Italian Renaissance Art Notes
Discovering Art History chapter 9.1-9.2, p260-287
Key Ideas
Return to “classical” ideals and secular humanism
Open, light, balanced spaces in human proportion in architecture
Use of light and shadow to show form (chiaroscuro)
Triangular instead of linear composition
Linear perspective perfected
Return to accurate anatomy
Oil on stretched canvas
Italian Renaissance Art Vocabulary
Canvas
Chiaroscuro
Cupola
Foreshortening
Humanism
Orthogonal
Perspective (linear perspective)
Sfumato
Early Italian Renaissance Art – 1401 - 1494
Early Italian Architecture to KnowFilippo Brunelleschi, dome of Florence Cathedral Santa Maria Del Fiore, 1420-1436, brick masonry, 140’ dia., Florence, Italy. (p262-263)
Early Italian Renaissance Painting to Know
Tommaso Masaccio, Holy Trinity, 1425, fresco, 21 x 10’ 5”, Santa Maria Novella, Florence, Italy. / Tommaso Masaccio, Tribute Money, 1427, fresco, 8’ 1” x 19’ 7”, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy. (p268) / Sandro Botticelli, Birth of Venus, 1485, tempera on canvas, 5’8 7/8” X 9’, Uffizi, Florence, Italy. (p272)
Early Italian Renaissance Sculpture to Know
Lorenzo Ghiberti, Gates of Paradise, 1425-1452, gilt bronze, 15’ high, Santa Maria Del Fiore Baptistry, Florence, Italy. (p264-265) / Donatello, David, 1420-1460, bronze, 62 ¼” high, National Museum, Bargello, Florence, Italy.(p266) / Luca della Robbia, Madonna and Child, 1455-1460, Glazed terracotta, 6’ dia., Orsanmichele, Florence, Italy.
High Italian Renaissance - 1495-1527
High Italian Renaissance Architecture to KnowMichelangelo Buonarroti, Saint Peter’s Basilica Dome, 1546-1564, brick masonry and iron, 138’ dia., Vatican City, Rome, Italy. (p280)
High Italian Renaissance Painting to Know
Leonardo da Vinci, The Last Supper, 1495-1498, tempera and oil on plaster, 15’ 2” x 28’ 10”, Santa Maria delle Grazie, Milan, Italy. (p276) / Leonardo Da Vinci, Mona Lisa (La Joconde), 1503-1505, oil on wood, 30 ¼ x 21”, Louvre, Paris, France. (p277)
Michelangelo Buonarotti, Old Testament Ceiling, 1508-1512, fresco, 45 x 128’, Sistine Chapel, Vatican City, Rome, Italy. (p281) / Michelangelo Buonarotti, Last Judgement Altar Wall, 1534-1541, fresco, 48 x 44’, Sistine Chapel, Vatican City, Rome, Italy. (p281)
Raphael Sanzio, The School of Athens, 1509-1511, fresco, 19 x 27’, Vatican, Rome, Italy. (p282) / Titian, Venus of Urbino, 1538, oil on canvas, 3’11” x 5’5”, Uffizi Gallery, Florence, Italy.
High Italian Renaissance Sculpture to Know
Michelangelo Buonarotti, David, 1501-1504, marble, 17’ high, Gallerie dell’Accademia, Florence, Italy. (p279)