PROGRAMME OVERVIEW
The theme for SEWF 2017, “Ka korokī te manu – Creating our tomorrow”, is an invitation to create a global legacy of positive change and to take an active role in shaping the world’s future. Just as the first birdsong welcomes the potential of tomorrow, SEWF 2017 is a chance to come together and explore the endless possibility in ours.
CORE PROGRAMME1
LISTEN:
Plenaries
Main presentations for which all delegates get together.
Mini Plenaries
Main presentations with smaller groups of delegates.
DISCUSS:
Participative Sessions
Interactive sessions running concurrently. Spaces are limited to ensure participation from delegates.
DO:
Workshops
Practical sessions running concurrently. Spaces are limited to ensure applied learning.
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OPTIONAL ACTIVITIES1
Open Stream
The Open Stream runs for 3 days and includes:
-Dedicated networking area
-Spaces and support to do business (mentor bar, meeting rooms, hot desks, additional workshops, clinics)
-Regeneration space
Opportunity for delegate-generated and delegate-run deep dive sessions, etc.
Transitional City Stream
The Transitional City Stream is about opening up the Forum to the city of Christchurch with a programme of tours and activities offered by the local community and local practitioners. This expansive programme runs for 8 days surrounding the Forum, in various locations around the city.
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CONTENTS:
- Programme2
- Map6
- Venue Accessibility
-The Isaac Theatre Royal
-The Piano
-Christchurch Art Gallery
-Christchurch City Council building
DAY 1: Wednesday September 27
07:30 / RegistrationIsaac Theatre Royal
10:30 / Doors of the Isaac Theatre Royal Amphitheatre open
11:00 / Welcome and Opening Ceremony
11:45 / Plenary 1
Creating our tomorrow – determining our future
13:00 / Lunch 90 minutes
14:30 / Facilitated Session
What outcomes do we want for SEWF 2017?
15:30 / Plenary 2
Social enterprise – common values and shared impact
16:30 / Welcome Drinks
DAY 2: Thursday September 28
08:00 / Morning Energizer (optional)09:00 / Plenary 3: Social enterprise in recovery and regeneration
10:00 / Morning Tea 30 minutes
10:30 / ○Mini Plenary 1 - Social enterprise and community-led development
○Mini Plenary 2 - Kaupapa Māori values contributing to social enterprise
○Participative Session 1 - Creating the conditions for experimentation and systemic change
○Participative Session 2 - Social enterprise turning tradition and craftsmanship into skills for life
○Participative Session 3 - Social enterprise fostering inclusion and equality
○Workshop 1 - Social enterprise policy: experiences of co-production with government
○Workshop 2 - Introduction to Social Lean Canvas
○Workshop 3 (repeat) - Engaging with the next generation of leaders -how to
○Workshop 4 (repeat) - Building a customer base for social enterprises
12:00 / Lunch 90 minutes
13:30 / ○Mini Plenary 3 - Doing social impact investment well
○Mini Plenary 4 - Guardianship, stewardship & the environment
○Participative Session 4 - Housing solutions enabling a more sustainable and social existence
○Participative Session 5 - The creative economy and social change
○Participative Session 6 - Imagining an Aotearoa New Zealand where all our children and whānau
○Workshop 3 - Engaging with the next generation of leaders - how to
○Workshop 4 - Building a customer base for social enterprises
○Workshop 1 (repeat) - Social enterprise policy: experiences of co-production with government
○Workshop 2 (repeat) - Introduction to Social Lean Canvas
15:00 / Afternoon Tea 45 minutes
15:45 / ○Mini Plenary 5 - Government as a partner to social enterprise
○Mini Plenary 6 - Networks and intermediaries adding value
○Participative Session 7 - Social enterprise and indigenous aspirations
○Participative Session 8 - Bridging the early stage funding gap
○Participative Session 9 - Regeneration and community empowerment
○Workshop 5 - Using social innovation to create social change
○Workshop 6 - Impact measurement and impact modelling
○Workshop 8 (repeat) - Legal structures - what are my options?
DAY 3: Friday September 29
08:00 / Morning Energizer (optional)09:00 / Plenary 4: Global citizenship and Sustainable Development Goals
10:00 / Morning Tea 30 minutes
10:30 / ○Mini Plenary 7 - Harnessing technology
○Mini Plenary 8 - Employers of tomorrow
○Participative Session 10 - Global governance
○Participative Session 11 - Social enterprise and the Sharing Economy
○Participative Session 12 - The enterprise of waste minimisation
○Workshop 7 - Social procurement - how to
○Workshop 8 - Legal structures - what are my options?
○Workshop 9 (repeat) - Surveying and mapping the sector - how to go about it?
○Workshop 10 (repeat) - Collaborative leadership - applying the principles of collaboration to running a social enterprise
12:00 / Lunch 90 minutes
13:30 / ○Mini Plenary 9 - Social procurement for the public sector
○Mini Plenary 10 - Corporate supply chain - fertile ground for social enterprise?
○Participative Session 13 - Rewriting the social contract: State, Social Enterprise & Social Movements
○Participative Session 14 - Social enterprise democratising investment
○Participative Session 15 - Social enterprise in education - opportunities & challenges
○Workshop 9 - Surveying and mapping the sector - how to go about it?
○Workshop 10 - Collaborative leadership - applying the principles of collaboration to running a social enterprise
○Workshop 5 (repeat) - Using social innovation to create social change
○Workshop 6 (repeat) - Impact measurement and impact modelling
15:00 / Afternoon Tea 45 minutes
15:45 / Plenary 5: The future of business
17:15 /
Closing Ceremony
19:00 / Evening Function - Shindig (ticketed)VENUE ACCESSIBILITY:The Isaac Theatre Royal
Summary
The Isaac Theatre Royal was originally built in 1908 with the foyer being added on in 1928. The building was badly damaged in the 2011 earthquakes in Christchurch. After extensive restoration the theatre was reopened in November 2014. There are improved facilities such as more accessible toilets, signage, counter services, seating and lifts throughout the building which has been restored with the aim of retaining its former grandeur whilst creating a modern theatre facility. The Social Enterprise World Forum will be using all areas of the theatre.
Arriving and Getting In:
Bus Stop:
●There are currently no bus stops within 200m of the entrance to the Isaac Theatre Royal.
●Bus numbers 29, Blue line, 28, 44, Orange line and Yellow line buses all travel along Manchester St and a stop may be in place once the road has been reconstructed.
●The nearest public car parking is at the corner of Gloucester and Manchester Streets. This area is only temporary until the site has been developed. There are traffic controlled intersections with pedestrian crossing signals (auditory and visual) and dropped kerbs to allow easy access from this car park to the Isaac Theatre Royal.
Drop off/pick up zone:
●The drop off zone on Gloucester Street, immediately outside the front doors, is currently being reconstructed, so there is no signage. This is the only business which would make use of this drop off area on this section of the street as the frontage for the theatre is wide.
●The drop off/pick up zone is located within 200 metres of the organisation's entrance
●There is shelter over the drop off/pick up zone.
●There is no kerb curb cut to the pavement or the environment is uneven.
The identified accessible route to the site:
●The main entrance into the Isaac Theatre Royal is from the pavement on Gloucester Street. There is good clear space here and the swing doors are kept open when there is an event on in the theatre.
●The accessible route to the site has a minimum width of 1200mm.
●There are no tactile indicators installed to help navigate to the main entrance.
The main entrance into the site:
●The swing doors are kept open when there is an event on. There are security people and front of house hosts available to assist visitors to the site, who are near the front entrance.
Main entrance signage:
●There are signs indicating there are hearing loops within the theatre, which are on the front doors.
Main entrance doorways (this includes gates and turnstiles)
●The doors into the theatre have been retained from the original 1930s design during renovations following the 2011 earthquakes. These double swing doors are heavy to open, but are always kept open as visitors arrive for a performance, and are manned by front of house staff who can assist whenever needed to access the main foyer.
●Single swing doors have a width of less than 760mm.
●The entrance door swing allows for a 1200mm minimum clear space.
Getting around within the site:
Customer Service:
●There are staff available to help with any access enquiries.
●There are 3 wheelchairs available.
●All support animals are welcomed on premises (e.g. guide, hearing or mobility dogs etc).
The identified accessible route within the site:
●There is good access from the main foyer into the auditorium with lift access to the first and second floors if required.
●The accessible route within the site has a minimum width of 1200mm.
●Any permanently fixed objects are detectable by a person using a cane.
●You can access all facilities and services within from this accessible route.
●Lighting levels on this accessible route offer good visibility and viewing.
●The layout suggests a welcoming physical environment (e.g. mobile floor stands provide unimpeded travel, or outdoor environment surfaces are well maintained).
Sensory options:
●There are hearing loops in the main auditorium.
●A listening system exists.
●There is a hearing loop available.
●Braille or tactile methods are used to help indicate location.
Surfaces:
●There is a very slight ramp from the main foyer to the toilet area which has a non-slip surface. The carpet in the main foyer has a large pattern, and has been made in keeping with the style of the original theatre.
●Easy movement around the site due to short cut carpet pile.
●The floor surface covering has a strong pattern and could be disorienting.
●Tactile indicators are not installed on the accessible route
Lifts:
●There is a lift to the first and second floors with good space for access customer needs and anyone with them.
●All controls (i.e. landing controls, alarm and emergency telephone) are located within a reachable range.
●There are raised tactile numbers on each landing
●The lift has clear glazing, which may be disorienting.
Stairs or Steps:
●There is a large flight of marble stairs leading to the first floor. There is a landing half way up and rails on each side. Anyone visiting the theatre on their own who has access issues, would be recommended to take the lift due to the size of the staircase and uniformity of colour of the stairs (a cream marble).
●There is a handrail located on at least one or both sides of the stairs.
Accessible Toilets:
●There are accessible toilets on all the floors with automatic lighting in all except the toilet on the first floor (through the Gloucester Room). These toilets are all well designed with good facilities.
●These are located: 2 on ground floor, 1 on first floor, 2 on second floor
●All gender accessible toilets are in a self-contained compartment with full privacy.
●There is a baby change station or separate parent room available.
●Accessible toilets are distributed evenly throughout multi storey buildings.
●The toilet pan provides a stable base to transfer from.
●The accessible toilet is a minimum of 1600mm wide x 1900mm long.
●The washbasin is reachable from the toilet seat.
Places of assembly, entertainment and recreation:
●The theatre has a number of accessible spaces for presentations and shows, all of which are accessible.
●Meeting rooms are on the accessible route.
●Entertainment areas are on the accessible route.
●There is level access and floor space for wheelchair users to be seated with the general audience.
●There is direct access to an accessible toilet
●There are assistive listening systems provided.
●The presentation area or stage is accessible.
Designated Accessible Areas:
●There is a good range of seating of different heights, and some with armrests, within the main foyer area. Within the auditorium, there are 4 spaces on the ground floor for wheelchairs, 2 larger seats and 2 seats where wheelchair users can transfer onto an auditorium seat (ie they have arms which can be put up to allow this transfer)
●Anyone requiring a phone eg. to phone for a taxi, can get help from the front of house staff.
Getting out safely:
●Staff have regular evacuation practices and are all well trained in this area.
●The emergency exits are accessible and hazard free.
●All fire/smoke doors can stay open automatically during an emergency.
●There are audible fire alerting devices.
●Assembly areas (e.g. evacuation point) are on the accessible route.
The Piano
Summary
The Piano is a purpose built music centre, completed in 2016. It has a large foyer space with coffee bar, and a performance auditorium (the Philip Carter Family concert Hall) with sloping seats within the hall, and space at the entry area for anyone in a wheelchair to sit. The areas being used for the SEWF are the main foyer and the Philip Carter Family Concert Hall and these are the only areas that has been assessed. There is excellent ramped access into the building.
Arriving and Getting In:
Bus Stop:
●The nearest bus stop is on Kilmore Street (one street north) and does not have seating or shelter. Due to the reconstruction of Manchester Street, buses are passing along here but are not able to stop currently. Once road work is completed, it is likely that bus stops will be added back in. Regular information updates can be found at the metro info website.
●Currently bus stops are not positioned on nearby streets due to road reconstruction.
●The Yellow line from Brighton travels along Gloucester Street which is the closest route to The Piano.
●The nearest public car park is a temporary one on the corner of Manchester and Gloucester Street. This has a rough uneven stone surface and is not a safe surface for anyone with mobility issues. The nearest public multi storey carpark is on Lichfield Street near Barbadoes Street.
Drop off/pick up zone:
●There is a P5 area outside The Piano entrance for drop offs with a kerb cut to the pavement for easier access.
●The drop off/pick up zone is located within 200 metres of the organisation's entrance.
●There is no shelter over the drop off/pick up zone.
●There is a kerb curb cut to the pavement or the environment is level.
Drop off/pick up zone signage:
●The drop off zone has signage alerting anyone who needs to be dropped off about the correct area for this.
●The drop off/pick up zone is easy to find and well sign posted.
Kerb Side:
●There is a wide area of pavement outside the entrance to the Piano with good space for people and flat surfaces.
●There is a kerb ramp for changes in level between the car park and footpath.
Fixed ramps to the main entrance:
●There is a ramp at the front entrance for anyone with access needs to use. It has good handrails, an easy slope and allows easy access into the building.
●There is 1 fixed ramp to the site
●Ramps have a handrail.
The identified accessible route to the site:
●The Piano has as imposing front entrance onto Armagh Street with clear signage for the entrance.
●The accessible route to the site has a minimum width of 1200mm.
There are no tactile indicators installed to help navigate to the main entrance.
The main entrance into the site:
●The main entrance is flat and of a slip resistant material.
Main entrance signage:
●The ISA symbol is visible at the main entrance indicating this building is welcoming for everyone.
Main entrance doorways (this includes gates and turnstiles)
●There are automated doors at the main entrance making access easy for everyone.
Getting around within the site:
The identified accessible route within the site:
●The main foyer which leads to the performance areas is spacious and has a clear accessible route to all facilities.
●The accessible route within the site has a minimum width of 1200mm.
●Any permanently fixed objects are detectable by a person using a cane.
●You can access all facilities and services within from this accessible route.
●Lighting levels on this accessible route offer good visibility and viewing.
●The layout suggests a welcoming physical environment (e.g. mobile floor stands provide unimpeded travel, or outdoor environment surfaces are well maintained).
Fixed ramps within:
●There is a ramped corridor leading to the main auditorium. This is carpeted and has a gradual slope down to the door into the auditorium.
●There is 1 fixed ramp to the main auditorium
●Ramps have a handrail.
Signage within the site:
●Signage for accessible facilities throughout the building is clear and consistent.