CATALOGING RECORDS DONE FOR PH.D.--O

Subject: 0112472FA

<00>008-0 LN/ENG,CT/XXU,DAT/1994,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/1954,DTP/R,LEN/108,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/NP,RTS/U,STE/N

<00>017-0 __$aLP3901$bU.S. Copyright Office

<00>245-0 00$aOn the waterfront /$ca Horizon picture ; an Elia Kazan production ; screenplay by Budd Schulberg ; based upon an original story by Budd Schulberg ; produced by Sam Spiegel ; directed by Elia Kazan.

<00>260-0 __$aUnited States :$bColumbia Pictures Corporation presents,$cc1954 ;

$aUnited States :$bColumbia TriStar Home Video,$cc1994.

<00>440-1 _0$aColumbia restored classic

<00>500-1 __$aDrama; feature.

<00>500-2 __$a"Suggested by articles by Malcolm Johnson."

<00>508-0 __$aDirector of photography, Boris Kaufman; assistant to producer, Sa

m Rheiner; art director, Richard Day; film editor, Gene Milford. Production mana

ger, George Justin; assistant director, Charles H. Maguire; sound, James Shields

; script supervisor, Roberta Hodes; dialogue supervisor, Guy Thomajan. Wardrobe

supervision, Anna Hill Johnstone; wardrobe mistress, Flo Transfield; hair stylis

t, Mary Roch|be; make-up supervision, Fred Ryle. Music by Leonard Bernstein.

<00>511-1 1_$aMarlon Brando {Terry Malloy}. Co-starring Karl Malden {Father Barry}, Lee J. Cobb {Johnny Friendly}. With Rod Steiger {Charley Malloy}, Pat Henning {"Kayo" Dugan}, Leif Erickson {Glover}, James Westerfield {Big Mac}. Tony Galento {Truck}, Tami Mauriello {Tillio}, John Hamilton {"Pop" Doyle}, John Heldabrand {Mott}, Rudy Bond {Moose}, Don Blackman {Luke}, Arthur Keegan {Jimmy}, Abe Simon {Barney}. And introducing Eva Marie Saint {Edie Doyle}. {Barry Macollum (J.P.); Mike O'Dowd (Specs); Marty Balsam (Gillette); Fred Gwynne (Slim); Thomas Handley (Tommy); Anne Hegira (Mrs. Collins)}.

<00>527-1 __$a"Approved, MPAA, certificate no. 16916."

<00>590-1 __$aBracketed cast credits supplied from Variety review, July 14, 1954.

<00>590-2 __$a"Western Electric Recording."

<00>590-3 __$aCopyright: Columbia Pictures Corp.; 29Jul54; LP3901. Copyright notice on videodisc sleeve: c1954, renewed 1982, Columbia Pictures Industries, Inc.

<00>590-4 __$aWinner of 8 Academy Awards, including Best Picture, Best Actor, Best Supporting Actress, Best Director, Best Original Screenplay, and Best Cinematography.

<00>650-1 _0$aStevedores$zNew York (State)$zNew York$xDrama.

<00>650-2 _0$aRacketeering$zNew York (State)$zNew York$xDrama.

<00>650-3 _0$aTrade-unions$xCorrupt practices$zNew York (State)$zNew York$xDrama.

<00>655-1 _7$aFeatures.$2mim

<00>690-1 __$aAcademy Award films.

<00>700-1 1_$aKazan, Elia.$eproduction,

<00>700-2 1_$aSchulberg, Budd.$ewriting

<00>700-3 1_$aSpiegel, Sam.$eproduction

<00>700-4 1_$aKaufman, Boris.$ecamera

<00>700-5 1_$aDay, Richard,$d1894-1972.$eproduction design

<00>700-6 1_$aMilford, Gene.$eediting

<00>700-7 1_$aShields, James.$esound

<00>700-8 1_$aJohnstone, Anna Hill,$d1913-$eproduction design

<00>700-9 1_$aTransfield, Flo.$eproduction design

<00>700-10 1_$aRoch|be, Mary.$eproduction design

<00>700-11 1_$aRyle, Fred.$eproduction design

<00>700-12 1_$aBernstein, Leonard,$d1918-$emusic

<00>700-13 1_$aBrando, Marlon.$ecast

<00>700-14 1_$aMalden, Karl.$ecast

<00>700-15 1_$aCobb, Lee J.,$d1911-1976.$ecast

<00>700-16 1_$aSteiger, Rod,$d1925-$ecast

<00>700-17 1_$aHenning, Pat,$d1911-1973.$ecast

<00>700-18 1_$aErickson, Leif,$d1911-$ecast

<00>700-19 1_$aWesterfield, James,$d1913-1971.$ecast

<00>700-20 1_$aHamilton, John,$d1887-1958.$ecast

<00>700-21 1_$aSaint, Eva Marie,$d1924-$ecast

<00>700-22 1_$aGwynne, Fred.$ecast

<00>700-23 1_$aJohnson, Malcolm M.$q(Malcolm Malone),$d1904-1976.

<00>710-1 2_$aHorizon Pictures, Inc.

<00>710-2 2_$aColumbia Pictures Corporation.

<00>710-3 2_$aColumbia TriStar Home Video (Firm)

<MP>089-1 DC021095,C//MY1,SX#VD573 M,II/LJA,ID/941026

<MP>903-1 $a1 videodisc of 1 (laser optical CLV) (108 min.) :$bsd., b&w ;$c12 in.

<MP>905-1 RD941026,ACQP,AVS/P,PB,SOU/0991,PHC/001

<MP>925-1 GMD/V,SMD/D,COL/B,PF/G,SOM/A,MFS/I,WOD/Z,GS/R,KOS/_,FDT/A,COM/C,FID/199410,STF/N

<MP>998-1 $bShot by shot analysis done.$qMissing introduction.

<NO>950-1 In 1952 Kazan testified before the House Committee on Un-American Activities (HUAC) naming sympathizers, in order to continue working at 20th Century Fox. As a consequence, some of his associates, including Arthur Miller, turned against him. After Kazan testified, Miller wrote The crucible, a thinly disguised allegory of the recent Communist witch hunts that strongly condemned informing. On the waterfront is allegedly Kazan's response to Arthur Miller's play, since the film glorifies its hero's decision to testify against his former friends and union comrades. Inspired by a series of Pulitzer-Prize winning newspaper articles by Malcolm Johnson, Budd Shulberg's poetic yet brutally realistic screenplay is brilliantly interpreted by Marlon Brando. ..., cont.

<NO>950-2 Cont.: ... Brando plays Terry Malloy, an uneducated, inarticulate, confused ex-boxer and dockworker, who finds a way through his confusion with the help of his girlfriend and a tough, no-nonsense priest, and turns the tables on the head mobster and his men who control the New York City docks.

Subject: 0046773FA

<00>008-0 LN/ENG,CT/XXU,DAT/1954,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/____,DTP/S,LEN/___,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/NP,RTS/U,STE/N

<00>017-0 __$aLP3901$bU.S. Copyright Office

<00>245-0 00$aOn the waterfront /$ca Horizon picture ; an Elia Kazan production ; screenplay by Budd Schulberg ; based upon an original story by Budd Schulberg ; produced by Sam Spiegel ; directed by Elia Kazan.

<00>260-0 __$aUnited States :$bColumbia Pictures Corporation presents,$cc1954.

<00>500-1 __$aDrama; feature.

<00>500-2 __$a"Suggested by articles by Malcolm Johnson."

<00>508-0 __$aDirector of photography, Boris Kaufman; assistant to producer, Sam Rheiner; art director, Richard Day; film editor, Gene Milford. Production manager, George Justin; assistant director, Charles H. Maguire; sound, James Shields; script supervisor, Roberta Hodes; dialogue supervisor, Guy Thomajan. Wardrobe supervision, Anna Hill Johnstone; wardrobe mistress, Flo Transfield; hair stylist, Mary Roch|be; make-up supervision, Fred Ryle. Music by Leonard Bernstein.

<00>511-1 1_$aMarlon Brando {Terry Malloy}. Co-starring Karl Malden {Father Barry}, Lee J. Cobb {Johnny Friendly}. With Rod Steiger {Charley Malloy}, Pat Henning {"Kayo" Dugan}, Leif Erickson {Glover}, James Westerfield {Big Mac}. Tony Galento {Truck}, Tami Mauriello {Tillio}, John Hamilton {"Pop" Doyle}, John Heldabrand {Mott}, Rudy Bond {Moose}, Don Blackman {Luke}, Arthur Keegan {Jimmy}, Abe Simon {Barney}. And introducing Eva Marie Saint {Edie Doyle}. {Barry Macollum (J.P.); Mike O'Dowd (Specs); Marty Balsam (Gillette); Fred Gwynne (Slim); Thomas Handley (Tommy); Anne Hegira (Mrs. Collins)}.

<00>527-1 __$a"Approved, MPAA, certificate no. 16916."

<00>590-1 __$aBracketed cast credits supplied from Variety review, July 14, 1954.

<00>590-2 __$a"Western Electric Recording."

<00>590-3 __$aCopyright: Columbia Pictures Corp.; 29Jul54; LP3901. Copyright notice on videodisc sleeve: c1954, renewed 1982, Columbia Pictures Industries, Inc.

<00>590-4 __$aWinner of 8 Academy Awards, including Best Picture, Best Actor, Best Supporting Actress, Best Director, Best Original Screenplay, and Best Cinematography.

<00>650-1 _0$aStevedores$zNew York (State)$zNew York$xDrama.

<00>650-2 _0$aRacketeering$zNew York (State)$zNew York$xDrama.

<00>650-3 _0$aTrade-unions$xCorrupt practices$zNew York (State)$zNew York$xDrama.

<00>655-1 _7$aFeatures.$2mim

<00>690-1 __$aAcademy Award films.

<00>700-1 11$aKazan, Elia.$eproduction,

<00>700-2 11$aSchulberg, Budd.$ewriting

<00>700-3 11$aSpiegel, Sam.$eproduction

<00>700-4 11$aKaufman, Boris.$ecamera

<00>700-5 11$aDay, Richard,$d1894-1972.$eproduction design

<00>700-6 11$aMilford, Gene.$eediting

<00>700-7 11$aShields, James.$esound

<00>700-8 11$aJohnstone, Anna Hill,$d1913-$eproduction design

<00>700-9 11$aTransfield, Flo.$eproduction design

<00>700-10 11$aRoch|be, Mary.$eproduction design

<00>700-11 11$aRyle, Fred.$eproduction design

<00>700-12 11$aBernstein, Leonard,$d1918-$emusic

<00>700-13 11$aBrando, Marlon.$ecast

<00>700-14 11$aMalden, Karl.$ecast

<00>700-15 11$aCobb, Lee J.,$d1911-1976.$ecast

<00>700-16 11$aSteiger, Rod,$d1925-$ecast

<00>700-17 11$aHenning, Pat,$d1911-1973.$ecast

<00>700-18 11$aErickson, Leif,$d1911-$ecast

<00>700-19 11$aWesterfield, James,$d1913-1971.$ecast

<00>700-20 11$aHamilton, John,$d1887-1958.$ecast

<00>700-21 11$aSaint, Eva Marie,$d1924-$ecast

<00>700-22 11$aGwynne, Fred.$ecast

<00>700-23 11$aJohnson, Malcolm M.$q(Malcolm Malone),$d1904-1976.

<00>710-1 21$aHorizon Pictures, Inc.

<00>710-2 21$aColumbia Pictures Corporation.

<00>710-3 21$aScreen Gems.

<MP>089-1 DC100989,C//MY2,X#M36257,SX#VA1259 M,II/CHX,ID/880418

<MP>903-1 $a1 videocassette of 1 (VHS) :$bsd., b&w ;$c1/2 in.

<MP>905-1 RD______,ACQR,AVS/P,PB,SOU/0990,PHC/001

<MP>925-1 GMD/V,SMD/F,COL/B,PF/B,SOM/A,MFS/H,WOD/O,KOS/M,FDT/A,COM/C,FID/198804,STF/N

<MP>945-1 $rReproduction of 16 mm. safety print (M6505) made by UCLA Film and T elevision Archive for reference collection, 1988.

<MP>998-1 $bCopy added from inventory record without viewing or inspection. Shot by shot analysis of print source done.$qMissing introduction.

<MP>089-2 DC100989,C//MY1,X#M6505,SX#A1-57-4,II/___,ID/820817

<MP>903-2 $a3 reels of 3 (ca. 4800 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.

<MP>905-2 RD______,ACQD,AVS/R,PB,SOU/0605,PHC/003,FTG/048

<MP>917-2 X0001439298

<MP>925-2 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198208,STF/N

<MP>945-2 $bBooked 7/29/1997, Melnitz 2534 (Kuntz). Booked 8/4/1998, Melnitz 2534 (Kuntz).

<MP>998-2 $bShot by shot analysis done.$qMissing introduction.$qLight print.

<MP>089-3 DC100989,C//MY2,X#M6267,SX#A1-21-2,II/___,ID/820812

<MP>903-3 $a2 reels of 2 (ca. 4000 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.

<MP>905-3 RD______,ACQD,AVS/R,PB,SOU/0331,PHC/002,FTG/040

<MP>925-3 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198208,STF/N

<MP>945-3 $bReserved 5/13-14/1993, Stanford Theatre.

<MP>998-3 $bShot by shot analysis done.$qMissing 5 shots from the drinking scene with Brando and Eva Marie Saint. Fair condition: many splices (Melnitz cond. report, 7/31/1990).

<MP>089-4 DC100989,C//MY2,X#M36252,SX#A1-185-3,II/MPM,ID/880414

<MP>903-4 $a3 reels of 3 (108 min.) (ca. 4400 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.

<MP>905-4 RD______,ACQG,AVS/R,PB,SOU/0972,PHC/003,FTG/044

<MP>925-4 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198804,STF/N

<MP>998-4 $bShot by shot analysis done. "A Screen Gems film presentation."$qPrint dark in places.

<MP>089-5 DC100989,C//MY2,X#M36034,SX#A2-700-22-23,II/DBE,ID/870804

<MP>903-5 $a2 videocassettes of 2 :$bsd., b&w ;$c3/4 in.

<MP>905-5 RD______,ACQG,NTRNM,AVS/W,SOU/0972,PHC/002

<MP>925-5 GMD/V,SMD/F,COL/B,PF/C,SOM/A,MFS/H,WOD/R,KOS/_,FDT/A,COM/C,FID/198708,STF/N

<MP>998-5 $aWithdrawn 5/89 per ec; defective tapes.$bCopy added from inventory record without viewing or inspection.

<NO>950-1 In 1952 Kazan testified before the House Committee on Un-American Activities (HUAC) naming sympathizers, in order to continue working at 20th Century Fox. As a consequence, some of his associates, including Arthur Miller, turned against him. After Kazan testified, Miller wrote The crucible, a thinly disguised allegory of the recent Communist witch hunts that strongly condemned informing. On the waterfront is allegedly Kazan's response to Arthur Miller's play, since the film glorifies its hero's decision to testify against his former friends and union comrades. Inspired by a series of Pulitzer-Prize winning newspaper articles by Malcolm Johnson, Budd Shulberg's poetic yet brutally realistic screenplay is brilliantly interpreted by Marlon Brando. ..., cont.

<NO>950-2 Cont.: ... Brando plays Terry Malloy, an uneducated, inarticulate, confused ex-boxer and dockworker, who finds a way through his confusion with the help of his girlfriend and a tough, no-nonsense priest, and turns the tables on the head mobster and his men who control the New York City docks.

Subject: 0024558FA

<00>008-0 LN/ENG,CT/XXU,DAT/1942,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/____,DTP/S,LEN/114,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/NP,RTS/U,STE/N

<00>017-0 __$aLP11735$bU.S. Copyright Office

<00>130-0 0_$aOnce upon a honeymoon (1942)

<00>245-0 10$aLeo McCarey's once upon a honeymoon /$can RKO Radio picture ; screen play by Sheridan Gibney ; story by Sheridan Gibney and Leo McCarey ; directed by Leo McCarey.

<00>260-0 __$aUnited States :$bRKO Radio Pictures, Inc. presents,$cc1942.

<00>500-1 __$aSpy film; comedy-romance; feature.

<00>508-0 __$aDirector of photography, George Barnes; special effects by Vernon

L. Walker; gowns by Miss Leslie; art directors, Albert S. D'Agostino, Al Herman; set decorations, Darrell Silvera, Claude E. Carpenter. Music score by Robert Emmett Dolan; montage by Douglas Travers; recorded by James G. Stewart, Richard van Hessen; edited by Theron Warth; assistant directors, James Anderson, Harry Scott.

<00>511-1 1_$aCary Grant {Pat}, Ginger Rogers {Katie}. With Walter Slezak {Baron von Luber}, Albert Dekker {LeBlanc}, Albert Basserman {Borelski}, Ferike Boros {Elsa}, Harry Shannon {Cumberland}, Natasha Lytess. {John Banner (Kleinoch)}.

<00>520-1 __$a"Drama and adult comedy-romance. ... Story picks up Miss Rogers as a naive golddigger and former stripper from Flatbush in Vienna on the eve of her wedding to influential Nazi, Walter Slezak. Grant, American war correspondent, meets her and falls in love, following the honeymooning couple through eastern Europe until he convinces Miss Rogers her husband is Hitler's finger man. She ditches Slezak, after Warsaw bombing, to escape with Grant through Scandinavian countries and eventually land in France, where pair team up with Albert Dekker, American espionage agent in on confidential Nazi information. Pair hop a ship for America, with Slezak disposed of en route"--Variety review, Nov. 4, 1942.

<00>562-1 __$c114 min. short version? (Playing time on release was 117 min., according to: Film daily yearbook, 1943.)

<00>590-1 __$aBracketed cast credite were supplied from: Variety review, Nov. 4, 1942.

<00>590-2 __$a"RCA Sound System."

<00>590-3 __$a"Approved, MPPDA, certificate no. 8518."

<00>590-4 __$aCopyright: RKO-Radio Pictures, Inc.; 4Nov42; LP11735.

<00>650-1 _0$aFortune hunters$xDrama.

<00>650-2 _0$aNazis$zAustria$xDrama.

<00>650-3 _0$aEugenics$xDrama.

<00>650-4 _0$aSpies$zFrance$xDrama.

<00>650-5 _0$aSpies$zUnited States$xDrama.

<00>650-6 _0$aWorld War, 1939-1945$xDrama.

<00>651-1 _0$aWarsaw (Poland)$xHistory$ySiege, 1939$xDrama.

<00>655-1 _7$aSpy films and programs.$2mim

<00>655-2 _7$aFeatures.$2mim

<00>700-1 1_$aGibney, Sheridan,$d1903-$ewriting

<00>700-2 1_$aMcCarey, Leo.$eproduction,$ewriting,$edirection

<00>700-3 1_$aBarnes, George,$d1893-1953.$ecamera

<00>700-4 1_$aWalker, Vernon L.,$d1894-1948.$especial effects

<00>700-5 1_$aLeslie,$cMiss.$eproduction design

<00>700-6 1_$aD'Agostino, Albert,$d1893-1970.$eproduction design

<00>700-7 1_$aHerman, Al,$db. 1889.$eproduction design

<00>700-8 1_$aSilvera, Darrell,$d1901-$eproduction design

<00>700-9 1_$aCarpenter, Claude.$eproduction design

<00>700-10 1_$aDolan, Robert Emmett,$d1908-$emusic

<00>700-11 1_$aTravers, Douglas.$eediting

<00>700-12 1_$aStewart, James G.$esound

<00>700-13 1_$aVan Hessen, Richard.$esound

<00>700-14 1_$aWarth, Theron.$eediting

<00>700-15 1_$aGrant, Cary,$d1904-$ecast

<00>700-16 1_$aRogers, Ginger,$d1911-$ecast

<00>700-17 1_$aSlezak, Walter,$d1902-$ecast

<00>700-18 1_$aDekker, Albert.$ecast

<00>700-19 1_$aBasserman, Albert,$d1867-1952.$ecast

<00>700-20 1_$aBoros, Ferike,$d1880-1951.$ecast

<00>700-21 1_$aShannon, Harry,$d1890-1964.$ecast

<00>700-22 1_$aBanner, John,$d1910-1973.$ecast

<00>710-1 2_$aRKO Radio Pictures, Inc.

<00>710-2 2_$aC & C Television Corporation.

<MP>089-1 DC112697,C//MY2,SX#VA14490 M,II/DWX,ID/971112

<MP>903-1 $a1 videocassette of 1 (VHS) (114 min.) :$bsd., b&w ;$c1/2 in.

<MP>905-1 RD971112,ACQR,AVS/P,PB,SOU/0990,PHC/001

<MP>925-1 GMD/V,SMD/F,COL/B,PF/B,SOM/A,MFS/H,WOD/O,KOS/M,FDT/A,COM/C,FID/199711,STF/N

<MP>945-1 $rReproduction of 16 mm. safety print (M36779) made by UCLA Film and Television Archive for reference collection, Nov., 1997.

<MP>998-1 $bShot by shot analysis of print source done. Copy added from inventory record without viewing or inspection.

<MP>089-2 DC052897,C//MY1,X#M36779,SX#A1-156-4,II/ECX,ID/871026

<MP>903-2 $a3 reels of 3 (114 min.) (4126 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.

<MP>905-2 RD______,ACQG,AVS/R,PB,SOU/0102,PHC/003,FTG/041

<MP>917-2 X0001443852

<MP>925-2 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198710,STF/N

<MP>998-2 $bShot by shot analysis done. "RKO #1"--Tape on can. "C & C TV Films, Inc."--Leader, head, r1.$zFootage measured using Cinescan counter.

<MP>089-3 DC052897,C//MY2,X#M36995,SX#A1-137-2,II/ECX,ID/871201

<MP>903-3 $a3 reels of 3 (114 min.) (4120 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.

<MP>905-3 RD______,ACQG,AVS/N,PB,SOU/0102,PHC/003,FTG/041

<MP>917-3 X0001444009

<MP>925-3 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198712,STF/N

<MP>945-3 $bOut to ARSC, 11/19-26/1997.

<MP>998-3 $aConservation copy.$bShot by shot analysis done. "C & C Television corp., Movietime USA"--End credits.$zFootage measured using Cinescan counter.

Subject: 0073882FA

<00>008-0 LN/ENG,CT/XXU,DAT/1948,B/M,D/A,ELV_,M/S,RSN,S/D,T/G,DT2/____,DTP/S,LEN/075,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/UC,RTS/U,STE/N

<00>017-0 __$aLP1946$bU.S. Copyright Office

<00>130-0 0_$aOne touch of Venus (Motion picture)

<00>245-0 00$aOne touch of Venus /$cUniversal International ; Lester Cowan presents ; a William A. Seiter production ; associate producer, John Beck ; screenplay by Harry Kurnitz, Frank Tashlin ; produced by Lester Cowan ; directed by William A. Seiter.

<00>260-0 __$aUnited States :$bA Universal-International release,$cc1948.

<00>500-1 __$aMusical fantasy comedy; feature.

<00>500-2 __$a"Based on the musical play suggested by The tinted Venus by F. Anstey, music by Kurt Weill, book by S.J. Perelman and Ogden Nash, lyrics by Ogden Nash; musical play produced by Crawford and Wildberg, staged by Elia Kazan."

<00>508-0 __$aDirector of photography, Frank Planer. Musical score and new lyrics, Ann Ronell. Art direction, Bernard Herzbrun, Emrich Nicholson; dance director, Billy Daniels; songs arranged and conducted by Leon Arnaud; film editor, Otto Ludwig; sound, Leslie I. Carey, Joe Lapis; set decorations, Russell A. Gausman, Al Fields. Gowns, Orry Kelly; hair stylist, Carmen Dirigo; make-up, Bud Westmore; assistant director, William Holland; special photography, David S. Horsley.

<00>511-1 0_$aThe players: Robert Walker (Eddie Hatch), Ava Gardner (Venus), Dick Haymes (Joe Grant). With Eve Arden (Molly Stewart {Grant in film}), Olga San Juan (Gloria), Tom Conway (Whitfield Savory), James Flavin (Kerrigan), Sara Allgood (landlady).

<00>520-1 __$a"A kiss from a window-decorator brings to life the Anatolian Venus"--Copyright catalog, 1940-1949.

<00>562-1 __$cShort version, possibly edited for television. Missing the following sequences on r1: Eddie waves at Gloria, then bumps into Joe, to whom he complains that Gloria has a one-track mind about marriage. Eddie says he dreamed the statue came to life. Molly shoos the crowd from the room, pretending it was a gag for the statue to be missing. Venus tells Eddie not to worry about his job, as she has powers; he tells her she'll freeze out on the balcony. Eddie re-enacts the statue's coming to life, and Molly says anyone can tell he's not a thief. Missing sequences on r2: Eddie flees with Venus down a fire escape, and Gloria throws a tantrum. Eddie tries to hypnotize Venus into falling asleep, but instead becomes sleepy himself.