Keith Jarrett S the Köln Concert. Oxford University Press (January 2013)

Publications

Books

Keith Jarrett’s The Köln Concert. Oxford University Press (January 2013).

(edited with Bjorn Heile and Jenny Doctor)Watching Jazz: Encountering Jazz Performance on Screen(2016)

Articles and Chapters

‘Viewing Empathy in Jazz Performance’,inMusic and Empathy, eds. Elaine King and Caroline Waddington. (Ashgate Press, 2017).

‘Framing Jazz’, inWatching Jazz: Encountering Jazz on Screen,eds. Jenny Doctor, Peter Elsdon, and Björn Heile. (Oxford University Press, 2016).

‘The Potential of the Jazz Record’, inDarmstädter Beiträge zur Jazzforschung, ed. Wolfram Knauer. (Wolke Verlagsgesellschaft, 2014), pp. 109-118.

‘Embodied Listening and the Music of Sigur Rós’,Popular Musicology Online,
issue 2.

‘Re-imagining Improvisation: Listening, Discourse and Aesthetics‘. Online publication, 2013. See posthere.

‘Style and the Improvised in Keith Jarrett’s solo concerts’,Jazz Perspectives, Volume 2, No. 1, May 2008, pp. 51-67.

‘Jazz Recordings and the Capturing of Performance’ inRecorded Music: Society, Technology and Performance, ed. Amanda Bayley (Cambridge University Press, 2010), pp. 146-166.

‘Listening in the gaze: the body in Keith Jarrett’s solo piano improvisations’ inMusic and Gesture, eds. Elaine King + Anthony Gritten (Ashgate, 2006), pp. 192-207.

‘Ballads, Blues, and Boogie-Woogie: Keith Jarrett’s 1973 Solo Concerts recording’, in Proceedings of the 3rd Annual Leeds Jazz Educators’ Conference, Leeds, April 1998.

‘Crossing Over? The Charles Lloyd Group and the problem of stylistic identity’, in Jazz Research Proceedings Yearbook, 2000, International Association of Jazz Educators.

Appendices (chronology and personalia) forThe Cambridge History of Twentieth Century Music, eds. Nichoas Cook and Anthony Pople, Cambridge University Press, 2004.

Reviews

Review of The Musicology of Record Production, S. Zagorski-Thomas. (Cambridge: Cambridge University Press 2014), IASPM Journal, Vol. 6, No. 2, (2016).

Review of Oh Boy! Masculinities and Popular Music, F. Jarman Ivens ed. (London: Routledge 2007), Journal of Gender Studies, 18/1 (2009), pp. 92-3.

Review ofJazz On The Road, C. Wilkinson (Berkeley: University of California Press, 2001),Music and Letters, 84/1 (2003), pp. 143-5

Review article onThe Cambridge Companion to Jazz,eds., M. Cooke and D. Horn (Cambridge: Cambridge University Press, 2002), Frankfurter Zeitschrift für Musikwissenschaft (online publication at

Selected Papers and presentations

‘Improvisation: Problems, Anxieties, and an Alternative’. Perspectives on Musical Improvisation Conference, University of Oxford, September 2012.

“Musicology, Recordings, and Keith Jarrett’sThe Koln Concert”,research seminar at Birmingham Conservatoire, October 2011.

“Framing Jazz”, Music Analysis Conference, University of Lancaster, July 2011.

“Fairy tales and near death experiences: the music of Sigur Ros”, research seminar at the University of Sheffield, November 2008.

“Constructing Improvisation: Keith Jarrett’s ‘Prism’”, Cardiff International Music Analysis Conference, September 2008.

‘The sound of a rock record?’, CHARM/RMA Annual Conference, Royal Holloway, University of London, September 2007.

‘Embodied Listening and the Music of Sigur Ros’, invited research seminar at University of Cork, January 2007.

‘Air Guitar and the Music of Sigur Ros’. 2nd International Conference on Music and Gesture, Royal Northern College of Music, July 2006.

‘Gesture and the Improvised in the Music of Keith Jarrett’. Research seminar, Institute of Musical Research, University of London, June 2006.

‘Jazz recording and the “capturing” of performance’, invited research seminar at School of Music, University of East Anglia, December 2004.