Elvis's Twin Sister

Elvis's Twin Sister

The poem has two subtitles. The first is a line from Elvis Presley's 1961 hit song Are You Lonesome Tonight? The second is a statement by the female singer Madonna.

Elvis Presley did not have a twin sister in reality but the sister whom Carol Ann Duffy imagines for him is very different from Madonna. Instead she is modest and simple, though with a cheerful character, rather like Elvis's public persona.

The poem plays on the humorous contrast between the life, manners and dress of the nun, and the flamboyance of rock and roll. For example, despite her nun's vow, Sister Presley swings her hips in the same way as Elvis, though perhaps without the same effect. She wears a habit and carries a rosary, but she also has the blue suede shoes immortalized by Elvis's 1956 rendition of the song of this name (written and first recorded by Carl Perkins). The Gregorian chant (sung unaccompanied) has simple melodies, like Elvis's songs, but is otherwise very different in its calm and gentle mood, and its Christian lyrics. In the early days of Rock and Roll, its critics called it the Devil's music.

The sister identifies the convent with Elvis's home, Graceland. In this case the wordplay is not really Carol Ann Duffy's invention - Elvis chose the name Graceland because of his own Christian belief. Her exclamation “Lawdy” is a popular version of “Praise the Lord”.

Perhaps the biggest difference between sister and brother, though, is that, among the sisters of the convent, no one is ever “lonesome” - and it is a long time since she “walked/down Lonely Street/towards Heartbreak Hotel”. (This is another reference to Elvis's music - he recorded Heartbreak Hotel in 1956. Elvis is listed as co-writer of this and many of his other hits, but did not really write it. His manager, Colonel Tom Parker, insisted that Elvis have his name added so that he would receive writing royalties.)

The form of the poem is quite regular - five line stanzas with occasional rhymes. Sometimes these are quite amusing as when Duffy uses the Southern sound of “y'all” to rhyme with “soul” and “rock and roll”. The references to the song lyrics give it an air of authenticity - though this is quite lightly done (Elvis has a huge catalogue that the poet might be tempted to raid.)

The poem is a light-hearted exploration of ideas of fame, friendship and family. It begs the question whether it is better to have been Elvis (or even Madonna) or his sister - is fame better than modest contentment, great wealth better than friends?

·  Do you agree with Madonna's claim? Or is Elvis in a different class from her?

·  Is Elvis's sister (as imagined in the poem) a more attractive person than she would be if she were a big star like him?

·  What do you think of the language of the poem? How well does Carol Ann Duffy (a Scot living in England) create a sense of a speaker from the southern USA? (Elvis was born in Mississippi and grew up in Tennessee.)

·  How does Carol Ann Duffy make use of Elvis's song titles and lyrics in the poem?

·  Is the poem comic or serious? Do you like it or not?

Note: Pascha nostrum immolatus est is the name of a Latin hymn - of the kind called Gregorian chant, after Pope Gregory I (50-604 AD). The chant takes its title from a line in St. Paul's first letter to the Corinthians, in the Vulgate Latin version translated by St. Jerome. In English, it means, “Our passover is sacrificed” - St. Paul uses the phrase to refer, not to the Jewish festival of Passover (when each family would kill a lamb) but to Jesus, who was killed at the Passover feast, which we now celebrate as Easter. A modern translation gives this as: “Our paschal [Easter] lamb, Christ, has been sacrificed.”