Movie Terminology Glossaryletter - A

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Movie Terminology Glossaryletter - A

Abby Singer

The second-to-lastshotof the day. Named afterproduction managerAbby Singer, who would frequently call "last shot of the day" or "this shot, and just one more," only to have thedirectorask for moretakes. See alsomartini shot.

Above-the-Line Expenses

The major expenses committed to before production begins, including story/rights/continuity (writing); salaries forproducers,director, andcast; travel and living; andproductionfees (if the project is bought from an earlier company). Everything else falls underbelow-the-line expenses.

Academy of Motion Picture Arts and Sciences

AKA:AMPAS, The Academy

On the web:Official Home Page

Academy of Motion Picture Arts and Sciences Awards

AKA:Oscars, Academy Awards
The term "Oscar" was coined by an anonymous person who remarked that the statue looked like their Uncle Oscar.

On the web:Complete List of Winners and Nominees,Official Home Page

Action

"Action" is called during filming to indicate the start of the currenttake. See alsocut,speed,lock it down.

Actor

AKA:Actress
A person who plays the role of a character. Historically, the term "Actor" refered exclusively to males, but in modern times the term is used for both genders.

On the web:Search for an actor
Factual Movie(s):Rhinoskin: The Making of a Movie Star (1995)

Additional Camera

AKA:B Camera
An extracamera operator, often needed for complicated action sequences orstunts. Contrast withadditional photography.

Additional Photography

AKA:Additional Photographer, Reshoots, Reshooting, Pickups
Focus grouporstudioreaction to someshots orscenes may be bad enough to convince thefilmmakersto discard them. In some cases,actors are recalled and parts of the movie are refilmed. This is referred to as "Additional Photography", "Reshoots", or "Pickups". Contrast withadditional camera,pickups.

Advance

Of acomposite print: the distance between a point on thesoundtrackand the corresponding image. Of payment: an amount given before receipt of services.

Agent

A person responsible for the professional business dealings of anactor,director, or other artist. An agent typically negotiates the contracts on behalf of theactorordirector, and often has some part in selecting or recommending roles for their client.

Fictional Movie(s):Postcards from the Edge (1990)

Alan Smithee

AKA:Allen Smithee
The sole pseudonym that the Directors Guild of America allowed directors to use when they wish to remove their name from a film. The name has reportedly been retired by the Directors Guild of America, after 1997'sAn Alan Smithee Film: Burn Hollywood Burnrevealed the alias to the general public. It appears that project-specific pseudonyms are now used instead, selected on a case-by-case basis when the DGA agrees that a film has been taken away from a director and cut and/or altered to such an extreme extent that it completely deviates from that director's original vision.

American Cinema Editors

AKA:ACE
Honorary society of filmeditors founded in 1950 byJack Ogilvie,Warren Lowand others.

On the web:

American Federation of Television and Radio Artists

AKA:AFTRA
An association with jurisdiction over some works that can be recorded by picture or by sound. See also theScreen Actors Guild.

On the web:Official Home Page

American Society of Cinematographers

AKA:ASC
An organization founded in 1919 and dedicated to advancing the art of cinematography through artistry and technological progress, to exchange ideas and to cement a closer relationship amongcinematographers. Membership is international and by invitation based on an individual's body of narrative filmwork. Use of the abbreviation ASC, e.g. for on-screen credits, indicates membership in the society. The society publishes "American Cinematographer" magazine.

On the web:Official Home Page

Anamorphic

AKA:Cinemascope
An optical system which has different magnifications in the vertical and horizontal dimensions of the picture. See alsoaspect ratio, contrast withspherical. Cinemascope is a tradename of an anamorphic technique.

Anamorphic Widescreen

AKA:16:9 Enhanced
DVDmastering process whereby a film source with anaspect ratiogreater than 4:3 (usually also greater than or equal to 16:9) is transferred to theDVDvideo master in such a way that the picture is vertically stretched by a factor of about 1.33 (e.g. if the picture had an aspect ratio of 16:9, it now has one of 4:3). The idea is to use as much resolution of the video master as possible so widescreen pictures use the 4:3 frame optimally, gaining another 33% of vertical resolution and looking markedly sharper. When playing aDVDwith anamorphic widescreen the display (16:9 capable TV or projector and screen) has to vertically squeeze the picture by a factor of 0.75 so a circle is still a circle. If the display cannot do this theDVDplayer will do the squeezing and add black bars on the top and bottom of the picture. In that case the additional 33% resolution are not available.

Animation

AKA:Animated, Animator
The process of creating the illusion of motion by creating individualframes, as opposed to filming naturally-occurring action at a regularframe rate. See also computer generated animation,claymation, time lapse. Contrast withmotion capture,rotoscoping.

Anime

A style of animated movie which had its roots in the comic books of Japan. Animation enjoys an immense variety of subject matter and audiences in Japan. Outside of Japan, "Anime" is often used to describe only the adult orientedscience fictionand fantasy entries in the field.

On the web:List of Anime titles at the IMDb.

Answer print

The first graded print of a film that combines sound and picture, which is created for the client to view and approve before printing the rest of the copies of the film.

Aperture

AKA:F/Number, F-Stop, Effect Aperture, Relative Aperture
A measure of the width of the opening allowing light to enter acamera. The apparent diameter of a lens viewed from the position of the object against a diffusely illuminated background is called the "effect aperture". The ratio of focal length of a lens to its "effective aperture" for an object located at infinity is called the "relative aperture", or "f/number". Larger apertures allow more light to enter acamera, hence darkerscenes can be recorded. Conversely, smaller apertures allow less light to enter, but have the advantage of creating a largedepth of field. See alsoshutter speed.

Armorer

A person who is responsible for weapons on the set of a movie or television show. Duties include providing the correct weapons to suit the era and style of the film, advising the director on use of weapons, choosing the correct blanks, creating a safe set for the use of said weapons, teaching actors about handling and using weapons, making sure use of all weapons is properly licensed, and ensuring the safety of everyone on the set while weapons are in use.

Art Department

The section of aproduction'screwconcerned with visual artistry. Working under the supervision of theproduction designerand/orart director, the art department is responsible for arranging the overall "look" of the film (i.e. modern/high-tech, rustic, futuristic, etc.) as desired by thedirector. Individual positions within in this department include:production designer,production buyer,special effects supervisor,draftsman,art director,assistant art director,set decorator,set dresser,property master,leadman,swing gang, andproperty assistant.

Art Director

The person who oversees the artists and craftspeople who build thesets. See alsoproduction designer,set designer, set director,leadman, andswing gang.

Artifact

A visual defect in an image caused by limitations or the malfunction of imaging equipment. See alsomotion artifact, contrast withcinch marks.

Articulation Artist

A person who takes an artist's designs and builds them in a computer, so that animators can manipulate the figures to tell the story of the film.

Aspect Ratio

AKA:Aspect, Academy Ratio
A measure of the relative sizes of the horizontal and vertical components of an image. "Academy Ratio" is 1.33:1. See alsoanamorphic.

Assistant Art Director

An assistant to theart director.

Assistant Camera

AKA:Assistant Camera Operator, First Assistant Cameraman, 1st Assistant Cameraman, 1st Assistant Camera, Assistant Cameraman, Camera Assistant
A member of thecamera crewwho assists thecamera operator. This person is responsible for the maintenance and care of thecamera, as well as preparingdope sheets. In smallercamera crews, they may also perform the duties of clapper-loader and/or afocus puller. See alsoadditional camera.

Assistant Director

AKA:AD, First Assistant Director, 1st Assistant Director, 2nd Assistant Director
An assistant director's duties include tracking the progress of filming versus theproduction schedule, and preparingcall sheets.

A First Assistant Director is responsible for the preparation of the shooting schedule and script breakdown used to plan the shooting of a film or television show. The AD works directly with the Director to manage of the minute to minute operations on the set during the process of filming, as well as co-ordinating the necessary communication of details of future operations as the filming progresses. Other duties include tracking the progress of filming versus the production schedule, observing all rules related to union crafts, labor contracts and location agreements, maintaining safety on the working set, and working with the Unit Manager to keep operational costs within the budgeted plan.

A Second Assistant Director is responsible for information distribution and reporting, cast notification and preparations during the shooting process, recording of all data relative to the working hours of the crew and cast, management of the background cast (atmosphere or "extras"), preparation of call sheets, production reports,and other documentation. When needed, the Second Assistant Director can assume the duties of the First Assistant Director on a temporary basis.

Fictional Movie(s):Living in Oblivion (1995)

Assistant Film Editor

AKA:Assistant Picture Editor, Assistant Sound Editor, Assistant Editor, First Assistant Editor, Second Assistant Editor, Apprentice Editor
Editing room crewmember responsible for providing any and all required logistical assistance to theeditor(s). Duties vary, depending on whether the assistant is working with a picture or sound editor and whether the show is being edited on film or on anon-linear editingsystem. On a film-edited show, assistant picture editors will, duringproduction: liase with the film lab and sound transfer facility regarding the processing ofdailies; leader, sync and edgecode the dailies rolls; coordinate and take notes duringdailiesscreenings; organize and maintain camera reports, sound reports, script notes, andlined scriptpages from theset, as well as lab reports and sound transfer reports; log alldailiesfootage; and reorganize footage forediting, if necessary. Ongoing, and duringpost-production, they will: reconstitute trims; locate and pull trims requested by the editor; check sync, clean, measure, re-splice, and add change-over marks to cutreels; coordinatescreenings ofcutwork; take notes duringscreenings. Once the sound department begins work, the assistants produce change sheets detailing each day's changes to the workprint and production track and send them, along with any necessary duplicate trims, to the sound department. Assistants may be permitted by theeditorto do some creative work, such as commenting on theeditor's work; cutting temporary ("temp")sound effectsand music into the track; and sometimes eveneditingscenes. After picture lock, the assistant: oversees the creation of optical effects such asfades,dissolves, etc. and cuts them into the workprint; continues to work with the sound department as necessary; and in some cases oversees the final stages ofpost-production, all the way throughsound mix, negative conforming, and the production of finalprints. The assistant editor chain of command consists of the First Assistant Editor(s), who bears the most responsibility for the smooth performance of the assistant team; the Second Assistant Editor(s); and the Apprentice Editor(s).

Assistant Production Manager

AKA:Assistant Production Co-Ordinator
An assistant to the production co-ordinator. See alsoproduction secretary.

Associate Producer

An individual who performs a limited number of producing functions delegated to her/him by aproducer, under the direct supervision and control of thatproducer. The term may also refer to a person who would qualify as anexecutive producerof a project, but for the fact that (s)he acts on behalf of a production company which is subordinate to another one on that project. See alsoco-producerandline producer.

Association Internationale du Film d'Animation

AKA:ASIFA, International Animation Association
ASIFA was founded in 1960 in France, chartered under UNESCO, as a membership organization devoted to the encouragement and dissemination of film animation as an art and communication form.

On the web:International Home Page

Association of Film Commissioners International

AKA:AFCI
WWW: A non-profit educational organization founded in 1975 to serve the needs of on-location film, television and commercial production.

Association of Independent Video and Filmmakers

On the web:International Home Page
A membership organization serving local and international film and videomakers—from documentarians and experimental artists to makers of narrative features

Australian Screen Editors

AKA:ASE
A cultural, professional and educational organisation, dedicated to the pursuit and recognition of excellence in the arts, sciences and technology of motion picture film and televisualpost-production. It aims to promote, improve and protect the role of editor as an essential and significant contributor to all screen productions.

Association of Motion Picture Sound

AKA:AMPS
A UK-based organization whose aims are to promote and encourage the science, technology and creative application of all aspects of motion picture sound recording and reproduction, and to promote and enhance the status and recognition of the contribution of those therein engaged.

On the web:Official Home Page

Association of Motion Picture and Television Producers

AKA:AMPTP

Australian Screen Editors

AKA:ASE
A cultural, professional and educational organisation, dedicated to the pursuit and recognition of excellence in the arts, sciences and technology of motion picture film and televisualpost-production. It aims to promote, improve and protect the role of editor as an essential and significant contributor to all screen productions.

Australian Screen Directors Association

AKA:ASDA
The Australian Screen Directors Association (ASDA) is an industry association representing the interests of film and television directors, documentary filmmakers, animators and independent producers throughout Australia.

On the web:Official Home Page

Australian Society of Cinematographers

AKA:ACS
Use of the abbreviation after a name indicates that the person is a member of the ACS.

On the web:Official Home Page

Auteur

A filmmaker, generally adirector, who creates a body of work with a unified sensibility that reveals, through the interplay of themes and styles, a personal worldview. The term originated withFrançois Truffaut, whose 1954 essay "Une certaine tendence du cinéma français" put forth the idea that the most interesting films were those that functioned as a medium of personal expression--and therefore bore the distinctive imprint of their "author." American criticAndrew Sarrislater translated and expanded this idea into an "auteur theory," which proposed an evaluation of films based on their context within the filmmaker's oeuvre, rather than for their technical proficiency or greater historical significance. The term "auteur" later came to refer to any filmmaker who performed or was intimately involved in all aspects of the moviemaking process (writing, directing, producing, editing, etc.).

Automated Dialogue Replacement

AKA:Automatic Dialogue Replacement, ADR, Dialogue Looping, Dialog Looping, Looping
The re-recording of dialogue byactors in a sound studio duringpost-production, usually performed to playback of edited picture in order to match lip movements on screen. ADR is frequently used to replace productiontrackof poor quality (e.g., due to high levels of background noise) or to change the delivery or inflection of a line. ADR can also be used to insert new lines of dialogue which are conceived duringediting, although such lines can only be placed against picture in which the face of the actor speaking is not visible.

Fictional Movie(s):Postcards from the Edge (1990)

Automated Dialogue Replacement Editing

AKA:Automatic Dialogue Replacement Editing, ADR Editing
The process of editing sound duringAutomatic Dialogue Replacement.

Automated Dialogue Replacement Editor

AKA:Automatic Dialogue Replacement Editor, ADR Editor
The person who performs ADR Editing.

Automated Dialogue Replacement Mixer

AKA:Automatic Dialogue Replacement Mixer, ADR Mixer
The person who mixes the sound duringAutomated Dialogue Replacement.

AVID

Manufacturer of a popularnon-linear editingsystem. Often used to refer to the system itself, as "AVID editor". Competitors include Lightworks and Apple's FinalCut Pro.

Axis of Action

In the continuity editing system, the "Axis of Action" is an imaginary line that passes through the two main actors of a scene, defining the spatial relations of all the elements of the scene as being to the right or left. The camera is not supposed to cross the axis at a cut and thus reverse those spatial relations. Also called the "180° line."

Movie Terminology Glossaryletter - B

B-Movie

A low-budget, second tier movie, frequently the 2nd movie in a double-feature billing. B-films were cheaper for studios because they did not involve the most highly paid actors or costly sets, and were popular with theater owners because they were less expensive to bring into their theaters while still able to draw revenue.

Back Projection

AKA:Rear Projection
A photographic technique whereby live action is filmed in front of a screen which the background action is projected on. Originally used forscenes occuring in vehicles. Contrast this with amatte shot.

Fictional Movie(s):Postcards from the Edge (1990)

Background Artist

AKA:Scenic Artist, Backgrounds
A person responsible for designing or constructing the art placed at the rear of aset. See alsomatte artist.

Backlot

AKA:Back lot
A large, undeveloped area onstudioproperty used for constructing large open-air sets or for filming wildernessscenes.