterro, Special Issue on Contemporary Irish Theatre. 58 (Jan/Jun. 2010): 157-178. ISSN 0101-4846.

PUBLICATIONS: Review Articles, Book Reviews, Other

1.“Collaborating with Audiences: A Conversation with David Greig,” Journal of Contemporary Drama in English 4.1 (2016) ISSN 2195-0156. Forthcoming.

2.Rev of Mapping Irish Theatre: Theories of Space and Place by Chris Morash and Shaun Richards, Theatre Notebook 69.1 (2015): 66-67.

3.Rev of The New War Plays: From Kane to Harris by Julia Boll, Litteraria Pragensia 24.48 (2014): 137-140.

4. “Taking on the Scottish Play: David Greig’s Dunsinane,” Asides Issue 4, Shakespeare Theatre Company Washington DC(2015): 18-22.

5.Rev of Stewart Parker: A Life by Marilynn Richtarik, Irish University Review 44.2 (2014): 423-427.

6.Programme materials for The Cosmonaut’s Last Message Myeongdong Theater,South Korea, 2014.

7.Rev of Stewart Parker: A Life by Marilynn Richtarik, B.O.D.Y. 10 May 2013 <

8.“David Harrower – Two Defining Plays: Knives in Hens and Blackbird,” Programme essay for Tron Theatre production of A Slow Air by David Harrower at the Tricycle Theatre London 8 May-2 June 2012.

9.Rev of Queer Notions: New Plays and Performances from Ireland, ed. Fintan Walsh, Irish Studies Review19.4 (2011): 479-480.

10.Rev of Hysteria, Trauma and Melancholia: Performative Maladies in Contemporary Anglophone Drama, Christina Wald, Litteraria Pragensia 19.38 (2009): 93-96.