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Mercer University – WGS 180-001. Fall 2014

WGS180-001

Gendered Lives

Fall 2014

Instructor:Dr. Yosálida C. Rivero-Zaritzky.

Classroom:Knight Hall 101.

Class Schedule:Monday and Wednesday 3:00 - 4:15 pm.

Office:Knight Hall 112.

Office hours:Monday and Wednesday 10:00 - 11:50 pm by appointment.

Phone:301-2217.

E-mail:

Home Page:

Course Description:

In this course we will examine how and why we live our lives as "men" and "women." We will investigate the biological basis and the cultural construction of gender, with particular attention to cross-cultural examples and to the history of challenges to the status quo of gendered societies. Contemporary social issues will be used to analyze cultural messages about gender and the intersections between gender, race, and class as determinants of difference. You must be at least a second-semester freshman to take this course.

This course is the prerequisite for all other courses in the WGS minor.

Course objectives:

  1. To provide a demanding intellectual experience for students.
  2. To recognize the ways that gender, race, sexuality, class, and other aspects of identity intersects in shaping one’s experience and theory making.
  3. To appreciate the ways in which different disciplines contribute to the understanding of gender.
  4. To analyze one’s own experience as a gendered individual and recognize some contexts and processes which have shaped one’s own development.
  5. To learn about historical periods and events which have been contexts for social and political struggles around issues of gender and gender roles.
  6. To effectively use a variety of writing styles for critical thinking, analysis, and persuasive communication.
  7. To learn about women’s contributions to knowledge and to gain an understanding of how knowledge is socially and historically constructed.

Required Texts:

Gibaldi, Joseph. MLA Handbook for Writers of Research Papers.7thEdition.New York: The Modern Language Association of America, 2009. Print. (ISBN: 978- 1603290241)

Ibsen, Henrik. A Doll's House.Clayton: Prestwick House, 2005. Print. (ISBN: 978-1-58049-598-1)

Lee, Janet and Susan M. Shaw.Women's Voices.Feminist Visions.6thEdition.New York: McGraw-Hill, 2014. Print. (ISBN: 978-0078027000)

Course Requirements:

  • Attendance(10%)is mandatory in this class. You will be permitted a total of 4 absences, excused or unexcused. After that, no matter the cause of your nonattendance, each absence will reduce 2 point from your final gradein addition to affecting your attendance grade (No exceptions!).If you miss 7 days of class you automatically fail the class.

You will see in your reports that I will count ALL your absences (excused or unexcused). At the end of the semester I will erase up to4 absences; so if you do not exceed that magic number you will end up earning the full 10%.

Aside from scheduled class time, each student will need to attend 4 film projections. For one of these you must participate as the moderator (See Leading Discussion after a Movie), and you must attend 3 others as audience members. There will be a total of 11 film projections outside of class. The student may choose which 3 screenings to attend in order to fulfill this requirement.

A roster will circulate daily. Make sure you sign it since this is the only proof that you were or not in the classroom. Please be wise in your use of absences and try to avoid scheduling appointments or meetings during class hours. I strongly recommend that you keep track of your absences.

Late arrivals are not acceptable. Student cannot enter the classroom 10 minutes after the class started (See the section “In-class behavior”).

If a student does not attend the first day of class, the instructor reserves the right to apply an administrative drop.

If you stop attending class, it is your responsibility to withdraw from the class on or before Friday, October 24 or a grade of F will appear in your records.

Obtaining materials, assignments, or announcements from classes you have failed to attend is your responsibility.

IMPORTANT: Unless your absence is excused (i.e. jury duty, medical emergency, or a Dean’s excuse due to university activities), and unless you show the professor written documentation substantiating the reason for your absence, you will receive no credit for the missed quiz, in class participation, short writing or other assignments.

  • Participation (25%). This class is conversational. This part of your grade includes your contribution in regular class sessions and active participation in small group activities. If you are absent you will receive a zero for the day, unless you have a documented excuse, in which case there will be no penalty. If you are in class but are not prepared and/or do not participate, you will receive a zero for the day. Your proficiency will be assessed every day and the range is from 0 to 2 points. This takes into consideration but is not limited to:
  • Your preparation for class. (Pop quizzes will be administered as necessary if I detect that the students are not coming prepared to class).
  • Your cooperation and leadership in pair and group work.
  • Your respect and attitude towards the class, your peers, and your instructor. (Disruptive behavior counts against participation grade).
  • Writings (50%).There are three papers for this class. It is expected that you use the MLA Handbook for Writers of Research Papers to format your papers properly, cite secondary sources, and list all the works consulted at the end of your essays.The minimum number of pages of your paper does not include the bibliography. In other words if the minimum is 4 pages, your list of works consulted must be on the fifth page.

1st paper (10%): Your favorite fairy tale then and now, a reflectionof the construction of gender through children’s literature. Length: 4 to 6 pages.

2nd paper (30%):You will receive an assignment to lead a discussion after the screening of a particular movie which has been selected based on a core topic. You will submit your second paper at the time of the screening of the movie. You must remember at all times that the theme of your paper is the core topic and the movie will serve to help you develop your argument as it relates to that topic. I am not asking for a summary of the movie or a summary of the chapter itself but a comprehensive essay. Length: 8 to 10 pages.

3rd paper (10%):Is a self-reflective essay based on a core topic of your preferencedifferent that the one you developed in the first and second paper. Even though this paper will reflect your personal point of view, it is expected that you use secondary sources to support your ideas or to argue somebody else’s point of view. Lenght: 4to 6 pages.

  • Leading Discussion after a Movie (15%). This activity and the second paper are related. You will be assigned to lead a conversation which will follow the screening of one ofthe following movies. You will:
  • promote one “Feature Presentation” (make a poster and bring at least two guests with you),
  • introduce the movie to your audience (a brief mention of the core topic to which the movie is related and some background information, if needed)
  • and prepare a minimum of ten minute forum at the end of the projection. The group must come prepared with questions or comments for the audience to consider and must turn these questions into the professor on one typed page before the projection starts. Specify who is responsible for what part of the discussion. No reading, please.

Date / Core Topics / Movie
Friday, Sep. 05 / 1. Early Socialization – Fairy Tales / Once Upon a Time
Tuesday, Sep. 16 / 2. Women’s Movements / Iron Jawed Angels
Tuesday, Sep. 23 / 3. The Intersection of Gender, Race and Class / Introducing Dorothy Dandrigde
Tuesday, Sep. 30 / 4. Sex vs. Gender / Transamerica
Tuesday, Oct. 07 / 5. The Construction of Masculinity / Tomboy
Friday, Oct. 24 / 6. Contemporary Issues:
a. The Female Body and the Media. / Little Miss Sunshine
Friday, Oct. 31 / b. Gendered Constructions of Love, Marriage, and the Family. / Fried Green Tomatoes
Friday, Nov. 07 / c. Health and Security. / Take My Eyes
Friday, Nov. 14 / d. Motherhood and Reproduction. / Juno
Friday, Nov. 21 / e. Women and Politic. / Persepolis
Friday, Dec. 05 / 7. Feminism and Religion. / Whale Rider

Grading Scale and Distribution: (No curving. Grades ending in .5 or higher round up, grades ending in .4 or lower round down. No exceptions!)

Report 1
4th week / Report 2
8th week / Report 3
12th week / Report 4
+16th week
# of absences
Attendance (10%)
Participation (25%)
Paper 1 (10%)
Paper 2 (30%)
Movie discussion (15%)
Paper 3 (10%)
Deducted points
TOTAL / / 45 / / / / / / 100
A-F

*No extra credit assignments are offered.

Each report has a different maximum value based on the completed assignments. In order to calculate your grade on a 100 points scale you need to follow this formula, i.e. if you received a 40 out of 47.5 on your first report you will do the following:

47.5 points = 100%

40 points = XX= 40 * 100/47.5 = 84.21% (B)

Remember that after your 5th absence, each absence will reduce 2 points from your final grade.

A = 100 - 90 / B + = 89 - 87 / C + = 79 - 77 / D = 69 - 66 / F = 65 or bellow
B = 86 - 80 / C = 76 - 70
S = 100 - 70 / U = 69 or bellow
No incompletes

Course Policies:

  • Make-up work is given only to students who havedocumented absences such as: jury duty, a medical emergency, or a Dean’s excuse due to university activities. In that case, all make-up work must be completed within three days of the scheduled assignment or a grade of zero will be given.
  • In-class behavior.
  • Students must treat their instructor and classmates with respect.
  • Students must bring their own textto class every day and also are responsible for bringing any othermaterialsthat the professor requests for that class.
  • According to the University Policy on Cell Phones and Pager Use, all cell phones, pagers and other electronic devices must be turned off before entering any classroom, lab, or formal academic or performance event. If your phone rings while you are in class you will be ask to leave the classroom for the day, resulting in an absence and zero in participation.
  • No text messaging is allowed. If you are caught doing it you will be ask to leave the classroom for the day, resulting in an absence and zero in participation.
  • No laptops are allowed.
  • Students must arrive to class on time. Students may not entermore than 10 minutes late, or leave early.If a student arrives to class more than 10 minutes late he or she will not be allowed to enter.
  • Students are not allowed to leave and then return in the middle of class.
  • The Honor Code is a very important and serious matter, so please do not jeopardize your grades or academic status by violating it. In accordance with it:

A violation of the Honor Code involves cheating, plagiarism, academic negligence, or other acts of dishonesty in the area of academics. It is the responsibility of the student to ascertain what would constitute a violation of the Honor Code in any given situation. One has an additional responsibility to understand fully a professor’s position in special situations which may be present in his or her course. Ignorance of a professor’s expressed class policy is not an excuse for an Honor Code violation.

The most frequent violations of the Honor Code are cheating and plagiarism:

Cheating is the taking of credit for work which has been done by another person. The following are some of the more common instances of cheating:

1) Using notes, textbooks, or reference materials on a test, daily quiz, or examination unless the use of such materials is specifically permitted by the professor;

2) Copying ideas or facts from another’s papers during a test situation;

3) Giving or receiving facts or ideas either verbally or in writing during a test situation;
4) Obtaining test questions which a teacher does not release for further reference;

5) Obtaining or giving specific information which will be on a test before the test is administered;

6) Using unassigned translations in a reading course in a foreign language.

It is to be emphasized that these examples are not the only possible ones. They are listed in order to give the student a general idea of what constitutes an Honor Code violation.

Plagiarism is defined as the use of ideas, facts, phrases, or additional materials such as maps and charts from any source without giving proper credit for such material. Any material in a paper or report which is not acknowledged is understood to be the original work of the author, regardless of misinformation, carelessness, sloppiness, or typographical errors.

[. . .]

Referencing Procedures:

If a professor specifies a class policy on referencing, it must be followed.

If no class policy is specified, it is the student’s responsibility to learn of any departmental manuals. If such manuals are accepted by a department, their policies on referencing should be followed. For example: The Council of Biological Editors Style Manual for the Biology Department or The Handbook of Authors of Papers in The Journal of the American Chemical Society for the Chemistry Department.

If there is no specified CLA policy or departmental manual, the policy must be as is specified in the most current MLA Handbook.”[1]

  • University Accommodation Policy. In accordance with Support Services for Students with Disabilities:

Students requiring accommodations for a disability should inform the instructor at the close of the first class meeting or as soon as possible. The instructor will refer you to the Disability Support Services Coordinator to document your disability, determine eligibility for accommodations under the ADAAA/Section 504 and to request a Faculty Accommodation Form. Disability accommodations or status will not be indicated on academic transcripts. In order to receive accommodations in a class, students with sensory, learning, psychological, physical or medical disabilities must provide their instructor with a Faculty Accommodation Form to sign. Students must return the signed form to the Disability Services Coordinator. A new form must be requested each semester. Students with a history of a disability, perceived as having a disability or with a current disability who do not wish to use academic accommodations are also strongly encouraged to register with the Disability Services Coordinator and request a Faculty Accommodation Form each semester. For further information, please contact Carole Burrowbridge, Disability Services Coordinator, at 301-2778 or visit the Disability Support Services website at

  • Scholarships. If you have a scholarship, Congratulations! It is a great privilege, but I need to remind you that it is your responsibility to do the necessary work in order to maintain it. Your instructor will not give special concessions. The grade you will receive is the one that you have earned throughoutthe semester.

NOTE: The professor reserves the right to make adjustments to this syllabus as she deems necessary. She also reserves the right to make decisions on all issues not specifically addressed in these pages.
Most of the movies that will be presented and discussed in class are rated “R” and include some combination of violence, language and/or nudity. The student’s continued enrollment in this course indicates his or her agreement to view and participate in the discussion of this material as well as to follow the other terms and conditions of this syllabus.

Calendar:

Week / Date / Materialtocover
1 / Wednesday
August 20 / Introduction.
2 / Monday
August 25 /
  1. Early Socialization – Fairy Tales.
Louie, Belinda. “Why Gender Stereotypes Still Persist in Contemporary Children’s Literature.” Beauty, Brains and Brawn. The Construction of Gender in Children’s Literature. Ed. Susan Lehr. Portsmouth: Heinemann, 2001. 142-51.
Find it at Blackboard.
Wednesday
August 27 / Early Socialization–Fairy Tales.
The particular fairy tale I assigned to you.
3 / Monday
Sept. 01 / Labor Day - No classes
Wednesday
Sept. 03 / Early Socialization – Fairy Tales.
Zipes, Jack. “Some Day My Prince Will Come…” 185-200.
Find it at Blackboard.
Finish your paper.
Friday
Sept. 05 / Movie Night: Once Upon a Time. (Dr. Rivero-Zaritzky)
4 / Monday
Sept. 08 / 2. Women’s Movements: 1st Wave.
****Your first paper is due****
Wood, Julia. “The Rhetorical Shaping of Gender: Women’s Movements in America.” Gendered Lives. Communication, Gender, and Culture. 7th Edition. Belmont: Thomson Higher Education, 2007. 60-65.
Find it at Blackboard.
Wednesday
Sept. 10 / Women’s Movements: 2nd Wave.
Wood, Julia. “The Rhetorical Shaping of Gender: Women’s Movements in America.” 65-80.
5 / Monday
Sept. 15 / Women’s Movements: 3rd Wave.
Wood, Julia. “The Rhetorical Shaping of Gender: Women’s Movements in America.” 80-88.
For next class: Complete the Learning Activity: “Combating Hate” page 69.
Tuesday
Sept. 16 / Movie Night: Iron Jawed Angels.
Paper on Women’s Movements due.
Wednesday
Sept. 17 / 3. The Intersections of Gender, Race and Class.
Lee & Shaw. Chapter 2: Systems of Privilege and Inequality, 49-70.
Bring your laptop tonext class.
6 / Monday
Sept. 22 / The Intersections of Gender, Race and Class.
Lee & Shaw. Chapter 2: Systems of Privilege and Inequality.
Reading 10: “Toward a New Vision” 72-79.
For next class: Complete the Learning Activity: “Speaking of Women and Men” page 123.
Tuesday
Sept. 23 / Movie Night: Introducing Dorothy Dandrigde
Paper on The Intersections of Gender, Race & Class due.
Wednesday
Sept.24 / 4. Sex vs. Gender.
Lee & Shaw. Chapter 3: Learning Gender, 116-35.
7 / Monday
Sept.29 / Sex vs. Gender.
Reading 20: “The Five Sexes, Revisited” 136-40.
Reading 21: “The Social Construction of Gender” 141-44.
Reading 26: “Through the Lens of Race: Black and White Women’s Perceptions of Womanhood” 160-69.
Tuesday
Sept. 30 / Movie Night: Transamerica
Paper on Sex vs. Gender due.
Wednesday
Oct. 01 / 5. The Construction of Masculinity.
Messerschmidt, James. “Varieties of Real Men”. Men’s Lives. Ed. Michael S. Kimmel and Michael A. Messer. Boston: Pearson Education, 2007. 1-20.
Find it at Blackboard.
8 / Monday
Oct. 06 / The Construction of Masculinity.
Kimmel, Michael. “The Masculine Mystique.” Manhood in America: A Cultural History. New York: Oxford University Press, 2012. 189-210.
Find it at Blackboard.
For next class: Complete the Learning Activity “On the Rag” page 187.
Tuesday
Oct. 07 / Movie Night: Tomboy.
Paper on The Construction of Masculinity due.
Wednesday
Oct. 08 / 6. Contemporary Issues:
a. The Female Body and the Media.
Lee & Shaw. Chapter 4: Inscribing Gender in the Body, 181-99.
From today to next class, keep track of everything you eat.
9 / Monday
Oct. 13 / a. The Female Body and the Media.
(Segment of: Miss Navajo)
Lee & Shaw. Chapter 4: Inscribing Gender in the Body, 199-204.
Reading 33: “What We Do for Love” 221-29.
For next class: Complete the Learning Activity “Looking Good, Feeling Sexy, Getting a Man” page 267. (Bring those magazines or the advertisements to class).
Wednesday
Oct.15 / a. The Female Body and the Media.
Lee & Shaw. Chapter 5: Media and Culture, 250-69.
(Magazine advertisements)
Before next class: Send me via e-mail at least two commercials (their addresses in Youtube) that show gender issues.
10 / Monday
Oct. 20 / a. The Female Body and the Media.
(Segment ofMiss Representation)
Reading 44: “Vampires and Vixens” 288-92.
Wednesday
Oct. 22 / a. The Female Body and the Media.
(Segment ofMiss Representation)
**Friday**
Oct. 24 / Movie Night: Little Miss Sunshine.
Paper on The Female Body and the Media due.
IMPORTANT:
Today is the last day for course withdrawal.
11 / Monday
Oct. 27 / b. Gendered Constructions of Love, Marriage, and the Family.
Ibsen. A Doll’s House.
Wednesday
Oct. 29 / b. Gendered Constructions of Love, Marriage, and the Family.
García Lorca. The House of Bernarda Alba.
Friday
Oct. 31 / Movie Night: Fried Green Tomatoes.
Paper on Gendered Constructions of Love, Marriage, and the Family due.
12 / Monday
Nov. 03 / c. Health and Security.
Lee & Shaw. Chapter 10: Resisting Gender Violence, 537-53.
Wednesday
Nov. 05 / c. Health and Security.
Lee & Shaw. Chapter 10: Resisting Gender Violence, 554-64.
Visit from Crisis Line Safe House’s representative.
Friday
Nov. 07 / Movie Night: Take My Eyes.
Paper on Health and Security due.
13 / Monday
Nov. 10 / d. Motherhood and Reproduction.
Lee & Shaw. Chapter 6: Sex Power and Intimacy, 372-94.
Wednesday
Nov. 12 / d. Motherhood and Reproduction
Lee & Shaw. Chapter 8: Family Systems, Family Lives, 433-51.
Reading 62: “Marriage and Love” 452-54.
For next class: Go to and complete the Learning Activity “Women and the United Nations” 549. Answer the questions at the end of the activity.
Friday
Nov. 14 / Movie Night: Juno.
Paper on Motherhood and Reproduction due.
14 / Monday
Nov. 17 / e. Women and Politics.
Lee & Shaw. Chapter 11: State, Law and Social Policy, 582-94.
Wednesday
Nov. 19 / e. Women and Politics.
Lee & Shaw. Chapter 11: State, Law and Social Policy, 594-605.
Friday
Nov. 21 / Movie Night: Persepolis.
Paper on Women and Politics due.
15 / Monday
Nov. 24-28 / Thanksgiving Break - No classes
16 / Monday
Dec. 01 / 7. Feminism and Religion.
Lee & Shaw. Chapter 12: Religion and Spirituality, 595-602.
Complete the Learning Activity “How Well Do You Know the Goddess?” page 603.
Bring to class one passage from the Bible or other Sacred Book from your faith that addresses gender issues.
Wednesday
Dec. 03 / Feminism and Religion.
Lee & Shaw. Chapter 12: Religion and Spirituality,602-08.
Reading 92: “Introduction to The Woman’s Bible” 609.
Reading 93: “Fundamentalism and the Control of Women” 610-14.
Friday
Dec. 05 / Movie Night: Whale Rider.
Paper on Feminism and Religion due.
Monday
Dec. 08 / Your final paper is due. I will be at Knight Hall 112 from 2:00 to 3:30 pm. Do not submit electronic documents.
Have a wonderful holidays!!

[1]“Honor System.”Lair, Mercer University's Student Handbook. 24 may 2006 >.