Some Corrections to the Collected Edition
Some Corrections to the Collected Edition
As is inevitably the case with such projects, a number of erroneous readings have since been noted in the original printings of this series; the Trust’s policy has been to enter the appropriate correction as the volume in question has come up for reprint. In some cases, where this has been considered unlikely in the short term, errata slips have been prepared and inserted into the stocks held by the publishers in question.
It is realized that this does not satisfactorily address the position of those who purchased the original volumes on their first appearance, especially where libraries have installed the complete series. Hence the present decision to take advantage of the general accessibility of the web to distribute the most important such information in an easily-retrievable form. To avoid unnecessary complication the principal concern here is with incorrect notes (and clefs) not obviously rectified. Dynamics, notes and accidentals easily supplied or amended by analogy are in general not considered; nor are purely “cosmetic” details concerning (e.g.) alignment or layout. Some important cases affecting tempo or other performance indications are, however, included. (The Editorial Report volume should also be consulted by all users of this Edition)
2012
Vol. 1. Irmelin
Page109, b. 115, Cor Anglais first note E natural
121, b. 202, Bassoon 2 last crotchet C natural
141, b. 321, 2nd Tenors Eb (not C) at half-bar
163, b. 466, Flutes 1 – 2 D natural on 4th beat
225, b. 26, Violins 1 – 2 last note C natural
227, b. 43, 45, Clarinet 1 A natural
239, b. 128, Trumpet 1 to have dotted rhythm on 1st beat
240, bb. 134, 138-9, Clarinets 1 – 2 Ab and Eb
Vol. 2. The Magic Fountain
Page 61, b. 466, delete Bass Drum note; entry to be in b. 467
110,b. 40, work to read “Jossakeed”
184, b. 40, Violins 1 last crotchet Ab
265, b. 521, Trumpet 1 dotted minim Bb
Vol. 3. Koanga(errata slip added 8/1996)
Cast list: 1st sopranos Renée/Jeanne; 2nd ditto Hélène/Marie
Page 8, bb. 2 – 4 Hélène only
9, last note, and p. 10, bb. 1 – 4 Renée only
114, bb. 4 – 5, Flutes 1 – 2 to read as Harps
369, Aurore (not Jeanne)
375-7, voices a 2/ a 3/ a 3 (i.e. Marie to middle stave and Hortense to lower ditto)
378, last bar, Slow Curtain
Vol. 4. A Village Romeo and Juliet(second, improved printing 1994; errata slip added 1996)
Page 11, system 2, b. 3, Flute 1 last note Eb (not G)
18, system 2, b. 5, Solo violin last note G (not F)
21, system 2, b. 6, Cellos last note Bb
22, last bar, Bassoon 3 and Cellos E natural
29,4 bars from end, oboes E natural
55, b. 1, Oboe 1 Eb
– at cue 36 solo violin for 4 bars (div. stave for Violins 1 – 2)
66, b. 1, Trombone 3 / Tuba Db
90, system 2, b. 7, chorus Tenors Ist note Ab
120, b. 4, Horn 4 G (not A)
124, b. 3, Violin 1 A natural
161, cue 55, Più vivo
– cue 56, Altos, 2nd note Eb (not G)
163, system 1, b. 7, Bassoon 3 and Contra Db
– 2 bars after cue 62, Cellos D natural
185, last bar, Harp C naturals
189, system 1, b. 5, Vreli’s 2nd note G (not A)
Vol. 5. Margot la Rouge (errata slip added 8/1996)
Page 14, b. 134, direction to read elle sort
30, b. 277, La Poigne 3rd quaver Bb
91, b. 731, flat sign to Horn 3 (not 4)
94-5, bb. 754-7, Trombones 1 – 2
107, b. 842, Horn 1 2nd note D (not C)
Vol. 6. Fennimore and Gerda(errata slip added 8/1996)
Page 19, at cue 18, Claudi to read in bass clef
28, 5 bars after cue 28, Voice 3rd note A (not Bb)
67, 3 bars before cue 74, Flute 2nd note C (not D)
91, b. 3, Trombone 2 Cb
103, 2nd system b. 3 at cue 106, 2nd Horn E natural
Vol. 7. Folkeraadet
Page 62, b. 68, Bassoon 2, 3rd note D (not C)
Vol. 8. Hassan
Page 22, 1st system, bar 1, Violins 5 -6 A, E on 1st beat
126, b. 1, Flute D natural at half bar
194, b. 5, Violins 1 – 2 last note G (not A)
207, b. 3, Tenors 2nd crotchet Eb
Vol. 9a. Appalachia(revised edition 1990, errata slip added 7/1997)
Page 12, b. 3, Oboes 1 – 2 A natural
19, 2nd system, b. 3, Violas 2nd half bar F (crotchet) E, Eb quavers
22, b. 3, Oboes 2 – 3 5th note C (not A)
34, b. 3, Cellos bottom note of chord B natural
44, b. 3, Violins 1 Eb at half bar
55, b. 1, Cellos 5th note E (not C)
56, b. 1, Horn 3 D, C#, C, B (Horn 4 rests)
57, b. 2, Violas 3rd note C (not E)
82, b. 4, Trombone 2 4th note B natural
98, b. 1, Bass Drum note should be on 3rd beat
98, b. 3, Dble Bass 3rd note E natural, 4th note G
102, b. 5, Cellos 2nd minim E (not F)
113, b. 1, Chorus Altos last note E (not D)
Vol. 9b. Sea Drift(revised edition 1988, errata slip added 8/1996)
Page 7, b. 1, Dble Bass G naturals
27, b. 5, Bass Clarinet F#
35,b. 2, Clarinet 2 D#
49, last bar, Bass Clarinet natural sign to high F
53, b. 3, Trumpet D#
59, at cue 17, Violas need Alto clef
65,b. 4, Flute, add trill sign to note
66, last bar, to read husky-nois’d
66, last bar – 67 b. 1, Bassoons 1 – 2 tacent
Vol. 10 A Mass of Life(second, improved printing 1994)
Page10, b. 2, Chorus 1st Altos flat to 1st D; natural to last D
52, last bar, Chorus 1st Sopranos 1st note G (not A)
87, b. 3, Clarinet 1 G#
Vol. 11b. The Song of the High Hills
Page 7, b. 1, Clarinet 3 last note A# (not G#)
37, b. 4, Bassoon 1 first note B (not C)
37, at cue 33, Trombone 1 last note G natural
38,b. 4, Trumpet 2, minim F#
Vol. 12a. An Arabesque
Page11, last bar, 1st Violas delete # to D; 2nd Violas 5th crotchet D natural
Vol. 13a. Songs of Farewell
Page 12,b. 86, Flute and Clarinet, add #s to 4th and 10th quavers
19, b. 134, Violins 1 2nd note Bb
Vol. 14. Paa Vidderne
On page 1 Trombones & Tuba should have 4-flat signature; on p. 25
Trombone 3 should have 1-sharp signature, as also on p. 28 b. 2
Vol. 16. Maud
Page35, b. 21, Voice 3rd note C#
68, b. 88, Violins 2 (upper stave), 1st note of last group G (not A)
Vol. 17. Supplement. Early Part Songs (corrected reprints 1994 and 12/1999)
Page 2, Words of Durch den Wald are by Robert Reinick
Words of Ave Maria are by Emanuel Geibel
21, 2nd system, read Lilienstäben
30, b. 3, underlay to be grű-nen-de
Vol. 18a. 22 Songs (corrected reprint 2009)
Page 65, b. 21, Piano RH Db
Vol. 18b. 16 Songs (corrected reprint 2006)
Page 9, b. 1, add Nicht schleppend
11, b. 6, Piano RH to agree with p. 13 b. 2
11, b. 7, (and 13, b. 3) RH G# in last group
13, 4th system, b. 2, add Etwas langsamer
29, Allegretto (lightly) to be moved to 2nd bar
29, b. 1, note A in 1st chord to be dotted and on a separate downstem
Vol. 19. 19 Songs (corrected reprint 2009)
Page 79, system 2, last bar, add notes G, F# under LH minim chords
80, system 4, b. 2, add note G under first LH minim chord
Vol. 20. Florida(revised edition 1986; fully corrected edition 2006)
Page 5, at cue 2, Piccolo last note G# (not A)
22, b. 5, Clarinet 2 first note F#
67, bb. 3-4, Bassoon 2 A (not D)
69, b. 6, Horn 1 C (not D)
75, b. 3, Violas 3rd note G (not F)
106, b. 3, Violas last note Fx (not Gx)
Vol. 22. On the Mountains
Titlepage: to read Nun bin ich gestält . . .
Page 21, b. 152, Flutes 1 – 2 first note C (not A)
Vol. 24a. Life’s Dance(errata slip added 6/1999)
Page20, b. 1, Strings to agree with woodwind
20, last bar, Violas need alto clef
32, 3 bars before cue 17, Horns 2 & 4 to have crotchet downstems on F#
33, cue 17, Cymbals so stark wie mőglich
Vol. 24b. Brigg Fair(revised edition 1989)
Page31, b. 1, Cellos need natural sign to B at half-bar
39, at cue 38, delete f in brass; add hairpins in Trumpets, Trombones & Tuba;
at the 3/4 , dynamic to be f in Horns;
add f in Trumpets, Trombones & Tuba
Vol. 26. Dance Rhapsody No. 2
Page 105, b. 234, exchange clefs for Timpani and Tambourine
Vol. 27b. Miscellaneous Orchestral Works(errata slip added 7/1997)
Air and Dance, Page 2, bb. 1-2, solo Violin bowing as Violas at cue E
Song of Summer, Page 23,b. 72, Trombone 2 last note D (not C)
25, b. 82, crotchet = crotchet
Vol. 28. Suite and Legende
Page 70, b. 123, Horn 4 should read (minims) Bb, A
Vol. 29a. Piano Concerto(revised edition 1990; corrected reprint in HPS 895, 3/1995)
Page 41, system 2, b. 2, Clarinets first note of triplet E natural
Vol. 29b. Cello Concerto(some corrections in HPS 910, 1992; further errata slip 7/1997)
Page 2, b. 16, Moderato tranquillo (delete con moto)
4, b. 24, Allegro moderato
28, b. 144, Solo ossia 8th and 9th notes to read Bb, Gb
39, b. 205, Allegro moderato
47, b. 248, Harp RH 3rd beat top G natural
Vol. 30. Double Concerto(corrected score 1992)
See items “starred” in Editorial Report; also
Page31,system 2, Violins 1 add minim G under D at half-bar
Violin Concerto(corrected score 1992)
Page68, last bar, Solo 2nd group, last 2 notes probably E, G# above stave
89,1st system, b. 2, Bassoon 1 6th note F natural
93,2nd system, b. 1, Cor Anglais G# crotchet and quaver A to follow
– – b. 2, Violins 2, A natural in 3rd beat group
Vol. 31a. Early Works for Violin and Piano(corrected and improved issue 2002, which includes Beecham’s editing of the Légende)
Romance, Page 6, b. 93, Piano LH minim G#; also G# in RH and on cue line
b. 94, Piano RH 3rd quaver A#
Légende, Page 56, last bar, natural to C in LH chord
57, last system, 1st bar, RH Db in 1st chord
Vol. 31b. Three Violin Sonatas(corrected and improved issue 2003)
Sonata (no. 1) Page 1,b. 10, Piano RH add dotted minim B to first chord
5,b. 9, Piano delete LH ties
19, last bar, Piano LH chord to read B# (bottom note)
Solo part Page 6,line 10, b. 2, B at half-bar (not A)
(A number of precautionary accidentals were not inserted until this 2003 issue)
Sonata no. 2 Page 25, b. 8, Violin Gb at half-bar (not Fb); also in solo part
(this was still passed over in the 2003 printing!)
Vol. 31c. Works for Cello and Piano(reprinted 1995)
Page18,b. 233, Piano LH last note A natural
–b. 234, Piano LH ? add minim C at half-bar
Supplementary Volumes
2. (Grieg Orchestration) fp London RFH 15 June 1993, RPO Per Dreier
Page 77, bb. 84-5, Cornets 1 – 2, F natural each time
- (Piano Concerto)
Page 16,b. 116, Horns 2 – 4 should repeat b. 115 for a half-bar
20,b. 141, Bassoon 1 needs # to small note C
67,b. 185, Violins 1 1st beat Gb / Bb (not Bb / Db)
- (Unfinished Works)
Page 60,b. 83, RH lower note C# at half-bar (not D#)
63,b. 119, LH delete flat before minim G
- (Scandinavian Songs)
Page 7, b. 24, delete Etwas langsamer
8, The last 4 bars were apparently rewritten thus for the German
translation; originally the 2nd verse ended exactly as the first
26,Appendix, first bar, Voice Ab (not Gb)