Erin Rezich

Per. 7

A Doll House Discussion

Perrine’s Question #3
What are the symbolic meanings of the title? Why is it more appropriate than A Doll’s House? Is Nora the only “doll” in the play?

  • The title implies that the house (i.e. the way it is run) is very fake and stereotypical, like the way a child would reenact a family with dolls
  • The audience of the play is omniscient just as a child is when playing with a doll house

o  Doll houses typically lack an entire side so that every room is accessible

  • Adding the possessive “s” in the title is not appropriate because it implies that the house belongs to Nora which couldn’t be further from the truth

o  She doesn’t know her own children or husband

o  She and Torvald do NOT share household responsibilities

o  She takes no pride in her household

o  “Torvald – that moment I realized that I had been living here for eight years with a stranger and had borne him three children – Oh, I can’t stand thinking about it! I feel like tearing myself to pieces!” (page 1140)

  • Torvald could also be considered a “doll” as he is so stereotypical and does many of the things he does simply because he’s the “man of the house.”

o  The characters in this play seem to be playing roles of the household

Background Question
How did reading some reviews of A Doll House, as it was performed by various companies, help you to better understand who the characters really are?

  • Without reading the reviews, I would have viewed this play almost as a farce or parody as the characters seems quite ridiculous
  • The reviews helped me better understand that Nora is truly a complex character that requires a great deal of skill to play

o  I would have written her off as a ditsy young woman who always has been and always will be taken care of

o  In reality, she knows that this is the way she comes off, but she plays along because she thinks it is her only option

o  Nora has many levels that I would not have recognized without reading professional reviews

  • As stated in one of the reviews, it is easy for Nora to be played as a fool, but it takes artist to REALLY capture her essence

o  “You need an actress who can play the Nora Torvald wants her to be, his accoutrement, but who all this time is dealing with her mounting anxiety.”

  • I also gathered from the reviews that Torvald is quite difficult to play as well. His actions should be performed with a sense of duty; he does the things he does because they are what the man of the house is to do.

o  “While Nora’s last-minute decision to reject the web of illusions that has sustained her married life with Torvald has often been viewed as a “clarion call” for women’s rights in defiance of patriarchy, he points out, the issue isn’t nearly so straightforward. “Ibsen actually denied that he intended a feminist polemic.”

o  “As Torvald, Michael Patten contributes “an emotional availability that intensifies his collapse at the end. I’ve never seen a Torvald go that deep.”

  • Many characters in plays and movies are “stock” characters that provide a specific function and their actions are completely predictable, this is not the case with Nora

Open-Ended Question
Does Torvald love Nora?

  • I do not believe that Torvald loves Nora as a wife
  • Just as he did in everything else, he got married and had kids because that is what the man of the house is to do

o  Helmer (by the open door) “ Good, good. Try to calm down and…” (page 1135)

  • He calls her a child multiple times and the love for a child is very different than that of a marriage

o  Nora (imperturbably) “I mean that I passed from Daddy’s hands into yours…” (page 1136)

  • Torvald loves his status of being a married man with kids and a solid job
  • It’s not that he doesn’t care about Nora, it’s that he doesn’t love her as a husband should love his wife