Western Painting
Schedule
December 9th 2009
1° Theme: “Titian’s Venus of Urbino”
Presentation: Chang-Cheng Liu (Leo)
Bibliography:
-Goffen, Rona, Titian's Venus of Urbino, Cambridge, U.K. ; New York : Cambridge University Press, 1997 (1999 [printing])
-Venus devoilee : la Venus d'Urbino du Titien : Palais des Beaux-arts, 11 octobre 2003-11 janvier 2004, Gand : Snoeck ; [Milan] : Silvana, c2003
2° Theme: “Bronzino and Mannerism Portraiture”
Presentation: Kelvin Sim
Bibliography:
-Strehlke, Carl Brandon, Pontormo, Bronzino, and the Medici : the transformation of the Renaissance portrait in Florence, Philadelphia, PA : Philadelphia Museum of Art, c2004
-Pilliod, Elizabeth, Pontormo, Bronzino, Allori : a genealogy of Florentine art, New Haven [Conn.] : Yale University Press, c2001
-Brock, Maurice, Bronzino, Paris : Flammarion ; London : Thames & Hudson, 2002
-Parker, Deborah, Bronzino : renaissance painter as poet, Cambridge, UK ; New York, NY, USA : Cambridge University Press, 2000
-Robert Williams, “Bronzino's gaze”, In:The beholder : the experience of art in early modern Europe / ed. by Thomas Frangenberg and Robert Williams. – Aldershot [u.a.] : Ashgate, 2006, p. 87-101
December 16th 2009
3° Theme: “Caravaggio St Matthew’s paintings”
Bibliography: Wei-Wei Wu
-Alice Sedgwick Wohl, “Light and dark in the Contarelli Chapel : a reconsideration of Caravaggio's images of Saint Matthew”, In: Studi secenteschi, 50.2009, p. 229-258
-Self-reference in Caravaggio's "Calling of St. Matthew" / Matthew B. Culler. – 2007. – V, 86 S. : University Microfilms International, Ann Arbor, Mich., Chapel Hill <NC>, Univ. of North Carolina, Magisterarbeit, 2007
-Thomas Puttfarken, “Caravaggio's Story of St Matthew : a challenge to the conventions of painting” /. – 1998, In: Art history, 21.1998, p. 163-181
-“The art of dissimulation : Caravaggio's "Calling of St. Matthew"” / Peter J. Burgard. – 1998, In: Bruckmanns Pantheon, 56.1998, p. 95-102
-Irving Lavin, “Divine inspiration in Caravaggio's two St. Matthews” /. – 1974, In: The art bulletin, 56.1974, p. 59-81
-Irving Lavin, “A further note on the ancestry of Caravaggio's first 'Saint Matthew'” /. – 1980In: The art bulletin, 62.1980, p. 113-114
4° Theme: Artemisia Gentileschi
Presentation: Ya-Wen Lin (Lydia)
Bibliography:
-Garrard, Mary D, Artemisia Gentileschi around 1622 : the shaping and reshaping of an artistic identity, Berkeley: University of California Press, c2001
-Garrard, Mary D, Artemisia Gentileschi : the image of the female hero in Italian Baroque art, Princeton, N.J. : Princeton University Press, c1989
-Bal, Mieke, The Artemisia files : Artemisia Gentileschi for feminists and other thinking people, Chicago : University of Chicago Press, c2005
5° Theme: “Rembrandt’s Bathseba”
Presentation: Yu-Yun Liu
Bibliography:
-Adams, Ann Jensen, Rembrandt's Bathsheba reading King David's letter, Cambridge ; New York : Cambridge University Press, 1998
-Ducos, Blaise, Rembrandt : Bethsabee tenant la lettre du roi David, Paris : Reunion des musees nationaux : Musee du Louvre, c2006
-Rembrandt, 1606-1669, London : National Gallery Co. ; [New Haven, Conn.] : Distributed by YaleUniversity Press, 2006
-Berger, Harry, Fictions of the pose : Rembrandt against the Italian Renaissance, Stanford, Calif. : Stanford University Press, c2000
-Julia Lloyd Williams with contributions from S.A.C. Dudok van Heel ... [et al.],Rembrandt's women, Munich : London : Prestel, 2001
December 23rd 2009
6° Theme: “Watteau’s Enseigne”
Presentation: Fu-An Wu (Ann)
Bibliography:
-Christoph Martin Vogtherr ; Eva Wenders De Calisse “Watteau's 'Shopsign' : the long creation of a masterpiece” , In: The Burlington magazine, 149.2007,1250, p. 296-304
-Jay Caplan, In the king's wake : post-absolutist culture in France, Chicago [u.a.] : University of Chicago Press, 2000
-Andrew McClellan, “Watteau's dealer : Gersaint and the marketing of art in eighteenth-century Paris”, In:The art bulletin, 78.1996, p. 439-453
-Humphrey Wine, «Watteau's consumption and l'Enseigne de Gersaint», In: Gazette des beaux-arts, 6.Pér. 115.1990, p. 163-170
-Robert Neumann, «Watteau's 'L'Enseigne de Gersaint' and Baroque emblematic tradition», In: Gazette des beaux-arts, 6.Pér. 104.1984, p. 153-164
-Roland Michel, Marianne, Watteau, an artist of the eighteenth century, Secaucus, N.J. : Chartwell Books, 1984
7° Theme: “Whistler’s Symphonies in White”
Presentation: Ji-Yin Chen (Stefani)
Bibliography:
-Curry, David Park, James McNeill Whistler : uneasy pieces, Richmond : Virginia Museum of Fine Arts ; New York : In Association with the Quantuck Lane Press : Distributed by W.W. Norton & Co., c2004
-Berger, Klaus, Japonisme in Western painting from Whistler to Matisse, Cambridge ; New York : Cambridge University Press, 1992
-James Mcneil Whistler, The gentle art of making enemies. With an introd. by Alfred Werner., New York : Dover Publications, [1967]
-Aileen Tsui, “The phantasm of aesthetic autonomy in Whistler's work : titling The White Girl” In: Art history, 29.2006,3, p. 444-475
-Robin Spencer, “Whistler's 'The White Girl' : painting, poetry and meaning” In: The Burlington magazine, 140.1998, p. 300-311
8° Theme: “Manet’s Barat the Folies Bergères”
Presentation: Jiang-Jia Huang
Bibliography:
-Collins, Bradford R.,12 Views of Manet's Bar, Princeton, N.J. : Princeton University Press, c1996
-Fried, Michael, Manet's modernism, or, the face of painting in the 1860s, Chicago : University of Chicago Press, 1996
December 30th 2009
9° Theme: “Jackson Pollock and myth”
Presentation: Jhen-Yi Huang (Jordan)
Bibliography:
-Jones, Janet Alice, Clement Greenberg : his critical and personal relationships with Jackson Pollock and selected post painterly abstractionists, Ann Arbor, Mich. : UMI, 1988
-Varnedoe, Kirk, Jackson Pollock : new approaches, New York : Museum of Modern Art : Distributed by H.N. Abrams, c1999
-Karmel, Pepe, Jackson Pollock : interviews, articles, and reviews, New York : Museum of Modern Art : Distributed by H.N. Abrams, c1999
10° Theme : “Gerhard Richter and Contemporary Events”
Presentation: Pei-Chun Hsieh (Viola)
Bibliography:
-Storr, Robert, Gerhard Richter : October 18, 1977, New York : Museum of Modern Art : distributed by Harry N. Abrams, c2000
-Richter, Gerhard, Gerhard Richter, London : Anthony d'Offay Gallery, c1998
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