CHAPTER 20
Sixteenth-century art in Italy
20
MULTIPLE CHOICE
1. ______and Michelangelo were in the service of Pope Julius II in the early years of the sixteenth century.
A. Raphael
B. Pontormo
C. Brunnelleschi
D. Tintoretto
Page reference: 659
2. Charles V was elected ______in 1519.
A. King of France
B. Duke of Milan
C. Holy Roman Emperor
D. Duke of Florence
Page reference: 660
3. Leonardo was strongly influenced by the Roman architect ______.
A. Publius.
B. Constantine.
C. Augustus.
D. Vitrivius.
Page reference: 665
4. Michelangelo’s Pietà (figure 20-9) is one of the great tomb markers in the ______.
A. Gesù.
B. Palazzo.
C. Vatican.
D. Tempietto.
Page reference: 669
5. In Michelangelo’s Sistine Chapel Ceiling (figure 20-12), the spandrels and the ______depict the ancestors of Jesus.
A. rails
B. pedestals
C. lunettes
D. posts
Page reference: 673
6. Michelangelo made the sculpture Moses (figure 20-15) for the Tomb of ______.
A. rails.
B. pedestals.
C. Julius II.
D. posts.
Page reference: 675
7. Michaelangelo made the sculpture Moses (figure 20-15) for the tomb of ______.
A. Clement.
B. Ferdinand.
C. Julius.
D. Leonardo.
Page reference: 675
8. ______used the Doric order for the Tempietto(figure 20-17) because Vitruvius had specified it for temples.
A. Raphael
B. Michelangelo
C. Bramante
D. Buontalenti
Page reference: 677
9. The first architect of the Palazzo Farnese (figure 20-18) was ______.
A. Sangallo.
B. Bramante.
C. Michelangelo.
D. Maderno.
Page reference: 678
10. Federigo Il Gonzaga enticed Guilio Romano to build a palace in ______.
A. Florence.
B. Mantua.
C. Rome.
D. Siena.
Page reference: 680
11. The Tempest (figure 20-23) is the most famous work of ______, a short-lived painter.
A. Romano.
B. Corregio.
C. Rossi.
D. Giorgione.
Page reference: 683
12. Venetian art of the 16th -century is characterized by luxury, idealized style, and ______.
A. oil painting technique.
B. widespread use of gold.
C. the return to tempera.
D. the reemergence of painted terra cotta.
Page reference: 682
13. The current attribution of The Pastoral Concert of Allegory on the Invention of Pastoral Poetry (figure 20-24)is to the artist ______.
A. Titian.
B. Giorgione.
C. Corregio.
D. Pontormo.
Page reference: 684
14. Titian created one of his great paintings of a ______for the Duke of Urbino.
A. Pietà
B. nude
C. Madonna
D. landscape
Page reference: 686
15. Mannerism was the first style supported by the Catholic Church as propaganda for the ______.
A. Protestants.
B. Sack of Rome.
C. Counter-Reformation.
D. Inquisition.
Page reference: 687
16. Though she collected art by many artists, Isabella d’Este was a great patron of ______.
A. Raphael.
B. Pontormo.
C. Mantegna.
D. Bronzino.
Page reference: 688
17. Michaelangelo abandoned the clear separation between the saved and the damned in ______(2 words) with his complex composition.
A. Last Judgment
B. Last Supper
C. thePietà
D. Rondanini Madonna
Page reference: 688
18. Pietà (or RondaniniPietà) is one of Michaelangelo’s great ______works.
A. nonfinito
B. Vatican
C. 4100
D. 2300
Page reference: 690
19. ______was the first architect of Il Gesù.
A. Romano
B. Michelangelo
C. Vignola
D. Bramante
Page reference: 691
20. GiacomodellaPorta’s design of Il Gesù (figure 20-32) was widely influential because of its two-story ______.
A. projection.
B. cantilevering.
C. corbelling.
D. design.
Page reference: 692
21. ______is the style marked by its self-aware elegance and grace to the point of artifice.
A. Venetian
B. Renaissance
C. Veneto
D. Mannerism
Page reference: 692
22. The Capponi Chapel contains Entombment (figure 20-34) by the artist ______.
A. Pontormo.
B. Romano.
C. Tintoretto.
D. Veronese.
Page reference: 693
23. Francesco Mazzola, otherwise known as ______, painted in a manner calculated to unsettle viewers.
A. Corregio
B. Veronese
C. Tintoretto
D. Parmigianino
Page reference: 694
24. Bronzino’sAllegory with Venus and Cupid (figure 20-37) could stand alone as a summary of ______.
A. Veneto.
B. Renaissance.
C. Mannerism.
D. Inquisition.
Page reference: 695
25. The ______permits us to date The Farnese Hours (figure 20-38) by GuilioClovio.
A. colophon
B. ink
C. vellum
D. gilding
Page reference: 696
26. SofonisbaAnguissola’s father consulted with the artist ______about his daughter’s artistic talents.
A. Tintoretto
B. Michaelangelo
C. Cellini
D. Veronese
Page reference: 696
27. Cellini made his most famous work in the French court at ______.
A. Fontainebleau.
B. Avignon.
C. Nice.
D. Paris.
Page reference: 697
28.The city of ______was especially hospitable to accomplished women painters and sculptors.
A. Florence
B. Venice
C. Bologna
D. Rome
Page reference: 698
29. By the end of the 16th -century, the city of ______was regarded as the “Queen of the Adriatic.”
A. Florence
B. Venice
C. Rome
D. Bologna
Page reference: 699
30. ______was called before the Inquisition for placing Jesus in the company of unsavory characters in the painting Feast in the House of Levi (page 700).
A. Michelangelo
B. Romano
C. Tintoretto
D. Veronese
Page reference: 700
31. The artist ______proclaimed he wanted to combine Titian’s color with the drawing of Michelangelo.
A. Michelangelo
B. Romano
C. Tintoretto
D. Veronese
Page reference: 701
32. Palladio’s Villa Rotunda (figures 20-46 and 20-47) is a perfect articulation of his idea of ______.
A. ideal proportion.
B. irregular proportions.
C. asymmetry.
D. curvilinear design.
Page reference: 704
Fill-in-the-blank
33. Pope Julius II’s private library was painted by______.
Answer: ______
Page reference: 659
34. The Catholic Church responded to the ______with the Counter-Reformation.
Answer: ______
Page reference: 660
35. Charles V sacked ______in 1527.
Answer: ______
Page reference: 661
36. Giorgio ______wrote the first survey of Italian art in 1550.
Answer: ______
Page reference: 661
37. The use of temperagave way to ______painting technique in the High Italian Renaissance.
Answer: ______
Page reference: 662
38. The Last Supper (figure 20-2) by Leonardo was painted at a monastery in ______.
Answer: ______
Page reference: 663
39. A full-scale drawing called a ______is a model for a major painting.
Answer: ______
Page reference: 664
40. The ______is a small shrine over the spot where the apostle Peter was believed to have been crucified.
Answer: ______
Page reference: 677
41. The ______was described in 1530 as a small landscape in a storm with a gypsy woman and a soldier.
Answer: ______
Page reference: 683