SYLLABUS FOR B.SC. (FASHION DESIGNING) – III YEAR
(ANNUAL SYSTEM)
Sr. No. / Paper / Name of Subject / MarksTh+Pr.= Total
1. / 117 / Textile Chemistry – II (Th+Pr) / 50 + 50 = 100 / 3+3 hrs
2. / 118 / Pattern & Marker Making on Computer (Pr) / - + 100 = 100 / 3 hrs
3. / 119 / Pattern Making – II (Pr) / - + 100 = 100 / 3 hrs
4. / 120 / Apparel Manufacturing Technology(Th) / 50 + - = 50 / 3 hrs
5. / 121 / Historic Costumes (Th) / 50 + 0 = 50 / 3 hrs
6. / 122 / Line Development(Pr) / 0 + 200 = 200 / 3 hrs
7. / 123 / Garment Construction -III(Pr) / 0 + 100 = 100 / 3 hrs
8. / 124 / Internship / 50
Total / 750
(117)TEXTILE CHEMISTRY – II
Instructions for the Paper Setter
Ø There will be seven questions carrying equal marks.
Ø Question no. I will be compulsory carrying short answer type question, fill in the blanks or True/False.
Ø The remaining six questions will be set from section A & B. Three question from each section. The candidates are required to attempt 5 questions in all.
Objectives :
Ø To acquaint students with different types of dyeing and printing techniques.
Ø To enable students to develop practical skills of printing and dyeing.
THEORY
Exam: 3 hrs
Total Marks: 50
Exam: 45
Int. Ass.: 05
SECTION - A
Ø Classification of dyes
Ø Theories of dyeing
Ø Stages of dyeing
Ø Color fastness
Ø Fabric finishing
· Preparatory processes (Singeing, desizing, scouring, bleaching, heat-setting).
· Routine finishes – beetling, calendaring, carbonization, permanent setting, mercerization, sizing, softening, anti-shrink, weighting, milling
· Special purpose finishes-flame retardant, water-repellent, durable-press, moth-proofing, soil-repellent, anti-static.
SECTION - B
Ø Dyeing defects
Ø Auxiliaries
Ø Techniques of decorative dyeing
Ø Styles and methods of printing
Ø Basic Bleaching processes and classification of bleaches.
TEXTILE CHEMISTRY – II
PRACTICAL
Exam : 3 hrs
Total Marks : 50
Exam : 45
Int. Ass.: 05
Ø Desizing and bleaching of cotton fabric.
Ø Dyeing of cotton with direct dyes (preparation of shade card).
Ø Dyeing of cotton and silk with acid and basic dyes.
Ø Dyeing with a azo dyes.
Ø Different styles of printing (block, screen).
References :
Ø Vilencky “Textile Science”, CBS Publishers, New Delhi.
Ø Mishra S.P., “A Text Book of Fiber Science & Technology”, Delhi.
Ø Pizzoto’s J.J. ‘Fabric Science”, Four Child Publication, New York.
(118)PATTERN AND MARKER MAKING ON COMPUTER
Instructions for Paper Setters :
Ø There will be two question in all each carrying 35 marks.
Ø Each question can be sub-divided into parts according to the paper setters.
Objectives :
Ø To apply the knowledge of pattern making software for making patterns and grading.
PRACTICAL
Exam: 3 hrs
Total Marks : 100
Exam : 90
Int. Ass.: 10
1. Sloper development for bodice – block with basic sleeve block, trouser, shirt, one piece dress, overcoat, manipulation of single dart series, seams and seams allowances.
2. Basic principles of marker making on computer (cutting and layout)
3. Cross marking and notching
4. Manipulating grain line
5. Grading
6. Practice exercises
References :
Ø Veisinet DD, “Computer Aided Drafting and Design – Concept and Application”, 1987.
Ø Taylor P. “Computers in Fashion Industry”, Heinemann Pub. 1990.
Ø Aldrieh Winfred, “CAD in Clothing and Textile”, Blackwell Science 1994.
(119)PATTERN MAKING –II
Instructions for Paper Setters :
Ø There will be three questions in all each.
Ø One question will be set from Section-A carrying 25 marks
Ø One question will be set from Section-B carrying 25 marks
Ø One question will be set from Section-C carrying 20 marks
Objectives :
Ø To impart draping and grading skills to the students.
PRACTICAL
Exam: 3 hrs
Total Marks : 100
Exam : 90
Int. Ass.: 10
Section-A
1. Drafting of basic skirt block and trouser.
2. Preparation of pattern (drafting method) of different types of skirts : A-line, Godet, gored, Full circular, Pegged.
3. Preparation of commercial paper pattern of basic skirts and trouser
Section-B
4. Draping of basic bodice block-Front and Back
5. Draping of basic skirt block – Front and Back
6. Draping of top with princess line and cowl neck
7. Draping of skirt with flare and skirt with cowl
Section -C
8. Grading of :
· Basic bodice and sleeve block
· Basic skirt
· Trousers
References :
Ø Jaffe Hilde and Relis Nurie, “Draping for Fashion Design”, Prentice Hall
Ø Crawford Amaden, “The Art of Fashion Draping”, Fairchild Publishers
Ø Goulbourn Margartha “Introducing Pattern Cutting, Grading and Modelling”, Bastsford Pub. UK.
Ø Shoben Martin, “Grading”, Batsford Pub. UK.
Ø Price Jeanne and Zamkoff Bernard”, Grading techniques for Modern Design”, Fairchild Pub.
(120)APPAREL MANUFACTURING TECHNOLOGY
Instructions for Paper Setters :
Ø There will be seven questions carrying equal marks.
Ø Question No. 1 will be compulsory carrying short answer type questions, fill in the blanks or true/false.
Ø The remaining six questions will be set from Section A&B. Three questions from each section. The candidate is required to attempt 5 question in all.
Objectives :
Ø To Acquaint students with various machines used in apparel industry.
Ø To impart quality consciousness and awareness of quality parameter required for apparel quality products.
(THEORY)
Exam: 3 hrs
Total Marks : 50
Exam : 45
Int. Ass.: 05
Section-A
1. Introduction to entrepreneurship development-steps in setting up an enterprise.
2. Work flow and brief study of various department of apparel manufacturing unit.
3. Introduction to quality control-definition of quality, importance of quality assurance, stages of quality control in apparel industry.
4. Garment inspection using different methods.
5. Packaging – Importance and various materials used for packaging.
Section-B
6. Care labels, care labeling systems, Eco labeling
7. Applying quality assurance programmes in fabric department, cutting department, production and finishing department.
8. Different types of Industrial sewing machines, and their uses
9. Special purpose machines
10. Study of different department of an Apparel Manufacturing Unit.
Ø Visit to an industry to impart knowledge about
a) Industrial Sewing Machines
b) Special purpose machines.
References :
Ø Mehta, V. Pradip, “Quality Control in Apparel Industry”, NIFT Pub., New Delhi, 2001.
Ø Carr Harold and Latham Barbara, “The Technology of Clothing Manufacture”, Oxford Pub. USA, 1994.
Ø Cooklin Gerry, “Introduction to Clothing Manufacture”, Blackwell Science, UK, 1991.
Ø Chutler AJ, “Introduction to Clothing Production Management”, Blackwell Science, UK, 1998.
Ø Ruth EC, “Apparel Manufacturing and Sewn Product Analysis”.
Ø Bheda Rajesh, “Managing Productivity in the Apparel Industry”, CBS Pub. New Delhi.
(121)historic costumes
Instructions for Paper Setters :
Ø There will be seven questions carrying equal marks.
Ø Question No. 1 will be compulsory carrying short answer type questions, fill in the blanks or true/false.
Ø The remaining six questions will be set from Section A&B. Three questions from each section. The candidate is required to attempt 5 questions in all.
Objectives :
To acquaint the students with different types of World and Indian Costumes of different
Periods
THEORY
Exam: 3 hrs
Total Marks : 50
Exam : 35
Int. Ass.: 05
Project Report : 10
Section-A
1. Study of Indian Costume during following periods :
· Indus Valley Period
· Vedic Period
· Mauryan & Sunga Period
· Satvahana Period
· Kushan Period
· Gupta Period
· Mughal Period
· British Period
Section-B
2. Study of World Costume during following periods
· Egyptian
· Greek
· Roman
· Byzantine
· French – Middle Ages, Renaissance, French Revolution, Romantic Period
Project Report :
· Presentation of Costumes of different periods
· Visit to Museum
References :
Ø Kumar Ritu, “Costumes and Textiles of Royal India”, Christies Book Ltd., London, 1999.
Ø Gurey G.S., “Indian Costumes”, The popular Book Depot
Ø Mehta R.J., “Master pieces of Indian Textiles”, Taraporevala Sons & Co. Pvt. Ltd., Mumbai, 1960.
Ø Bina Abling, “Costumes”
Ø Deborah Nadoolman, “Dressed – A Century of Hollywood Costumes”
Ø The Pepin Press, “Renaissance”.
Ø
(122)LINE DEVELOPMENT
Instructions :
Ø The assessment of the line development will be done by an Internal and External Jury.
Ø 150 marks for the Internal Jury. The internal jury will judge all the steps of the Design Process as shown below.
Ø 50 marks for External Jury. Students will present their creations on their models. The jury members will judge the presentation.
Ø A fashion show may be held for the audience later. This will not carry any marks.
Objectives :
Ø To make students understand the importance of portfolios.
Ø To impart skills of portfolio presentation.
PRACTICAL
Exam: 3 hrs
Total Marks : 200
Internal: 150
External: 50
Ø Study of Fashion Forecast
Ø Conceptualization of theme, mood board, designing, fabric sourcing, pattern development, construction and show casing.
· / Moodboard; theme / 10 marks· / Philosophy ; Story board / 10 marks
· / Concept Board; work sheets; spec sheets / 10 marks
· / Sourcing / 10 marks
· / Fabric Development / 20 marks
· / Illustrations / 30 marks
· / Proto Type / 20 marks
· / Collection / 40 marks
References :
Ø Ireland Patrick John, “Fashion Design Drawing and Presentation”, B T Batsford, London, 1996.
Ø Elizabeth Drudi, “Figure Drawing for Fashion Design”, The Pepin Press.
Ø Allen and Seaman, “Fashion Drawing. The Basic Principles”, B T Batsford, London
Ø Ritu, “Fashion Design and illustrations” Indica Pulishers.
Ø Beasley Alison, “computer Aided Pattern Design and Product Development”, Blackwell Science, UK.
Ø Magazines – Vogue, Cosmopolitan, Fashion Bloom, Wedding Affair, Elle, Vivaha, Images.
(123)GARMENT CONSTRUCTION - III
Objectives :
Ø To introduce concept of advance garment construction.
PRACTICAL
Exam: 3 hrs
Total Marks : 100
Exam : 90
Internal : 10
Ø Drafting and construction of :
· Bushirt & Pyjama with Inseam Pocket
· Night Suit, Nighty & Gown
· Churidaar
· Circular Skirt
· Top with dart manipulation
· Cholicut Blouse
· Trousers
· Men’s Shirt
· Jacket with hood
· Evening gowns (Corset development)
References :
Ø Thomas Anna Jacob, “The art of Sewing”, USB Publishers, New Delhi.
Ø Readers Digest Sewing Book
Ø Verma G., “Cutting and Tailoring Theory” Asian Publishers, Delhi.