12
Prof. Dr. R. Borgmeier
WS 2006/07
Mi 10-12, E6
12
HS: Shakespeare's Great Tragedies – Hamlet, Macbeth, King Lear, Othello
Bibliography
Please note: If in the following bibliography there is no explicit mentioning of where an article or a certain book is located they are available in the university or departmental library and can be found in the OPAC. The folder is in Room 339.
I. Bibliographies and Encyclopaedias
Berman, Ronald. A Reader's Guide to Shakespeare's Plays: A Discoursive Bibliography. Chicago: Scott, Forseman & Co., 1969. KS 742
Campbell, Ascar James (ed.). A Shakespeare Encyclopaedia. London: Methuen, 1974 (Nachdruck). KS 875
Crystal, David; Crystal, Ben (eds.). Shakespeare's Words. A Glossary and Language Companion. London: Penguin, 2002. KS 810
Dobson, Michael (ed.). The Oxford Companion to Shakespeare. Oxford: Oxford UP, 2005.
FH ang Cs 2.34
Grazia, Margreta de (ed.). The Cambridge Companion to Shakespeare. Cambridge: Cambridge UP, 2002. KS DEG
Hodgdon, Barbara; Worthen, W. B. (eds.) A Companion to Shakespreare and Performance. Malden: Blackwell, 2005. KS 823
Spevack, Marvin. A Complete and Systematic Concordance to the Works of William Shakespeare. Hildesheim: Georg Olms, 1968. ang Cs 1/1
Wells, Stanley (ed.). Shakespeare: A Bibliographical Guide. Oxford: Clarendon P, 1990
KS 745
Wells, Stanley (ed.) The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge UP, 2002. KS WEL 6
II. Journals and Yearbooks
Shakespeare Quarterly. Ed. Shakespeare Association of America, Folger Shakespeare Library New York. Z 103
Shakespeare Studies. An Annual Gathering of Research, Criticism, and Reviews. Ed. J. Leeds Barroll, Cincinatti. Z 105
Shakespeare Survey. An Annual Survey of Shakespeare Studies and Production. Cambridge.
Z 102
Shakespeare-Jahrbuch West. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft West.
Z 101
Shakespeare-Jahrbuch. Published by the Deutsche Shakespeare-Gesellschaft Weimar.
Z 100
III. General Works on Shakespeare and the Elizabethan (St)Age
Alvis, John (ed.). Shakespeare as Political Thinker. Durham, NC: Carolina Acad. P., 1981.
KS Alv
Aronson, Alex. Psyche and Symbol in Shakespeare. Bloomington, London: Indiana UP, 1072
KS Aro
Brennan, Anthony. Shakespeare's Dramatic Structures. London, Boston, Henley: Routledge & Kegan Paul, 1986. KS Bre
Chapman, Gerald W. (ed.). Essays on Shakespeare. Princeton: Princeton UP, 1965.
KS Cha II
Clemen, Wolfgang. The Development of Shakespeare's Imagery. London: Methuen, 1977.
KS Cle
Elizabethan Theatre. (Stratford-Upon-Avon-Studies 9). London: Arnold, 1966.
Z 106
Evans, Malcom. Signifying Nothing: Truth's Time. Contents in Shakespeare's Text. Brighton, Sussex: Harvester Press, 1986. KS Eva VI
Garber, Marjorie B. Shakespeare's Ghost Writers: Literature as Uncanny Casuality. New York: Methuen, 1987. KS Gar 3
Greenblatt, Stephen. Verhandlungen mit Shakespeare. Berlin: Wagenbach, 1990.
ang Cs 2/21
Gurr, Andrew. "The State of Shakepeare's Audiences." Shakespeare and the Sense of Performance. Eds. Marvin and Ruth Thompson Newark, London: University of Delaware Press, 1989. 162-179. folder
Harris, Laurie Lanzen und Mark W. Scott (ed.). Shakespearean Criticism. Detroit: Gale Research Company, 1986. KS 883
Holland, Peter (ed.) Shakespeare and Religions. Cambridge: Cambridge UP, 2001.
Z 102/54
Laroque, François. Shakespeare: Abenteuer Geschichte. Wiss. Bearb. Raimund Borgmeier. Ravensburg: Maier, 1994. KS Lar
Matthews, Honor. Character and Symbol in Shakespeare's Plays. A Study in Certain Christian and Prechristian Elements in Their Structure and Imagery. London: Chatto & Windus, 1969. KS Mat
Naumann, Walter. Die Dramen Shakespeares. Darmstadt: Wiss. Buchgesellschaft, 1978.
KS Nau
Orgel, Stephen. The Authentiv Shakespeare and Other Problems of the Early Modern Stage. New York: Routledge, 2002. KS ORG
Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage. Chicago: University of Chicago Press, 2004. Sted BM
Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare's Stage. London: Routledge, 2001. KS RUT 1
Ryan, Kiernan. Shakespeare. 3rd ed. Basingstoke: Palgrave, 2002. KS RYA
Schabert, Ina. Shakespeare Handbuch. Stuttgart: Kröner, 1972. KS 805&865
Suerbaum, Ulrich. Das elisabethanische Zeitalter. Stuttgart: Reclam, 1989. F KA 1157
Suerbaum, Ulrich. Shakespeares Dramen. Düsseldorf: Bagel, 1985. KS Sue
Tillyard, E. M. W. The Elizabethan World Picture. London: Chatto & Windus, 1943.
F KA 621.
Wells, Stanley (ed.). The Cambridge Companion to Shakespeare Studies. Cambridge: Cambridge UP, 1987. KS Wel 3
IV. General Works on Shakespeare's Tragedies
Battenhouse, Roy W. Shakespearean Tragedy: Its Art and its Christian Premises. Bloomington: Indiana UP, 1969. KS Bat
Charlton, H. B. Shakespearean Tragedy. Cambridge: Cambridge UP, 1961. KS Cha III 3
Frye, Northrop. Fools of Time: Study in Shakespearean Tragedy. Ontario: U of Ontario P, 967. KS Fry II
Harbage, Alfred (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall, 1964. KS Har 3
Harrison, G. B. Shakespeare's Tragedies. London: Routledge & Paul, 1961 KS Har III 2
Jorgensen, Paul A. William Shakespeare: The Tragedies. Boston: Twayne, 1985. KS Jor 4
Leech, Clifford (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Chicago: U of Chicago P, 1965. KS Lee II 2
Lerner, Laurence. Shakespeare's Tragedies: An Anthology of Modern Criticism. Harmondsworth: Penguin, 1968. KS Ler
McDonald, Russ (ed.). Shakespeare Reread: The Texts in New Contexts. Ithaca: Cornell UP, 1994. ordered
McEachern, Claire (ed.). The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge UP, 2002. KS MCE
Marsh, Derick, R. C. Passion Lends Them Power: A Study of Shakespeare's Love Tragedies. Manchester: Manchester UP, 1976. KS Mar IV
Mehl, Dieter. Shakespeare's Tragedies: An Introduction. Cambridge: Cambridge UP, 1986.
KS Meh
Mucciolo, John M., Steven J. Doloff, Edward A. Rauchut, and Angus Fletcher (eds.). Shakespeare's Universe: Renaissance Ideas and Conventions. Hants: Scolar, 1996.
Ramm, Dieter. Die Phasenstruktur der Shakespeareschen Tragödien. Frankfurt: Akad. Verlagsgesellschaft, 1974. KS Ram
Reynolds, Peter. "Unlocking the Box: Shakespeare on Film and Video." Shakespeare in the Changing Curriculum. Eds. Lesley Aers and Nigel Wheale. London and New York: Routledge, 1991. 189-203. folder
Ribner, Irving. Patterns in Shakespearean Tragedy. Toronto: U of Toronto P, 1963.
KS Will II
Sternberg, Doug. "Tom's a-cold: Transformation and Redemption in King Lear and the Fisher King." Literature-Film Quarterly 22.3 (1994): 160-169. folder
Susan Zimmerman (ed.). Shakespeare's Tragedies. New York: St Martin's, 1998.
V. Hamlet (Selection)
Ackerman, Alan L. Jr. "Visualizing Hamlet's Ghost: The Spirit of Modern Subjectivity."
Theatre Journal, 2001 Mar; 53 (1): 119-44. online access
Ahrens, Rüdiger. "Invertierte Welten bei William Shakespeare und Tom Stoppard: Das Beispiel Hamlet." Exempla: Studien zur Bedeutung und Funktion exemplarischen Erzählens. Ed. Bernd Engler and Kurt Müller. Berlin: Duncker&Humblot, 1995. 425-448. UB
Aldus, P.J. Mousetrap. Structure and Meaning in Hamlet. Toronto & Buffalo: Toronto University Press, 1977. KS ALD
Alexander, Nigel. Poison, Play, and Duel. A Study in Hamlet. London: Routledge & Kegan Paul, 1971. KS ALE
Alut, C. Thomas. "Shakespeare's Hamlet." Explicator 49.4 (1991): 204-207. folder
Amtower, Laurel. "The Ethics of Subjectivity in Hamlet." Studies in the Humanities 21.2 (1994): 120-133. folder
Anderson, Judith H. "Translating Investments: The Metaphoricity of Language, 2 Henry IV, and Hamlet." Texas Studies in Literature and Language 40.3 (1998): 231-267.
Ardolino, Frank. "The Bearing of Deadly Letters: 'Uriah's Letter' in Marlowe, Kyd, and Shakespeare." Journal of Evolutionary Psychology 6.3-4 (1985): 292-301. folder
Asher, Lyell. "'To Consider Things too Curiously': Hamlet's Moral Wonder." Hamlet Studies 10.1-2 (1988): 137-143. folder
Ashley, Leonard R. N. "Hamlet as Opera." Points of View, 2004 Summer; 11 (1): 11-28.
ordered
Ashley, Leonard R. N. "The Observed of All Observers: Hamlet on the Stage."Hamlet Stud
ies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 2002; 24: 39-55. folder
Atchley, Clinton P. E. "Reconsidering the Ghost in Hamlet: Cohesion or Coercion?" Philoogical Review, 2002 Fall; 28 (2): 5-20. folder
Baker, Susan. "Hamlet's Bloody Thoughts and the Illusion of Inwardness." Comparative Drama 21.4 (1987-1988): 303-317.
Beckwith, Sarah. "Stephen Greenblatt's Hamlet and the Forms of Oblivion."Journal of Me
dieval and Early Modern Studies, 2003 Spring; 33 (2): 261-80. online access
Bertoldi, Andreas. "Shakespeare, Psychoanalysis and the Colonial Encounter: The Case of Wulf Sach's Black Hamlet." Post-Colonial Shakespeares. Ed. Ania Loomba [a.o.]. London: Routledge, 1998. 235-258. folder
Bentley, Greg. "Melancholy, Madness, and Syphilis in Hamlet." Hamlet Studies 6.1-2 (1984): 75-80. folder
Berkeley, David Shelley. "Claudius the Villein King of Denmark." Hamlet Studies 11.1-2 (1989): 9-21. folder
Berry, Philippa. "Hamlet's Ear." Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 50 (1997): 57-64. Z 102
Bevington, David (Ed.). 20th Century Interpretations of Hamlet. A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice Hall, 1968. KS BEV
Bonnefoy, Yves, and John T. Naughton. "Readiness, Ripeness: Hamlet, Lear." New Literary History: A Journal of Theory and Interpretaion 17.3 (1986): 477-491. Z 78
Bronfen, Elisabeth. "The Conspiracy of Gender: Hamlet's and Ophelia's Passionate Histrion
ics." Shakespeare Jahrbuch, 2004; 140: 66-80. Z101
Bullough, Geoffrey (ed.). Narrative and Dramatic Source od Shakespeare's Majot Tragedies: Hamlet, Othello, King Lear, Macbeth. London: 1975. KS 940
Burks, Zachary. "'My Soul's Idol': Hamlet's Love for Ophelia." Hamlet Studies 13.1-2 (1991): 64-72. folder
Coddon, Karin S. "'Suche Strange Desygns': Madness, Subjectivity, and Treason in Hamlet and Elisabethan Culture." Renaissance Drama 20 (1989): 51-75. folder
Crowl, Samuel. "Hamlet 'Most Royal': An Interview with Kenneth Branagh." Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship 12.4 (1994): 5-8.
folder
Crowl, Samuel. "Zefirelli's Hamlet: The Golden Girl and a Fistful of Dust." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema 24.1 (1998): 56-61. folder
Davidson, Hilda R. Ellis. "The Hero as a Fool: The Northern Hamlet." The Hero in Tradition and Folklore. Ed. Hilda R. Ellis Davidson. London: Folklore Society, 1984. 30-45. folder
De Grazia, Margreta. "Teleology, Delay, and the 'Old Mole.'" Shakespeare Quarterly 50.3 (1999): 251-267. Z 103
De Grazia, Margreta. "Hamlet Before its Time." Modern Language Quarterly: A Journal of
Literary History, 2001 Dec; 62 (4): 355-75. online access
De Grazia, Margreta. "When Did Hamlet Become Modern?" Textual Practice, 2003 Winter;
17 (3): 485-503, 612. folder
Desai, R.W. "Hamlet as 'Minister of God to Take Vengeance." English Language Notes 31.2 (1993): 22-27. folder
Dewis, C. L. Barney. "East Texas Cockfighting and Hamlet." Journal of Men's Studies: A Scholarly Journal about Men and Masculinities 2.3 (1994): 253-267. ordered
Draudt, Manfred. "The Comedy of Hamlet." Atlantis: Revista de la Asociación Española de
Estudios Anglo-Norteamericanos, 2002 June; 24 (1): 71-83. online access
Edelman, Charles. "Shakespeare's 'Brawl Ridiculous'." Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 42 (1990): 111-118. Z 102
Edwards, Philip (ed.). Hamlet, Prince of Denmark. Cambridge, England: Cambridge UP;
2003. FBB
Egan, Robert. "A Thin Beam of Light: The Purpose of Playing on Rosenkrantz and Guildenstern Are Dead." Theatre Journal 31 (1978): 59-69. folder
Egan, Gabriel (ed. and introd.). "Hamlet on Screen." EnterText: An Interactive Interdiscipli
nary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): 171-341. online access
England, Eugene. "Hamlet Against Revenge." Literature and Relief 7 (1987): 49-62.
folder
Erzgräber, Willi. "Das Gewissen bei Shakespeare." Literaturwissenschaftliches Jahrbuch im Auftrage der Görres-Gesellschaft 40 (1999): 95-114. Z
Erzgräber, Willi (ed.). Hamlet-Interpretationen. Darmstadt: Wissenschaftliche Verlagsgesellschaft, 1977. KS ERZ
Erzgräber, Willi. "Shakespeares Hamlet als Rachetragödie." Literaturwissenschaftliches Jahrbuch im Auftrage der Görres-Gesellschaft 35 (1994): 101-119. Z
Evans, Robert C. "Friendship in Hamlet." Comparative Drama 33.1 (1999): 88-124.
ordered
Flaherty, Kate. "Theatre and Metatheatre in Hamlet." Sydney Studies in English, 2005; 31: 3-
20. folder
Fleissner, Robert F. "Dr. Faustus as a Source for Hamlet." Literatur in Wissenschaft und Unterricht 23.1 (1990): 68-71. Z 63
Fleissner, Robert F. The Prince and the Professor. Heidelberg: Winter, 1986. ang Cs 2/24
Foakes, R. A. "'Armed at Point Exactly': The Ghost in Hamlet." Shakespeare Survey: An An
nual Survey of Shakespeare Studies and Production, 2005; 58: 34-47. FBB: Z102
Garnier, Marie-D. "Hamlet: Selected Letters between Derrida and Deleuze." Oxford Literary
Review, 2003; 25: 63-77. folder
Gorfain, Phyllis. "Towards a Theory of Plays and the Carnivalesque in Hamlet." Shakespeare and Carnival: After Bakhtin. Ed. Ronald Knowles. Houndmills/New York: Macmillan/St. Martin's, 152-176. folder
Greenblatt, Stephen. Hamlet in Purgatory. Princeton, NJ: Princeton UP; 2001.
KS GRE VII 2
Guntner, Lawrence J. "Expressionist Shakespeare: The Gade/Nielsen Hamlet (1920) and the History of Shakespeare on Film." Post Script: Essays in Film and the Humanities 17.2 (1998): 90-102. folder
Günther Frank. "Sein oder nicht sein – was ist hier die Frage? Vom Abbild der Zeiten im Spiegel Hamlet." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1988. 25-43.
Z 101
Halverson, John. "Ethos and Transcendence." Anglia: Zeitschrift für englische Philologie 106.1-2 (1988): 44-73. Z 1
Hamana, Emi. "Let Women Voices be Heard: A Feminist Re-Vision of Ophelia." Shakespeare Studies 26 (1988): 21-40. Z 105
Hamilton, R.W. "The Instability of Hamlet." Critical Survey 3.2 (1991): 170-177.
folder
Hapgood, Robert. "Popularizing Shakespeare: The Artistry of Franco Zefirelli." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Lynda E. Boose [a.o.]. London: Routledge, 1997. 80-94. Room 339
Hassel, R. Chris Jr. "Mouse and Mousetrap in Hamlet." Shakespeare Jahrbuch 135 (1999): 77-92. Z 101
Hassel, R. Chris, Jr. "The Accent and Gait of Christians: Hamlet's Puritan Style." Religion and
the Arts, 2003; 7 (1-2): 103-27. online access
Held, George F. "Hamlet's Other Purpose." Anglia: Zeitschrift für englische Philologie 106.3-4 (1988): 315-337. Z 1
Hillman, Richard. "Hamlet and Death: A Recasting of the Play Within the Player." Essays in Literature 13.2 (1986): 201-218. folder
Hirschfield, Heather. "Hamlet's 'first Corse': Repetition, Trauma, and the Displacement of
Redemptive Typology." Shakespeare Quarterly, 2003 Winter; 54 (4): 424-48.
online access
Holbrook, Peter. "Nietzsche's Hamlet." Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 50 (1997): 171-186 . Z 102
Hopkins, Lisa. "'Denmark's a Prison': Branagh's Hamlet and the Paradoxes of Intimacy." En
terText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): 226-46. online access
Huelin, Scott. "Reading, Writing, and Memory in Hamlet." Religion and Literature, 2005
Spring; 37 (1): 25-44. folder
Hughes, Peter. "Painting the Ghost: Wittgenstein, Shakespeare, and Textual Representation." New Literary History. A Journal of Theory and Interpretation 19.2 (1988): 371-384. Z 76
Hunt, Maurice. "Art of Judgement, Art of Compassion: The Two Arts of Hamlet." Essays in Literature 18.1 (1991): 3-20. folder