A Bibliography of Literary Theory, Criticism and Philology s10

from

A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)

Joseph Conrad (1857-1924)

(English novelist; b. Teodor Józef Konrad Korzeniowski, b. Ukraine, son of a revolutionary Pole, seaman to late 1890s; naturalized Briton 1886, merchant captain in the East and in Congo; then successful novelist, critically acclaimed early modernist; novels of life experience and human weakness, theorist of aesthetic form in novel; d. Kent)

Works

Conrad, Joseph. Almayer's Folly. Novel. 1895.

_____. Almayer's Folly. Ed. Jacques Berthoud. Oxford: Oxford UP.

_____. La locura de Almayer. Novel. Barcelona: Montesinos, 1993.

_____. An Outcast of the Islands. Novel. 1896.

_____. An Outcast of the Islands. Ed. J. H. Stape and Hans van Marle. Oxford: Oxford UP.

_____. The Nigger of the Narcissus. Novel. 1897.

_____. The Nigger of the Narcissus. Ed. Robert Kimbrough. New York: Norton, 1979.

_____. The Nigger of the 'Narcissus'. Ed. Jacques Berthoud. Oxford: Oxford UP.

_____. Preface to The Nigger of the Narcissus. 1897. In Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985. 238-42.*

_____. "Preface to The Nigger of the Narcissus." [The Task of the Artist.] In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1954-56.*

_____. Una avanzada del progreso. Madrid: Alianza (Alianza Cien).

_____. Lord Jim. Novel. 1900.

_____. Lord Jim. Ed. Thomas C. Moser. (Norton Critical Edition). New York: Norton, 1968.

_____. Lord Jim. Novel. 1900. Ed. John Batchelor. Oxford: Oxford: Oxford UP, 1983.

_____. Lord Jim. Ed. Cedric Watts and Robert Hampson. London: Penguin, 1989.

_____. Lord Jim. Ware: Wordsworth.

_____. Typhoon. 1902.

_____. Typhoon. In Typhoon and Other Tales. Ed. Cedric Watts. Oxford: Oxford UP.

_____. "Heart of Darkness." Novella. 1899, 1902.

_____. Heart of Darkness. New York: Bantam, 1960. 1981.

_____. Heart of Darkness. Harmondsworth: Penguin, 1974.

_____. Heart of Darkness and Other Tales. Ed. Cedric Watts. Oxford: Oxford UP.

_____. Heart of Darkness. Ed. Robert Kimbrough. 3rd. ed. (Norton Critical Edition). New York: Norton, 1988.

_____. Heart of Darkness. Ed. Ross C. Murfin. (Case Studies in Contemporary Criticism). 2nd ed. Boston: St. Martin's-Bedford Books; Basingstoke: Macmillan, 1996.

_____. Heart of Darkness. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1145-1205.*

_____. Heart of Darkness. 1899, pub. 1902. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1957-2017.*

_____. El corazón de las tinieblas. Trans. Araceli García Ríos and Isabel Sánchez Araujo. Introd. and notes Araceli García Ríos. (El Libro de Bolsillo). Madrid: Alianza, 1976. 4th ed. 2012.*

_____. El corazón de las tinieblas. Trans. Sergio Pitol. In El corazón de las tinieblas. La soga al cuello. (Jorge Luis Borges: Biblioteca personal). Barcelona: Hyspamérica, 1985.

_____. "El corazón de las tinieblas." Trans. Sergio Pitol. In Cuentos memorables según Jorge Luis Borges. © María Kodama. Buenos Aires: Alfaguara, 2003. 91-210.*

_____. El corazón de las tinieblas. Ed. Fernando Galván and José Santiago Fernández. (Letras Universales). Madrid: Cátedra, 2005.

_____. Youth. Novel. 1902.

_____. Nostromo (A Tale of the Seaboard). Novel. 1904.

_____. Nostromo. Introd. Keith Carrabine. (World's Classics). Oxford: Oxford UP, 1996.

_____. Nostromo. Harmondsworth: Penguin, 1983.

_____. The Mirror of the Sea. 1906.

_____. The Mirror of the Sea: Memories and Impressions. London: Methuen, 1926.

_____. El espejo del mar. Trans. Javier Marías. Introd. Juan Benet. Madrid: Hiperión, 1982.

_____. El espejo del mar. Trans. Javier Marías. Introd. Juan Benet. Madrid: Reino de Redonda.

_____. The Secret Agent. Novel. 1907.

_____. The Secret Agent: a Simple Tale. Harmondsworth: Penguin Books, 1963.

_____. The Secret Agent. Ed. Roger Tennant. Oxford: Oxford UP.

_____. The Secret Agent. Ware: Wordsworth.

_____. The Secret Agent. Ed. John Lyon. (Oxford World's Classics). Oxford: Oxford UP, 2004.

_____. "The Secret Sharer." Story. 1910. In Conrad, Selected Novels and Stories 657-86.

_____. The Secret Sharer. (Penguin 60s Classics). Harmondsworth: Penguin.

_____. "The Secret Sharer." In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 245-76.*

_____. The Secret Sharer. Ed. Daniel R. Schwarz. (Case Studies in Contemporary Criticism). Houndmills: Macmillan, 1998.

_____. "The Secret Sharer." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993.*

_____. Under Western Eyes. Novel. 1911.

_____. Under Western Eyes. Harmondsworth: Penguin, 1975.*

_____. Under Western Eyes. Ed. Jeremy Hawthorn. Introd. Tony Tanner. Oxford: Oxford UP.

_____. A Personal Record. Autobiography. Book ed. 1912.

_____. A Personal Record. London: Nelson, n. d.

_____. Twixt Land and Sea. Stories. 1912.

_____. Chance. Novel. 1914.

_____. Chance. Ed. Martin Ray. Oxford: Oxford UP.

_____. Chance. Introd. Jane Miller. London: Hogarth, 198-?

_____. Chance. New York: Norton, 1968.

_____. Azar. Madrid: Alianza, 1994.

_____. Victory. Novel. 1915.

_____. Victory. Ed. John Batchelor. Introd. Tony Tanner. Oxford: Oxford UP.

_____. Victory. Harmondsworth: Penguin.

_____. Victory. Ed. Mara Kalnings. (Oxford World's Classics). Oxford: Oxford UP, 2004.

_____. Within the Tides. 1915.

_____. "The Inn of the Two Witches." From Within the Tides. In Great English Short Stories. Ed. Lewis Melville and Reginald Hargreaves. London: Harrap, 1931. 696-717.*

_____. "The Heroic Age." Essay. In The Queen's Gift Book: In Aid of Queen Mary's Convalescent Auxiliary Hospitals for Soldiers and Sailors Who Have Lost Their Limbs in the War. Stories. Foreword by John Galsworthy. London: Hodder and Stoughton, n.d. (1916?).*

_____. The Shadow-Line: A Confession. 1917.

_____. The Shadow-Line. Harmondsworth: Penguin.

_____. The Shadow-Line. Ed. Jeremy Hawthorn. Oxford: Oxford UP.

_____. La línea de sombra. Trans. Ricardo Baeza. Montaner y Simón.

_____. La línea de sombra. Trans. Ricardo Baeza. Barcelona: Laertes, 1977.

_____. Notes on Life and Letters. 1920.

_____. The Rescue. Novel. 1920.

_____. The Rescue. (Penguin Twentieth Century Classics). Harmondsworth: Penguin, 1985.

_____. "The Aim of Fictional Art." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 251-7.

_____. The Rover. Novel. 1923.

_____. The Rover. New York: Doubleday, 1923.

_____. "The Lagoon." Short story.

_____. "Karain." Short story.

_____. "The Tale." In Women, Men, and the Great War: An Anthology of Stories. Ed. Trudi Tate. Manchester: Manchester UP, 1995. 210-24.*

_____. The End of the Tether.

_____. La soga al cuello. In Borges,. El corazón de las tinieblas. In El corazón de las tinieblas. La soga al cuello. (Jorge Luis Borges: Biblioteca personal). Barcelona: Hyspamérica, 1985.

_____. The Rover. Ed. Andrzej Busza and J. H. Stape. Oxford: Oxford UP.

_____. An Outpost of Progress. Cáceres: Universidad de Extremadura.*

_____. "Gaspar Ruiz." In Mil y una aventuras: Los mejores relatos de aventuras aparecidos en Valdemar (1987-2003). Madrid: Valdemar, 2003. 419-508.*

_____. "The Tale." In The Penguin Book of First World War Stories. Ed. Barbara Korte with Marie Einhaus. (Penguin Classics). London: Penguin, 2007. 93-110.*

_____. Conrad's Prefaces to His Works. Ed. Edward Garnett. London: Dent, 1937.

_____. A Conrad Argosy. Preface by H. L. Mencken. 1942.

_____. Joseph Conrad on Fiction. Ed. Walter F. Wright. Lincoln: U of Nebraska P, 1964.

_____. The Mirror of the Sea and A Personal Record. Ed. Zdzislaw Najder. Oxford: Oxford UP.

_____. Heart of Darkness and Other Tales. Ed. Cedric Watts. Oxford: Oxford UP.

_____. Typhoon and Other Tales. Ed. Cedric Watts. Oxford: Oxford UP.

_____. Victory. Ed. John Batchelor. Introd. Tony Tanner. Oxford: Oxford UP.

_____. Youth, Heart of Darkness, The End of the Tether. Ed. Robert Kimbrough. Oxford: Oxford UP.

_____. Youth. The End of the Tether. Harmondsworth: Penguin, 1973.

_____. The Duel.

_____. Congo Diary and Other Uncollected Pieces. Garden City (NY), 1978.

_____. The Collected Letters of Joseph Conrad. Ed. F. R. Karl and L. Davies. Cambridge: Cambridge UP.

_____. Tales of Unrest. Harmondsworth: Pengin, 1983.

_____. Selected Novels and Stories. [The Nigger of the Narcissus, Heart of Darkness, Nostromo, Under Western Eyes, The Secret Sharer, Freya of the Seven Isles, Victory ]. Twickenham (Middlesex): Hamlyn, 1986.

_____. Typhoon and Other Stories. Harmondsworth: Penguin, 1990.

_____. Una avanzada del progreso. Madrid: Alianza (Alianza Cien).

_____. Three Great Works: Lord Jim, Heart of Darkness, Nostromo. Oxford: Oxford UP.

_____. Three Novels: Heart of Darkness, The Secret Agent, The Shadow Line. Ed. Norman Page. Basingstoke: Macmillan, 1995.

_____. La posada de las dos brujas y otros relatos. Madrid: Alianza.

Conrad, Joseph, and Ford Madox Ford. The Inheritors. Novel. 1901.

_____. Los herederos.Trans. Juan Antonio Molina Foix. Madrid: Debate, 1996.

_____. Romance. 1903.

Ingram, Allan, ed. Joseph Conrad: Selected Literary Criticism and The Shadow-Line. London: Routledge, 1986.

Biography

Allen, J. The Sea Years of Joseph Conrad. New York, 1965.

Baines, Jocelyn. Joseph Conrad: A Critical Biography. London: Weidenfield and Nicolson, 1959.

_____. Joseph Conrad: A Critical Biography. Harmondsworth: Penguin, 1986.

Brantlinger, Patrick. "Heart of Darkness: Anti-Imperialism, Racism, or Impressionism?" Criticism 27.4 (Fall 1985).

Conrad, Boris. My Father: Joseph Conrad. London: Calder, 1970.

Conrad, Jessie. Joseph Conrad as I Knew Him. Garden City (NY): Doubleday, 1926.

_____. Joseph Conrad and his Circle. New York: Dutton, 1935.

Conrad, John. Joseph Conrad: Times Remembered. Cambridge: Cambridge UP, 1981.

Curle, Richard. Joseph Conrad: A Study. London: Kegan Paul, 1914.

_____. The Last Twelve Years of Joseph Conrad. Garden City (NY), 1928.

Ford, Ford Madox. Joseph Conrad. London: Duckworth,1924.

Jean-Aubry, G. Joseph Conrad: Life and Letters. London, 1927.

Karl, Frederick R. Joseph Conrad: The Three Lives. London: Faber, 1979.

Marías, Javier. "Joseph Conrad en tierra." In Marías, Vidas escritas. Madrid: Siruela, 1992. 21-26.*

Meriwether, James B. Joseph Conrad: A Personal Remembrance. New York: Ecco Press, 1989.

Meyers, J. Joseph Conrad: A Biography. London: Murray, 1991.

Moser, Thomas. Joseph Conrad: Achievement and Decline.

Najder, Zdzislaw. Joseph Conrad: A Chronicle. Trans. Halina Carroll-Najder. New York: Cambridge UP, 1983.

_____, ed. Conrad under Familial Eyes. Trans. Halina Carroll-Najder. Cambridge: Cambridge UP, 1983.

Criticism

Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Massachusetts Review 18 (1977): 782-94.

_____. From "An Image of Africa: Racism in Conrad's Heart of Darkness." 1975. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2035-40.*

____. "An Image of Africa: Racism in Conrad's Heart of Darkness." In Postcolonial Discourses. Ed. Gregory Castle. Oxford: Blackwell, 2001. 209-20.*

_____. "An Image of Africa: Racism in Conrad's Heart of Darkness." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Alcorn, Marshall W., Jr. "The Narcissism of Creation and Interpretation: Agon at the Heart of Darkness." In Alcorn, Narcissism and the Literary Libido. New York: New York UP, 1994. 158-89.*

Ambrosini, Richard O. Conrad's Fiction as Critical Discourse. 1991.

Anton Pacheco Sánchez. "El viaje de vuelta: del narrador al héroe en The Shadow-Line." Estudios Ingleses de la Universidad Complutense 4 (1996)*

Armstrong, Paul B. "Conrad's Contradictory Politics: The Ontology of Society in Nostromo." Twentieth Century Literature 31.1 (Spring 1985).

Ash, Beth Sharon. Writing in Between: Modernity and Psychosocial Dilemma in the Novels of Joseph Conrad. Houndmills: Macmillan, 1999.

Beach, Joseph Warren. "Impressionism: Conrad." In Beach, The Twentieth Century Novel. New York: Appleton, 1932. 337-65.*

Berthoud, J. Joseph Conrad: The Major Phase. (British and Irish Authors). Cambridge: Cambridge UP, 1978.

Bivona, Daniel. "Conrad's Bureaucrats: Agency, Bureaucracy and the Problem of Intention." Novel 26.2: 151-169.

Bonney, William W. Thorns and Arabesques: Contexts for Conrad's Fiction. Baltimore: Johns Hopkins UP, 1980.

Boyd, Michael. "Chance and Joseph Conrad's Theory of Fiction." In Boyd, The Reflexive Novel. London: Associated UPs, 1983. 43-60.

Brannigan, John. New Historicism and Cultural Materialism. Houndmills: Macmillan, 1998.

Brown, E. K. "James and Conrad." Yale Review 35 (Winter 1946): 265-85.

Caserio, Robert. "The Rescue and the Ring of Meaning." In Conrad Revisited: Essays for the Eighties. Ed. Ross C. Murfin. Tuscaloosa: U of Alabama P, 1985.

Chatman, Seymour. "Ironic Perspective: Conrad's Secret Agent." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany: SUNY Press, 2001. 117-32.*

Cohen, Tom. "Conrad's Fault (Signature)." In Cohen, Anti-Mimesis from Plato to Hitchcock. Cambridge: Cambridge UP, 1994. 181-207.*

Collits, Terry. "Imperialism, Marxism, Conrad: A Political Reading of Victory." Textual Practice 3.3 (Winter 1989).

Conrad: Heart of Darkness. (Brodie's Notes). Houndmills: Macmillan.

Conrad: The Secret Agent. (Macmillan Master Guides). Houndmills: Macmillan.

Conroy, Mark. Modernism and Authority: Strategies of Legitimation in Flaubert and Conrad. Baltimore: Johns Hopkins UP, 1985.

Cox, C. B. Joseph Conrad: The Modern Imagination. London: Dent, 1974.

Crankshaw, Edward. Joseph Conrad: Some Aspects of the Art of the Novel. London: John Lane, 1936.

Curle, Richard. Joseph Conrad and His Characters. London: Bowes and Bowes, 1957.

Darras, Jacques. Joseph Conrad and the West: Signs of Empire. Trans. Anne Luyat and Jacques Darras. Totowa (NJ): Barnes, 1982.

Dawden, W. S. Joseph Conrad: The Imaged Style. Nashville: Vanderbilt UP, 1970.

Dawson, Anthony B. "In the Pink: Self and Empire in 'The Secret Sharer'." Conradiana (Winter, 1990). <

Díaz Cuesta, José. "De Apocalypse Now a Heart of Darkness: Un viaje entre dos mundos de ficción." In Semántica de la ficción: Una aproximación al estudio de la narrativa. Ed. Pedro Santana Martínez. Logroño: Universidad de La Rioja, Servicio de Publicaciones, 1997. 129-40.*

Duperray, Max. "Politique, histoire et aliénation chez Conrad: une comédie humaine de l'éclaircissement. A propos de Nostromo et de la trilogie historique." In Historicité et métafiction dans le roman contemporain des Iles Britanniques. Ed. Max Duperray. Aix-en-Provence: Publications de l'Université de Provence, 1994. 13-34.*

Dryden, Linda. Joseph Conrad and the Imperial Romance. Houndmills: Macmillan, 1999.

Eagleton, Terry. "Form, Ideology, and The Secret Agent." Sociological Review. Monograph M26. Oxford: Wadham College, 1978. 55-63. Rpt. in Against the Grain.

_____. "Joseph Conrad." In Eagleton, The English Novel. Oxford: Blackwell, 2005. 232-55.*

Elam, Diane. "Romantic Letters and Postmodern Envelopes: Joseph Conrad and the Imperialism of Historical Representation." In Elam, Romancing the Postmodern. London: Routledge, 1992. 80-101.*