Death of a Salesman
DEATH OF A SALESMAN
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A DOLL HOUSE
IDEAS for POSSIBLE THEMES
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DEATH OF A SALESMAN
Themes
Themes are the fundamental and often universal ideas explored in a literary work.
oneill's passion?:
The American Dream is only a nightmare if one does not grasp its deeper meaning -- hard work, honesty and humility creates the dream.
Oddly, his fixation with the superficial qualities of attractiveness and likeability is at odds with a more gritty, more rewarding understanding of the American Dream that identifies hard work without complaint as the key to success. Willy's blind faith in his stunted version of the American Dream leads to his rapid psychological decline when he is unable to accept the disparity between the Dream and his own life.
OTHER Major Topics that could be themes if written in a statement
The Dangers of Modernity
Death of a Salesman premiered in 1949, right on the brink of the 1950s, a decade of unprecedented consumerism and technical advances in America. .
Gender Relations
In Death of a Salesman, woman are sharply divided into two categories: Linda and other. The men display a distinct Madonna/whore complex,
Madness
Cult of Personality
One of Miller's techniques throughout the play is to familiarize certain characters by having them repeat the same key line over and over. Willy's most common line is that businessmen must be well-liked, rather than merely liked, and his business strategy is based entirely on the idea of a cult of personality.
Nostalgia
The dominant emotion throughout this play is nostalgia, which is understandable given that all of the Lomans feel that they have made mistakes or wrong choices.
Opportunity
Tied up intimately with the idea of the American dream is the concept of opportunity. America claims to be the land of opportunity, of social mobility. Even the poorest man should be able to move upward in life through his own hard work. Miller complicates this idea of opportunity by linking it to time, and illustrating that new opportunity does not occur over and over again.
Growth
In a play which rocks back and forth through different time periods, one would normally expect to witness some growth in the characters involved. Not so in Death of a Salesmen, where the various members of the Loman family are stuck in the same character flaws, in the same personal ruts throughout time...... Willy tries to plant some seeds when he realizes that his family has not grown at all over time.
Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.
Seeds
Seeds represent for Willy the opportunity to prove the worth of his labor, both as a salesman and a father.
Diamonds
To Willy, diamonds represent tangible wealth and, hence, both validation of one's labor (and life) and the ability to pass material goods on to one's offspring, two things that Willy desperately craves. Correlatively, diamonds, the discovery of which made Ben a fortune, symbolize Willy's failure as a salesman.
Linda's and The Woman's Stockings
The Rubber Hose
ironically, the very substance essential to one of the most basic elements with which he must equip his home for his family's health and comfort—heat. Literal death by inhaling gas parallels the metaphorical death that Willy feels in his struggle to afford such a basic necessity.
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A DOLL HOUSE
Possible Themes
Themes are the fundamental and often universal ideas explored in a literary work.
topic: SACRIFICIAL WOMEN:
WOMEN SACRIFICE TOO MUCH FOR THEIR LOVED ONES or
Life is bleak for human beings when they are mere objects
In "A Doll's House," Ibsen paints a bleak picture of the sacrificial role held by women of all economic classes in his sociey. Nora's abandonment of her children can also be interpreted as an act of self- sacrifice. Despite Nora's great love for her children—manifested by her interaction with them and her great fear of corrupting them—she chooses to leave them. Nora truly believes that the nanny will be a better mother and that leaving her children is in their best interest.
Topic: Parental and Filial Obligations:
Familial Obligations cannot be denied and must be decided whether to honor or not.
Torvald voices the idea that one's parents determine one's moral character when he tells Nora, “Nearly all young criminals had lying -mothers.” He also refuses to allow Nora to interact with their children after he learns of her deceit, for fear that she will corrupt them.
Yet, the play suggests that children too are obligated to protect their parents. Nora recognized this obligation, but she ignored it -- Mrs. Linde, on the other hand, abandoned her hopes of being with Krogstad and undertook years of labor in order to tend to her sick mother. Ibsen does not pass judgment on either woman's decision, but he does use the idea of a child's debt to her parent to demonstrate the complexity and reciprocal nature of familial obligations.
Topic: The Unreliability of Appearances:
People rarely are who they appear to be
or
One's life circumstances are rarely (if ever) what they appear to be
Over the course of A Doll's House, appearances prove to be misleading veneers that mask the reality of the play's characters and -situations...... The play's climax is largely a matter of resolving identity confusion—we see Krogstad as an earnest lover, Nora as an intelligent, brave woman, and Torvald as a simpering, sad man.
Situations too are misinterpreted both by us and by the characters. The seeming hatred between Mrs. Linde and Krogstad turns out to be love. Nora's creditor turns out to be Krogstad and not, as we and Mrs. Linde suppose, Dr. Rank.
The instability of appearances within the Helmer household at the play's end results from Torvald's devotion to an image at the expense of the creation of true happiness...... By the end of the play, we see that Torvald's obsession with controlling his home's appearance and his repeated suppression and denial of reality have harmed his family and his happiness irreparably.
Motifs
Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text's major themes.
Nora's Definition of Freedom
Nora's understanding of the meaning of freedom evolves over the course of the play. In the first act, she believes that she will be totally “free” as soon as she has repaid her debt...... By the end of the play, Nora seeks a new kind of freedom. She wishes to be relieved of her familial obligations in order to pursue her own ambitions, beliefs, and identity.
Letters
Many of the plot's twists and turns depend upon the writing and reading of letters, which function within the play as the subtext that reveals the true, unpleasant nature of situations obscured by Torvald and Nora's efforts at beautification...... they have exposed the truth about Torvald's selfishness, and she can no longer participate in the illusion of a happy marriage.
Dr. Rank's method of communicating his imminent death is to leave his calling card marked with a black cross in Torvald's letterbox...... Other letters include Mrs. Linde's note to Krogstad, which initiates her -life-changing meeting with him, and Torvald's letter of dismissal to Krogstad.
Symbols
Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.
The Christmas Tree
The Christmas tree, a festive object meant to serve a decorative purpose, symbolizes Nora's position in her household as a plaything who is pleasing to look at and adds charm to the home...... see the parallelisms throughout the play
New Year's Day
The action of the play is set at Christmastime, and Nora and Torvald both look forward to New Year's as the start of a new, happier phase in their lives. In the new year, Torvald will start his new job, and he anticipates with excitement the extra money and admiration the job will bring him. Nora also looks forward to Torvald's new job, because she will finally be able to repay her secret debt to Krogstad. By the end of the play, however, the nature of the new start that New Year's represents for Torvald and Nora has changed dramatically.