Poetry Friday

Assignment: The Poetry of Poetry

Read the following poem by Marianne Moore about why she writes poetry and what the goal of the poet should be. Do you agree or disagree with her assessment? By way of answer, create a poem that addresses your idea of what poetry is and can be. The poem you write can take any form you choose, you may add two stanzas replicating Moore’s own style, create a series of haikus, or create a style of your own.

Minimum Length: 12 lines

Marianne Moore (1887-1972)

Poetry

1 I too, dislike it: there are things that are important beyond all this fiddle.

2 Reading it, however, with a perfect contempt for it, one discovers that there is in

3 it after all, a place for the genuine.

4 Hands that can grasp, eyes

5 that can dilate, hair that can rise

6 if it must, these things are important not because a

7 high sounding interpretation can be put upon them but because they are

8 useful; when they become so derivative as to become unintelligible,

9 the same thing may be said for all of us, that we

10do not admire what

11we cannot understand: the bat,

12 holding on upside down or in quest of something to

13 eat, elephants pushing, a wild horse taking a roll, a tireless wolf under

14 a tree, the immovable critic twitching his skin like a horse that feels a flea, the base

15 ball fan, the statistician --

16 nor is it valid

17 to discriminate against "business documents and

18 school-books": all these phenomena are important. One must make a distinction

19 however: when dragged into prominence by half poets, the result is not poetry,

20 nor till the poets among us can be

21 "literalists of

22 the imagination" -- above

23 insolence and triviality and can present

24 for inspection, imaginary gardens with real toads in them, shall we have

25 it. In the meantime, if you demand on one hand,

26 the raw material of poetry in

27 all its rawness and

28 that which is on the other hand

29 genuine, then you are interested in poetry.

Mr. K Sample

Words that take themselves too seriously are weighted down

Immobile and inert, yoked to the tether

Of their own feet, seeing nothing but hair on toes

Where is humor, subtlety, nuance and

suggestion? When faced with the

absurdity of your own feet, what can you do but laugh?

The crowd at the ball game

by William Carlos Williams

The crowd at the ball game

is moved uniformly

by a spirit of uselessness

which delights them—

all the exciting detail

of the chase

and the escape, the error

the flash of genius—

all to no end save beauty

the eternal—

So in detail they, the crowd,

are beautiful

for this

to be warned against

saluted and defied—

It is alive, venomous

it smiles grimly

its words cut—

The flashy female with her

mother, gets it—

The Jew gets it straight— it

is deadly, terrifying—

It is the Inquisition, the

Revolution

It is beauty itself

that lives

day by day in them

idly—

This is

the power of their faces

It is summer, it is the solstice

the crowd is

cheering, the crowd is laughing

in detail

permanently, seriously

without thought