ART 497: Introduction to Research Methods

Summer 2011

This syllabus is subject to change as the instructor sees fit or necessary

in order to facilitate student learning.

Instructor: Ed Stewart, PhD.

Office: CVA 203B Office phone: (309) 438-7327

e-mail:

http://www.ilstu.edu/~eostewa

Office Hours: M-H 9:00 – 10:00 (or by appointment).

The Illinois State University Master’s in Art degree (M.A. or M.S.) with a Sequence in Art Education is a program that emphasizes both theory and practice in art education. Graduate level courses offered through the School of Art develop and assess the knowledge, performance, and disposition standards required of the professional art educator. Graduates of the program will contribute to the Realizing the Democratic Ideal (RDI) Intellectual and Ethical Commitments by providing excellence in education thus enhancing the quality of life potential for all learners. Standards adopted by the School of Art include those of the National Art Education Association (NAEA), the Interstate New Teachers Assessment and Support Consortium (INTASC), and the Illinois State Board of Education (ISBE) standards outlined in the Illinois Professional Teaching Standards (IL-PTS), and the Illinois Visual Arts Content – Area Standards (IL-ISBE-VA). Illinois Core Technology (CTS) and Language Arts (CLAS) Standards for all teachers are also considered.

Course Description: Introduction and survey of bibliography, methods of scholarly research, and critical evaluation of research and writing in the field. This material will be covered in the context of the thesis proposal writing process.

The majority of readings will be from journal articles, actual grant proposals, and chapters in various texts.

Objectives:

a.  Know the location and contents of various resources in the library

b.  Find and review major types of research from examples taken from the literature in art education, and other relevant sources.

c.  Present examples of various types of research to the class.

d.  Design and write a research proposal.

e.  Write a letter of consent for research participants and a letter of permission and assent if the participants are under 18 years old.

f.  Complete an Institutional Review Board (IRB) protocol form for the proposed research project.

(INTASC 1, 6, 8; IL-IPTS 1, 7, 9. ISU Realizing the Democratic Ideal (RDI) Ethical and Intellectual Commitments (IC 1-knowledge, EC 2-collaboration, EC 3-regard for learning, IC 4-resourceful, EC 4-respect for learners, and IC 5-enthusiasm) should be evident.

ATTENDANCE – Class attendance is extremely important. Missing class may affect your ability to keep pace with the other graduate students in the class and thus, may affect your final grade.

EVALUATION – In-class participation and discussion, written papers including the library work sheet, reaction papers written from research articles, a draft of a proposed research project, and in-class presentations. Written papers are to be word-processed, double-spaced, and in APA format. (Bring copies of written summaries for class members).

Course Requirements:

1.  Familiarization of resources for research beyond art education journals.

LIBRARY WORKSHEET 75 pts. (15%)

2.  Familiarization and developing competence in use of APA format in writing papers and developing reference lists.

REFERENCE LIST OF ARTICLE REVIEWS 50pts. (10%)

3.  Review and critique of articles representing various types of research throughout the semester.

5 RESEARCH REPORTS (experimental, survey, ex post facto,

qualitative, & historical) @25pts. ea. (125 pts.) (25%)

4.  Development of a proposal for a research project including a review of literature on chosen topics for a research (thesis) project.

RESEARCH PROPOSAL 150pts. (30%)

5.  Research proposal presentation and critique including asking/answering questions about the proposal.

PROPOSAL PRESENTATION TO THE CLASS 50pts (10%)

6.  Class participation.

TAKE PART IN DISCUSSIONS AND DAILY REFLECTIONS

50 pts. (@ 2pts. per day) (10%)


COURSE SCHEDULE

The professor reserves the right to alter the syllabus for better student learning.

Week 1

Introduction

·  Why Research? How do you know (anything)?

·  types of research.

·  how to skim articles.

·  basic APA style.

·  a little basic vocabulary.

·  scavenger hunt (Due by the end of week 3).

·  overview of proposal writing process.

A trip to Milner Library for orientation

Basic statistics found in research studies

Week 2

Students will begin reading examples of different types of research from the art education literature. Please refer to your class bibliography for examples but try to find more current literature.

Experimental/Quasi Experimental, Survey, Ex Post Facto, Qualitative, & Historical Research

Ethics in research with human subjects

Research Issues & Literature Reviews.

Reaction papers and class discussion.

All students will provide a report on articles that includes:

·  Overall response to the article;

·  Was the review comprehensive...what limits were imposed in terms of types of studies, dates, content?

·  What questions did it raise?

·  What questions did it answer?

·  Who were the participants? Was randomization employed?

·  What was the treatment? Was there a control group?

·  What statistical tests were used?

Students should have a question to investigate and begin their own literature reviews on their topic(s).

USE APA STYLE IN ALL REPORTS

Week 3

Guest Speaker on Reporting to the IRB

Ethical Treatment of Human Subjects: Preparing for IRB Review

Elements of Consent

Begin Reports on Research Articles:

Experimental / Quasi Experimental Research


Week 4

4th of July no school

Survey research report

Ex Post Facto (Causal Comparative) report

Week 5

Ex Post Facto Report

Qualitative Report

Bibliography of articles you have read

Historical report

Your Research Topic: Questions, Hypothesis, Topics in the Review of Literature, Instrumentation, Treatment, and/or Data Collection.

Week 6

Last historical reports

Research / Writing Day

Presentation of Research Proposals

All papers should follow APA style guidelines.


APA guidelines for most used formatting issues

Headings: 111

Quotations: 117

Reference Citations in Text: 207

Reference List: 215

Manuscript prep: 283

Sample manuscript pages: 306 - 320

Sample of an article citation in Reference list:

Authors last name, First initial. (year of publication). Title of article. Title of Publication,

volume # italicized (number if each volume begins with page 1 in parenthesis),

page #s.

Order of Proposal / Thesis:

1.  Title Page

2.  Summary or Abstract*

3.  Begin the paper with a brief Introduction, which references some of the literature and sets up the purpose and need statements.

4.  Purpose of the Study

5.  Need for the Study

6.  Research question

7.  Sub questions if necessary

8.  Research Hypothesis

9.  Null Hypothesis (if applicable)

10.  Terms (vocabulary critical to understanding the study)

11.  Survey of Literature (becomes review of literature in Thesis.

12.  Procedures (Methods)

·  Participants & selection

·  treatment

·  instrumentation

·  data collection

13.  Analysis (in proposal explain what the data will be, how it will be collected and how it will be used).

14.  Conclusions/summary (in the proposal what do you expect to find given what the literature says)

15.  References

16.  Appendix:

If using younger students as participants you will have

Appendix A. Letter of Permission

Appendix B. Letter of Assent

Appendix C (if using younger participants) will be your IRB form.

If using participants over 18 you will have:

Appendix A. Letter of Consent

Appendix B (if using participants over 18) will be your IRB form.

*This sections will be in the thesis but not in the proposal.

The most common error in proposals is the failure to follow APA formatting in citations in text and in references. Proposals are written in future tense (because you are explaining what you will do) except for the review of literature (because that is about what has been written).


Art 497 Introduction to Research Methods

Summer 2011

Bibliography on Types of Studies from the Published Research Literature

in Art Education

compiled by Dr. F. E. Anderson & Dr. E.O. Stewart

HISTORICAL RESEARCH

Bolin, P.E, (1995). Overlooked and obscured through history; The legislative bill

proposed to amend the Massachusetts drawing act of 1870. Studies in Art

Education, 37(1), 55-64.

Bolin, P.E., Blandy, D., & Congdon, K.G. (Eds.) (2000). Remembering others: Making invisible

histories of art education visible. . Reston, VA: NAEA.

Duncum, P. (1985). How children born between 1724 and 1900 learned to draw. Studies in

Art Education, 26(2), 93-99.

Efland, A. (1988). Studies in art education: Fourth invited lecture: How art became a discipline:

Looking at our recent history. Studies in Art Education. 262-274.

Kader, T. (2000). The bible of art history: Gardner’s art through the ages. Studies in Art

Education, 41(2), 164-177.

McNutt, J. K. (1990). Plaster casts after antique sculpture: Their role in the elevation of public

taste and in American art instruction. . Studies in Art Education, 31(3), 158-167.

Peers, C. (2002). Tracing an approach to art teaching: A historical study of an art education

documentary film. Studies in Art Education, 43(3), 264-277.

Sproll, P. A.C. (1994). Matters of taste and matters of commerce: British government

intervention in art education in 1835. Studies in Art Education, 35(2), 105-133.

Stout, C.J. (2002). The flower teachers: Stories for a new generation. Reston, VA: NAEA.

SURVEY RESEARCH

(STATUS STUDIES)

Anderson, F. E. (1976). The arts and the elderly: An assessment of interest and

attitude. Studies in Art Education, 18(2), 30-38.

Anderson, F. E. and Landgartten, H. (1975). Art in mental health. Studies in Art

Education, 15(3), 45-56

Freedman, K. and Wood, J. (1999). Reconsidering critical response: Student judgments of

purpose, interpretation, and relationships in visual culture, Studies in Art Education,

40(2), 128-142.

Glenn, D. D. and Sherman, A. (1983). The status of women art education faculty in higher

education. Studies in Art Education, 24(3), 184-186.

Jeffers, C. S. (1996). Professional development in art education today: A survey of

Kansas art teachers. Studies in Art Education, 37(2), 101-114.

Lampela, L. (1994). A description of art text books used in Ohio. Studies in Art

Education, 35(4), 228-236. (description survey research).

Luftig, R. (2003). So what are you doing after college? An investigation of individuals studying

the arts at the post-secondary level, their job aspirations and levels of realism, Studies in

Art Education, 45(1), 5-19.

Luehrman, M. (2002). Art experiences and attitude toward art education: A Descriptive study of

Missouri public school principals. Studies in Art Education, 43(3), 197-218.

Zimmerman, E. (1994). A research and practice about pre-service visual art specialist teacher education.

Studies in Art Education, 35(2), 79-89.

LITERATURE REVIEWS

(STATUS STUDIES AND META ANALYSIS)

Anderson, F. E. (1983). Approaches to cross-cultural research in arts education.

Studies in Art Education, 21(1), 21-31

Anderson, N.O. & Ellens, J.H. (1989). Endocrine chemistry and psychological states. Journal of Psychology

and Christianity, 8(2), 13-22.

Barret, D.B. (1993). Art programming for older adults: What’s out there. Studies in

Art Education, 34(3), 133-140.

Haanstra, F. (1996). Effects of art education on visual-spatial ability and aesthetic

perception: A quantitative review. Studies in Art Education, 37 (4), 197-209.

Jones, J. E. (1993). The influence of age on self-directed learning in university and

community adult art students. Studies in Art Education, 34 (3), 158-166.

Sullivan, G. (1993). Art-based art education: Learning that is meaningful, authentic, critical,

and pluralist. Studies in Art Education, 35(1), 5-21.

Tomhave, R. (1992). Value bases underlying conceptions of multicultural education:

An analysis of selected literature in art education. Studies in Art Education, 34(1), 48-60.

Wang, M.C., Haertel, G.D., & Walberg, H. J. (1993). Toward a knowledge base for school learning.

Review of Educational Research, 63 (3), 249-294.

EX POST FACTO STUDIES (Causal-Comparative or STATUS STUDIES )

Anderson, F. E. (1971). Aesthetic sensitivity, dogmatism and the Eisner art inventories.

Studies in Art Education, 12(2), 23-34.

Anderson, F. E. (1969). Aesthetic sensitivity, previous art experiences, and participation in the

scholastic art awards. Studies in Art Education, 10(3), 34-44.

Clark, G. A. (1993). Judging childrens’ drawings as measures of art abilities. Studies

in Art Education, 34(2), 77-81.

Dalton, K. (1995). Children’s use of baselines: Influences of a circular format.

Studies in Art Education, 36(2), 105-113.

Nelson, P. Lavern, Martin, Sue S. & Baldwin, Vernoice G. (1998). Drawing skills and science

concepts in young children: A study of relationships. Studies in Art Education, 39(3),

262-269.

Neprud, R. W. & Stuhr, P, L. (1993). Cross cultural valuing of Wisconsin Indian art by Indians

and non-indians. Studies in Art Education, 34(4), 362-369.

QUASI-EXPERIMENTAL STUDIES

American Legion Magazine (1994). Studies show that prayer after surgery leads to faster

healing. 20-21.

Brewer, T. M. (1998). The relation of art instruction, grade level, and gender on third and seventh-

grade student drawings. Studies in Art Education, 38 (1), 132-146.

Erickson, M. (1995). Second and sixth grade students’ art historical interpretation abilities:

A one-year study. Studies in Art Education, 37(1), 19-28.

Erickson, M. (1998). Effects of art history instruction on fourth and eighth grade students abilities to

interpret artworks contextually. Studies in Art Education, 39(4), 309-320.

Luftig, R. L. (2000). An investigation of an arts infusion program on creative thinking, academic

achievement, affective functioning, and arts appreciation of children at three grade

levels. Studies in Art Education, 41(3), 208-227.

Nelson, P.L., Martin, S.S., and Baldwin, V.G. (1998). Drawing skills and science concepts in young

children: A study in relationships. Studies in Art Education, 39(3), 262-269.


EXPERIMENTAL

Carson, N. F. (1998). Interactive multi media. An alternative context for studying works of art. Studies in Art

Education, 39(4), 336-349.

Brewer, T M. & Colbert, C. B. (1992). The effect of contrasting instructional

strategies on seventh-grade students’ ceramic vessels. Studies in Art Education,

34(1), 18-27.

Brewer, T. M. (1998). The relation of art instruction, grade level, and gender on third and seventh-grade

student drawings. Studies in Art Education, 38(1), 132-146.

Hardima, G. W. and Zernich, T. (1984). Subjective responses to paintings as originals, colored

slides, and colored prints. Studies in Art Education, 25(2), 104-114.

QUALITATIVE STUDIES

(CASE STUDIES: CONTENT ANALYSIS AND ETHNOGRAPHIC STUDIES)

Anglin, J. M. (1993). Three views of middle school art curriculum. Studies in Art Education, 35(1), 55-64.