Iconoclasm in Islam
Within Muslim history, the act of removing idols from the Holy Ka'ba is considered by all believers to be of great symbolic and historical importance.
In general, Muslim societies have avoided the depiction of living beings (animals and humans) within such sacred spaces as mosques and madrasahs. This opposition to figural representation is not based on the Qur'an, but rather on various traditions contained within the Hadith (a collection of sayings attributed to the Prophet Muhammad pbuh). The prohibition of figuration has not always extended to the secular sphere, and a robust tradition of figural representation exists within Muslim art. However, western authors have tended to perceive "a long, culturally determined, and unchanging tradition of violent iconoclastic acts" within Islamic society. For example, the destruction of the monumental statues of the Buddha at Bamyan by the Taliban in 2001 was widely perceived in the Western media as a result of the Muslim prohibition against figural decoration. Such an account overlooks "the coexistence between the Buddhas and the Muslim population that marveled at them for over a millennium" before their destruction.
The first act of Muslim iconoclasm was committed by Muslims in 630, when the various statues of Arabian deities housed in the Kaaba in Mecca were destroyed, although there is a tradition that Muhammad spared a fresco of Mary and Jesus. This act was intended to bring an end to the idolatry.
The destruction of the idols of Mecca did not, however, determine the treatment of other religious communities living under Muslim rule after the expansion of the caliphate. Most Christians under Muslim rule, for example, continued to produce icons and to decorate their churches as they wished. There was one major exception to this pattern of tolerance in early Islamic history: the "Edict of Yazīd," issued by the Umayyad caliph Yazid II in 722-723.This edict ordered the destruction of crosses and Christian images within the territory of the caliphate. It seems to have been followed to a certain degree, particularly in present-day Jordan, where archaeological evidence exists for the removal of images from the mosaic floors of some, although not all, of the churches that stood at this time. However, Yazīd's iconoclastic policies were not maintained by his successors, and the production of icons by the Christian communities of the Levant continued without significant interruption from the sixth century to the ninth.
The missing nose on the Great Sphinx of Giza is attributed to iconoclasm by a Sufi Muslim fanatic!
A simple definition of idol worship is to believe that anything beside Allah can help us, or to hold something as more important to Muslims than Allah.
The Quran explains that that idol worship nullifies all work. Any work done, if not devoted absolutely to Allah, does not serve to grow and improve Muslim souls. On the day of Resurrection, if Muslim souls have not grown strong enough to withstand the presence of Allah – they will have to forsake God's kingdom on their own volition.
Muslims believe that the natural instinct of monotheism that Allah provided in the Quran commands them to dedicate their worship to Allah alone, and not associate anything with the divine nature. All places of worship should be dedicated to Allah Alone. Belief in Allah includes the understanding that He alone is worthy of worship.
“Recall that Luqmaan said to his son, as he enlightened him, "O my son, do not set up any idols beside GOD; idolatry is a gross injustice."
“GOD does not forgive idolatry, but He forgives lesser offenses for whomever He wills. Anyone who sets up idols beside GOD, has forged a horrendous offense.”
“GOD does not forgive idol worship (if maintained until death), and He forgives lesser offenses for whomever He wills. Anyone who idolizes any idol beside GOD has strayed far astray.”
“The places of worship belong to GOD; do not call on anyone else beside GOD.”