Robert Baldwin, Connecticut College, Some References on the Courtesan Theme, May 2006

Robert Baldwin, Connecticut College, Some References on the Courtesan Theme, May 2006

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Bassanese, Fiora A., “Private Lives and Public Lies: Texts by Courtesans of the Italian Renaissance,” Texas Studies in Literature and Language, vol. 30, no. 3, pp. 295-319, Fall 1988.

Bassanese, Fiora A., “Selling the Self: Or, the Epistolary Production of Renaissance Courtesans,” in Marotti, Maria Ornella (ed. & introd.) Italian Women Writers from the Renaissance to the Present: Revising the Canon. (pp.69-82). University Park: Pennsylvania State UP, 1996

Carroll, Linda, Ren Q, 1999

Chojnacki, 2000

Conway, Alison, “Defoe's Protestant Whore,” Eighteenth-Century Studies, vol. 35, no. 2, pp. 215-33, Winter 2002.

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Horwich, Richard, “Wives, Courtesans, and the Economics of Love in Jacobean City Comedy,” in Davidson, Clifford (ed.); Gianakaris, C. J. (ed. & pref.); Stroupe, John H. (ed.), Drama in the Renaissance: Comparative and Critical Essays. New York: AMS, 1986, 255-273

Howard, Jean E., “Mastering Difference in The Dutch Courtesan,”

Shakespeare Studies, vol. 24, pp. 105-17, 1996.

Hsu, Carmen Yu-chih, “Courtesans in the Literature of the Spanish Golden Age,” Dissertation Abstracts International, Section A: The Humanities and Social Sciences, vol. 61, no. 9, pp. 3596-97, March 2001.

Junkermann, Anne Christine, Bellissima Donna. Venetian Sensuous Half-Length Images of the Renaissance, Cambridge University Press, 1994

Kim, Soim, “The Dutch Courtesan and the Renaissance Discourse on Prostitution,“ Feminist Studies in English Literature, vol. 8, no. 2, pp. 131-54, Winter 2001.

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MacDonald, Virginia L. “Robert Greene's Courtesan: A Renaissance Perception of a Medieval Tale,” Zeitschrift fur Anglistik und Amerikanistik, 32, no. 3, pp. 211-219, 1984.

Mentz, Steven R., “The Heroine as Courtesan: Dishonesty, Romance, and the Sense of an Ending in The Unfortunate Traveler,” Studies in Philology, vol. 98, no. 3, pp. 339-58, Summer 2001.

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Nagem, Monique Fleury, trans, Memoirs of a Courtesan in Nineteenth-Century Paris, Lincoln, NE: U of Nebraska P, 2001. xxii, 325 pp.

SR: Series Title European Women Writers Series

Nakayama, Randall, “'I Know She Is a Courtesan by Her Attire': Clothing and Identity in The Jew of Malta,” in Deats, Sara Munson (ed.); Logan, Robert A. (ed. and introd.). (2002). Marlowe's Empery: Expanding His Critical Contexts. (pp. 150-63). Newark, DE; London, England: U of Delaware P; Associated UP,

Norberg, Kathryn, “From Courtesan to Prostitute: Mercenary Sex and Venereal Disease, 1730-1802,” in Merians, Linda E. (ed. and introd.). (1996). The Secret Malady: Venereal Disease in Eighteenth-Century Britain and France. (pp. 34-50). Lexington, KY: UP of Kentucky, 269 pp.

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Pollard, Carol Watson, “Conflicting Morality Traditions in Dr. Faustus, All's Well That Ends Well, The Dutch Courtesan, and 2 Henry IV,” Dissertation Abstracts International, vol. 42, no. 2, pp. 715A, August 1981.

Robin, Diana, “Courtesans, Celebrity, and Print Culture in Renaissance Venice: Tullia d'Aragona, Gaspara Stampa, and Veronica Franco, in Smarr, Janet Levarie (ed. and introd.); Valentini, Daria (ed.) Italian Women and the City: Essays. Madison, NJ; London, England: Fairleigh Dickinson UP, 2003, pp. 35-59.

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Santore, Cathy, Renaissance Quarterly, 41, 1988, 44-83

Storey, Tessa, “Clothing Courtesans: Fabrics, Signals, and Experiences,” in Catherine Richardson, ed. Clothing Culture, 1350-1650. Burlington: Ashgate, 2004, pp. 95-107

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Sullivan, Garrett A., Jr., “'All Thinges Come into Commerce': Women, Household Labor, and the Spaces of Marston's The Dutch Courtesan,” Renaissance Drama, vol. 27, pp. 19-46, 1996.

Wickert, Gabriele, “Late Eighteenth-Century 'Women's Liberation': Aristocratic Courtesan versus Bourgeois Innocent in German Melodrama,”

Monatshefte fur Deutschen Unterricht, Deutsche Sprache und Literatur,

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