THE HOLLOW OF TRADITION.
This is what I write at the end of Revisiting Acupuncture Volume I.
“Here we are at the end of the long road about the different approaches to the
acupuncture points and the different ways to find them on the body. Take a few steps
back now, because the information that I have given you will become useful to you
little by little, as you continue with your courses. Skim the different concepts of the
points, take in what they are made up of, get used to approaching one point according
to one method or another or according to a combination of several. What may now
seem disjointed will take on a structure and what now seems arbitrary will become real
with experience. Don’t let this apparent complexity set you back! The point is there, at
your reach and all you have to do is to look for it and find it, then lose it and find it
again, until it is solidly and definitively printed in your memory.
But at the end of this volume there are still two reflections that I would like to share
with you, that are particularly important to me.
1. In most of the Chinese treatises, especially in the oldest ones, after the
instructions on how to locate the points, the text invariably ends with the
phrase:
陷者中Xian zhe zhong, “In the middle of a hollow”.
As I read in the Jia Yi Jing, the ABCs of Acupuncture:
“Yi shi, is on the eleventh dorsal vertebra, 3 cun on each side, in the middle of a
hollow”. We are talking about the 44th point of the Bladder meridian, located on the
lateral dorsal branch, along the medial border of the shoulder blade, at a level that
corresponds to the middle of the distance between the spinous processes of the
eleventh and twelfth dorsal vertebra. Yes, I know, you don’t understand. Don’t worry;
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I am only using it as an example because of the little sentence at the end. The rest will
come in time.
This is why the first Western acupuncturists concluded that all of the points are
located in
- a hollow.
- a hole.
- a depression.
- a cupule.
depending on the vocabulary of their preference.
And as they proceeded to teach their colleagues they continued to repeat this phrase,
“in the middle of a hollow”, which sounds so good, without really checking the
importance of this affirmation or its anatomical reality. Without really thinking about
what they were saying.
They affirm, faithfully in line with Chinese tradition that the point is in a hollow! What
a wonder the human body is, with all of these miniscule zones of energy on its surface
on which we can work!
But this is why a problem and a question appeared before me. Is this expression “in
the middle of a hollow” alluding to a volumetric change that is particular and limited
to the acupuncture point? Is there really a cupule, a modification in the consistency on
a couple of square millimeters of skin as opposed to the surrounding areas? In natural
or artificial light, whether it is sharp or dim, to the naked eye or with the use of a
magnifying glass, I have never been able to systematically confirm this observation. If
this were really the case, the human body would be so covered with little depressions
shaped like mini cups that it would look like the surface of the moon!
On the other hand, if we go along the path that the Chinese have taken towards the
location of a point, we see that new light is shed on this “hollow”.
The Chinese acupuncturist uses the measurement, the CUN, the hollows and the
bumps, the irregularities on the surface of the skin, the openings that he has sensed
with his sight or touch. His look is insistent and piercing, his touch is at the same time
light and concentrated. Age-old observations weigh on the information recorded, and
they are fed by past experiences. Very quickly the notion of the hollow was brought to
light, which is only defined in three dimensions. Frequently neglected, it nonetheless
allows us to define the imprecision about a location and regularly becomes an
indispensable complementary tool for anatomical referencing. Often seen as
information’s younger sibling, I think we should promote the hollow to the position
of Big Sister.
This feeling of a hollow, whether it is visible or tactile, is not a product of the Chinese
imagination. It is a place, fairly small and delimited by well-known and easily spotted
anatomical formations. Some of these places are visible to the naked eye and a trained
practitioner can find them quickly. To find others it is necessary to move a limb, put
them in a certain position, in order for the point to appear. But sometimes the
fingertip slides over the skin, digging in lightly, searching in different directions,
stumbling over a bone, separating tendons, perceiving the fascia divisions between
two muscles, running over the curve of a muscle and digging into it, settling itself in
those anatomical depressions that, like a beast sniffing at the walls of its lair, it will
define and use to check its limits. The finger searches, feels, touches, defines and
declares. Lightly or with pressure, after having run for a while across the skin, it stops
with the almost certainty that the point has been found.
Where does this certitude come from? What allows the acupuncturist to affirm that
this is where the point is? A cup, a depression, a hole? We estimate that this sensation
corresponds more to the accumulation of information integrated into the conscience
by experience and practice, by repetition and reflection. It is the glow of the memory
of certain movements while looking for the points. The finger ran along a bone, over
a muscle, along a tendon and found a joint. Stopped, deep-set, surrounded by
references, it found the point! It is a virtual hollow, a hollow created by sensation.
2. It is also possible to explain why, in the Chinese texts, the expression “in the
middle of a hollow” appears at the end of the location of
points that are not in a hollow, whichever way you want to interpret it. This
can be understood in terms of two factors:
a. The oral tradition that governed the transmission of the first acupuncture
concepts relied on mnemonic techniques to facilitate assimilation and
recollection. These included chant, rhythm, verse, repetition and rhyme. It is
surely this way that the expression 陷者中xian zhe zhong “in the middle
of a hollow”, was originally added well-advisedly at the end of a sentence and
was only added later for the rhyme and according to rhythm, which is amistake as far as the referencing of the points is concerned.
b. The use of the hollow, the feeling of having so well referenced a point that we
find it in a real and particular depression apparently allowed these errors to
become psychological realities.
So, this is how the anatomic touch and the psychological dimension of the experience
lucidly came together in the “breath-taking hollow of Tradition”.
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