“ISSUESOF FAR EASTERN LITERATURES”

dedicated to the 115th anniversary of Lao She

(St.Petersburg, June 25– 29, 2014)

List of Accepted Participants

Panel 1 “Lao She and his contribution to Chinese literature”

  1. Briggs Janette Ann. Lao She: BeijingWriter on the Shu Roads, 1939 (VictoriaUniversity of Wellington, New Zealand)
  2. Chen Hongqi. A Criticism of Lao She’s “Doctrine of New Violence” and the “Specter of Materialist Dialectics”—A Reanalysis of Lao She and Chinese Left-wing Literature (Jiaying University, China)
  3. Chen Jianhua. Lao She’s Fury: A Reading of “The Firing Train” (Shanghai Jiaotong University, China)
  4. Chen Jun, Cai Dandan. Receptionof Teahouse in foreign countries (Yangzhou University, China)
  5. Chen Xingxin. Humanism of European and Chinese culture in the novels of Lao She (Kazan Federal University, Russia)
  6. Cheng Mei. Relationship between Lao She’s Fiction and Foreign Literatures from the Angle of Bible Allusion (Zhengzhou Zhongyuan Engineering Institute, China)
  7. Cui Mingfen. Lao She’s Literature and Western Literature (Macao Polytechnic Institute, China)
  8. Cui Yan. Lao She’s Contribution to Modern Chinese - A Study of Lao She’s Chinese Written Language Features in his Literary Language (SOAS, University of London, UK)
  9. Guan Jixin. On Lao She’s Viewpoint of Ethnicity (Society of Lao She Studies, China)
  10. Fan Yihao. Savoring Lao She (Nankai University, China)
  11. Hao Changhai. On Western Influence over Lao She’s Literary Works (Jilin University, China)
  12. Li Chunyu. A Tale of Cat City of Lao She in Russia: translation and study (BFSU, China)
  13. Li Laigen. Camel Xiangzi From Economic Perspective (Political Academy of Police, China)
  14. Liu Dongfang. A Sketch of Lao She’s Linguistic Viewpoints on Modern Vernacular Chinese (Liaocheng University, China)
  15. Luo Ming. Lao She Xiao Po’s Birthday explores the multi-national scenes and his concerns for overseas Chinese (Singapore)
  16. Ma Hui, Wang Wanpeng. 《Duanhun Gun》:A Fable of Chinese Cultural Transformation

------Both Talk about Laoshe’s CulturalCharacter（LanzhouUniversity, China）

  1. Meng Qingshu. Anti- Bildungsroman and the Idea of “Sin”: On Two Questions about Camel Xiangzi

(Henan University, China)

  1. Mi Songyi. Discuss on Annotation of Zheng Hongqi Xia (People's Literature Publishing House, China)
  2. Mo Qiao, Wang Long, Zou Yan. City and Citizen ——A Study on Beipei’s Cultural Circle and Lao She’s Literary Writing and Cultural Thought During His Stay at Beipei (Chongqing Beipei Museum, China)
  3. Naoko Fuse. How Is Lao She Accepted in Japan? (Kanagawa University, Japan)
  4. Pan Zengyu. The Narrative Perspective and Feature of Short Stories by Lao She (China University of Communications, China)
  5. Rodionov Alexey. Humorous Writings of Lao She and Chinese Literary Periodicals of the 1920-1930s(SPbSU, Russia)
  6. Rodionova Oxana. Children’s World of Lao She’s Writings (SPbSU, Russia)
  7. Shao Wei. Preliminary Research Paper on Lao She and Chai Man-shik’s Citizen’s Novels: Focusing on the Novels Luotuo Xiangzi and Tak Ryu (Academy of Korean Studies, Korea)
  8. Shi Chengjun. The Sense of Mission for the Epoch and the Consciousness of Crisis in Lao She's Writings (Shanghai Normal University, China)
  9. Shi Xingze. The Contrastive Study of Lao She Between China and Russia (Soviet Union)

(Liaocheng University, China)

  1. Shu Ji. Lao She’s Literary Language in his Late Years (Lao She Museum, China)
  2. Shu Yi. The Antagonism between Lao She’s Literary Works and Mainstream (China Literary Archive, China)
  3. Sinetskaya Elvira. New Life of My Life by Lao She (IOS RAS, Russia)
  4. Tang Zhesheng. Zhang’s Philosophy; Zhaozi Yue; Mr. Ma and Son：Three Early Novels of Lao She (Soochow University, China)
  5. Vlasova Natalia. Criticism of the Relicts of the Traditional Culture in Lao She 's Story "Buying a Lottery Ticket " (SPbSU, Russia)
  6. Wang Benchao. Lao Sheand Chinese Literature Language in 1950-60s (Southwest University, China)
  7. Wang Qingquan. Upholding Mr Lao She's humanistic spirit, strive to carry forward the national culture and to prosper the literary undertakings (Beijing Lao She Literary Foundation, China)
  8. Wang Weiping. No title in English. (Liaoning Normal University, China)
  9. Wang Yuqi.An Overview of Lao She’s Popular Literary Creation in Anti-Japan War - Based on the Perspective of Literature Communication Theory (Jiangxi University of Economics and Finance, China)
  10. Wei Shaohua. Translation of Lao She in France (Qingdao University, China)
  11. Witchard Anne. Lao She, traditional Tang Tales and Anglo-American Modernist narrative (University of Westminster, UK)
  12. Wu Xiaomei. My thoughts of Lao She’s “An Old Tragedy in A New Age” (Lanzhou University, China)
  13. Xi Yang. Persistence and Rejection in the Transition Era —the Commons and Meanings of LaoShe and ZhaoShuli’s Literature Behavior in the Seventeen Years Period (Fujian Normal University, China)
  14. Xia Yuji. Lao She, A Distinguished Novelist for the Commoners (Japan)
  15. Xu Deming. No Title in English (Yangzhou University, China)
  16. Yang Jui-sung. From Living “Under the Red Banner“ to Living under the Red Flag: Lao She’s Love of “Zuguo”(Fatherland) (TaiwanNationalChengchiUniversity).
  17. Yang Yingping. On the Creation of Stylized Characters in Lao She’s Teahouse (Nanjing Xiaozhuang Institute, China)
  18. Yu Haoyan. Lao She’s Love and Marriage: Integration of Modern culture and classical culture(Dali University, China)
  19. Zeng Guangcan. Lao She and Anti-Japanese War Literature and Art (Nankai University, China)
  20. Zhang Guixing. Correction on Original Publishing Time of Rickshaw Boy (Minnan Normal University, China)
  21. Zhang Hongsheng. On the Paradox of the Expression of Urban Modernity：The narration of Beijing in the contemporary works of Lao She (China University of Communications, China)
  22. Zhang Lijun. Change of Dress and the Cultural Conflict in Lao She's Mind after the Foundation of the PRC (Shandong Normal University, China)

Panel 2 “The trends in Chinese literature of XX and XXI centuries”

  1. Bednenko Oxana. The Peculiarities of Artistic Reality Modeling in the Mo Yan’s Early Prose (on «Red Sorghum») (Kyiv University, Ukraine)
  2. Dreyzis Yulia. Modern Chinese experimental poetry and the development of the concept of poetic language (MSU, Russia)
  3. Gálik Marián. Wang Meng’s On the Cross (1988) After 25 Years (Slovak Academy of Sciences, Slovakia)
  4. Golovachev Valentin. Unprescribed marriages and the Suicide as a tool to regulate intra-family relationsin traditional China(based onthe “Wild Swans” novel) (IOS RAS, Russia).
  5. Khuziyatova Nadezda, Plyasenko Natalia. Contemporary Chinese essay writing as the search for identity and “Russian” Harbin in Zhang Kangkang’s essays (FEFU, Russia)
  6. Korobova Anastassia. The tradition on the folk narrative in contemporary Chinese Literature (the case of prose by Feng Jicai) (IFES RAS, Russia)
  7. Kryvoruchko Svetlana. “Another” in female images in the novel by Shan Sa “The Girl Who Played Go” (V.N.Karazin Kharkov National University, Ukraine)
  8. Kuznetsova Julia. Gao Xingjian's drama theory (MSU, Russia)
  9. Lebedeva Natalia. The Story “The Moving Force” by Cao Ming (1913-2002) as the “Order Literature”(FEFU, Russia)
  10. Murashevich Ekaterina. The Formation of Misty Poetry: Lyrical I and We in the Bei Dao’s Poetry (Taras Shevchenko National University of Kyiv, Ukraine)
  11. Nikitina Alexandra. The Discourse of Road and Journey in Chinese Short Stories of early 1980s (SPbSU, Russia)
  12. Nikolskaya Svetlana. Miniatures of Lao She and Wang Xiaobo: Common and Peculiar features (MSU, Russia)
  13. Obykhvist M.S. Autobiographism in the Story Beautiful Sister by San Mao (V.N.Karazin Kharkov National University, Ukraine)
  14. Protasova Natalia. Artistic images in Xi Chuan`s early works (Buryat State University, Russia)
  15. Scherbakova Maria. The basic characteristics of Shi Tiesheng’s literary works by the example of “My Faraway Qingpingwan” (SPbSU, Russia)
  16. Shulunova Olga. The Concept Sphere of Han Dong’s Love Lyrics (Buryat State University, Russia)
  17. Sabirova Venera. Chinese Kyrgyz poet’s ideas (RGSU, Kyrgizstan)
  18. Skritutskaya Valeria. Philosophical ideas of Xu Dishan revealed in "The spider's web" (V.N.Karazin Kharkov National University, Ukraine)
  19. Song Binghui. The Modernity in Lu Xun’s “The Diary of a Madman” from the Perspective of Literary Communication between Russia and China (SISU, China)
  20. Tsybikova Valentina. Death in Haizi’s poetry (Buryat State University, Russia)
  21. Tugulova Olga. "Baiyangdian poetic group": the science of being alive (Buryat State University, Russia)
  22. Vorobey Olga. The relationship between science and politics in the play “The Fascist Bacillus” by Xia Yan (Taras Shevchenko National University of Kyiv, Ukraine)

Panel 3 “New tasks in the study of classical Chinese literature in the age of globalization and informatization”

  1. Berezkin Rostislav. Ritualized storytelling in the baojuan form during funerals in Changshu (Jiangsu, China) and its historical significance (Fudan University, China)
  2. Berwers Elena. Reconsideration of classic fables and its role in the self-identification of the writer. (On the example of poetry of Wu Weiye (1609-1671)) (Science-ProductionCenter “Dongfang”, Russia)
  3. DashchenkoA.V.Biographical, political and genre constructions of 梅in Chinese poetry (based onone ci written by LiQingzhao) (Ukrainian Academy of Customs, Ukraine)
  4. Gurevich Isabella. “The Sutra of the Sixth Patriarch”: Resources of the Grammatical Stylistics (IOM RAS, Russia)
  5. Ionov Alexey.The theory of sounds by Gu Yanwu (IFES RAS, Russia)
  6. Mitkina Evgenia. Cycle poetry in Tang dynasty (SPbSU, Russia)
  7. Park Soon. Digital Informatization in the Study of Classical Chinese Literatureand the Semantic Web (Yonsei University, Korea)
  8. Semenenko Ivan Mencius on the understanding of the poetic work (MSU, Russia)
  9. Shekera Yaroslava. Tao of Song poet Lu Yоu: the philosophy of peace (Taras Shevchenko National University of Kyiv, Ukraine)
  10. Smirnov Ilya. No title in English (RSUH, Russia)
  11. Stezhenskaya Lidia. Liu Xie on two kinds of literature: a new view on the traditional problem (IFES RAS, Russia)
  12. Storozhuk Alexander. Infernal Guards in Traditional Chinese Short-stories (SPbSU, Russia)
  13. Trunova Anna. The classical novel “Dream of the Red Chamber” completed at the beginning of the 21st century (“Continuing dream of the red chamber” by Liu Xinwu) (IOS RAS, Russia)
  14. Ulyanov Mark. Structure and Contents of Narrations in Chun Qiu Zuo Zhuan (The Commentary of Zuo on the Spring and Autumn Annals): Characteristics of Historical Prose in the Ancient Chinese Literature(MSU, Russia)
  15. Vinogradova Tatiana. Between the lines: what can tell us inscriptions on the popular Chinese prints and watercolors (RASL, Russia)

Panel 4 “Far Eastern literatures in Russia & Russian literature in the Far Eastern & South-East Asian countries: translation, perception and interference”

  1. Baloyan Marianna. The motivation of «self-punishing» in works of Dostoevsky and Akutagava (Yerevan Aibusak University, Armenia)
  2. Dong Xiao.On Influence of Chekhov`s Drama in China(Nanjing University, China)
  3. Filimonov Alexey. «Pilgrimage of the father of the hero of the novel of Nabokov «The Gift» in China and Tibet» (Aurora Miscellany, Russia)
  4. Gonchar-Hongdjian Natalia. The Chinese “reflections” in the texts of J.L.Borges (Yerevan University, Armenia)
  5. Ikonnikova Elena, Korneeva Inna. Sakhalin in modern Korean literature: original literary works and translations (Sakhalin State University, Russia)
  6. Kormilov Sergey. Versification Structure of Akmatova’s Translations of Chinese Poetry (MSU, Russia)
  7. Li Yijin. The Chinese Reaction to the Soviet Russian Proletarian Literary Movement in 20th Century (Tianjin Normal University, China)
  8. Momiuchi Yuko. The first complete Japanese translation «Resurrection» of Tolstoy (Waseda University, Japan)
  9. Shulunova Evgeniya. The Mayakovsky’s “The bedbug” on the Chinese drama scene (IFES RAS, Russia)
  10. Smirnova Natalia. Samurai's honor and loyalty in "The Tale of the Great World" in translation by V.N. Goreglad (Petrazavodsk State University, China)
  11. Tang Meng-wei. The TaiwaneseLiterature in the 1950-60's and the Literature ofFirst ''Wave'' of Russian Emigration – Common and Particular Features in the Destiny of Divided Literatures in the XXth Century (MSU, Russia)
  12. Zakharova Natalia. Christian missionaries and translations of English fiction in China (RussianAcademy of Sciences, Institute of the World Literature RAS, Russia)
  13. Zhang Bing. Russian Formalism in China: On the Value System of Literary Ontology (BNU, China)

Panel 5 “Literatures of Far East & South East Asia: past and present”

  1. Afanasieva Elena. The Sources of “Taketori Monogatari” plot in Lao Folklore (Institute of World Literature RAS, Russia)
  2. Amanova Gulistan.Korean classic poetic form sijo in the 20-40s of the XX century (Uzbekistan)
  3. Atnashev Vadim. Two Stories of Chams: Old Testament and Quranic Narratives (Russia)
  4. Banit Svetlana. On Definition of Genre of Hystorical Shairs(SPbSU, Russia)
  5. Breslavets Tatiana. Japanese Writer Enchi Fumiko’s «Enchantress» (FEFU, Russia)
  6. Dyakonova Yelena. No title in English (RSUH, Russia)
  7. Fedotoff Alexander. On the Water Symbolism in the Yun Sǒn-do’s The Fisherman Calendar (Sofia Univerity St.Kliment Ohridski, Bulgaria)
  8. Fedyanina Vladlena. Jien’s poems on themes of “The Lotus Sutra” (Moscow City Teachers’ TrainingUniversity)
  9. Gribkova Alina. Mongolian versions of commentaries on the Vajracchedika Prajnaparamita (SPbSU, Russia)
  10. Guryeva Anastasia. Poetry of the Far East in the Anthology by a French Turkologist A.-M. Thalasso(with a focus on Chinese and Korean poems). (SPbSU, Russia)
  11. Hur, Kyoung-jin, Sung, A Sa “The reference value and significance of Möllendorf Bangkakbon owned by the St. Petersburg Branch of the Institute of Oriental Studies” (Yonsei University, Korea).
  12. Ivanova Iuliana. Gender in the Ariyoshi Sawako`s works about the problems of postwar generation (FEFU, Russia)
  13. Khronopulo Liala. The doppelgänger: doubles in contemporary Japanese prose (SPbSU, Russia)
  14. Knorozova Yekaterina. Image of theThánh Gióng in the traditional literature Vietnam (SPbSU, Russia)
  15. Kuznetsova Maria. The writer from South Korea, Lee Seung Woo. The world of the author's writing through the example of the novel "The secret life of plants” (Russia)
  16. Lee San Youn. Common themes in modern literature of KoreanRepublic, Japan, and China (Russian State Normal University, Russia )
  17. Mishukova O. Place names in lyrics of a medieval Japanese poet Saigyo (FEFU, Russia)
  18. Moskalenko Yulia. Religious views in the works of modern Korean poet Chong Sang-Byong (FEFU, Russia)
  19. Nosov Dmitry. On the narrative structure type of Mongolian fairy- and heroic folktales (IOM RAS, Russia)
  20. Ogloblin Alexander. Narrator’s Image in Nusantara Literatures (SPbSU, Russia)
  21. Motrokhov Alexander. On the Interpretation of the Myth about a Divine Origin of the Imperial Power in Poems of the Japanese Poetic Anthology "Man'yoshu" (V.N.Karazin Kharkov National University, Ukraine)
  22. Osadcha Yuliya. Celestials of Japanese Poetry: the Creation of Image and Pantheon (Taras Shevchenko Institute of Literature NAS, Ukraine)
  23. Petrova Maria. Historical and Biographical Novel “Gegeenten” by Gmend-Ooyo (SPbSU, Russia)
  24. Romanova Yevgenia. The contribution of Indonesian poet of the early twentieth century Rustam Effendi to the new Indonesian poetry (SPb SBI «CLS PD», Russia)
  25. Rybin Victor. Contribution of E. M. Pinus (1914 – 1984) to Study of Japanese Literature in Russia (SPbSU, Russia)
  26. Sadokova Anastasia. Literary and folkloric «Studying of Native area» in Present Japan (MSU, Russia)
  27. Sapozhnikova Olesya. С.Буяннэмэх’s experience in the creation of Mongolian poetics (MSU, Russia)
  28. Sokolov Anatoly. Japanese Literature in Vietnam (IOS RAS, Russia)
  29. Suleymenova Aida. War Diaries of Hayashi Fumiko (FEFU, Russia)
  30. Toropygina Maria. Japanese Medieval Poetry: Poetry Contests of Poets of Different Times (IOS RAS, Russia)
  31. Tsoy Inna. ‘Unearthly love’ in the world of everyday life (SPbSU, Russia)
  32. Usenko Olga. Kazuo Ishiguro's When We Were Orphans: Representation of Sino-Japanese War as Imagological Problem(Oles Honchar Dnipropetrovsk National University, Ukraine)
  33. Yelovkov Dmitri. The Stages of the Cambodian Literature (SPbSU, Russia)

Panel 6 “Modernizing the Tibetan literary tradition”

  1. Tsering Shakya.Why Didn't Tibetans Write Novels? ( The University of British Columbia, Canada)
  2. Hladíková Kamila. The exotic other and negotiation of Tibetan self: representation of Tibet in Chinese and Tibetan fiction of the 1980s(Palacky University,Czech Republic)
  3. Bhoil Shelly.Lotus Fields and the Budding Flowers: The Engagement of Tradition and Modernity in the Evolving New Tibetan Literature in English(Panjab University, India)
  4. EngelhardtIsrun. The perils of innovation: Tharchin's troubles arising from his Tibet Mirror and other publications(Germany)
  5. Hartley Lauran.Resourcesfor the Study of Modern Tibetan Literature(Columbia University, USA)
  6. Rikey Thupten K. Internet and Tibetan Language: the role of technology in modernising Tibetan language (Helsinki University, Finland)
  7. Heering Xénia de. Breaching and bridging literary traditions? A few observations on the use of colloquial language (kha skad) in Tibetan literature(EHESS, France),
  8. Garri Irina. Tibetan writer Tsering Woser: literary and political activity (Institute for Mongolian, Buddhist and Tibetan Studies RAS, Russia),
  9. Sawerthal Anna. The Round World in Early Tibetan Language Newspapers(University of Vienna, Austria)
  10. BalkMichael.Tibetan literature on the rise: a bibliographic survey of recent publications(Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Germany)
  11. Sabernig Katharina. (Austria)
  12. MaconiLara. Unofficially Writing: Popular Literary Activities in Lhasa since 2000 , (INALCO & CNRS, France)
  13. Toloknov Vyacheslav."The Role of Literary Tradition in Preservation of Tibetans' Ehhnic Identity in the Diaspora" (Institute of Ethnology and Anthropology of RAS, Russia)
  14. Virtanen Riika, Views on LiteraryCharacters in Contemporary Tibetan Critical Writings (University ofHelsinki, Finland)
  15. Repo Joona.Twentieth-century texts of the Ganden Hearing Lineage (University of Helsinki, Finland)
  16. Robin Françoise. Self-anthologizing Tibetan literature (INALCO, France)
  17. Schiaffini Patricia (Southwestern University, Georgetown, USA)
  18. Pavel Grokhovskiy. Towards Building the Corpora of Modern Tibetan Literature (SPbSU, Russia)