Securing Democracy: Why We Have an Electoral College/Edited by Gary L

Securing Democracy: Why We Have an Electoral College/Edited by Gary L

Assigning Cutters to Shakespeare plays, essays, criticism, etc.

Prepared by: Peter Gulewich, Bibliographic Division; rev. Rex Dotson, Database

Management

Date issued: May 15, 2003; rev. July 2, 2003

Effective Date: July 2, 2003

To: Bibliographic Division, Database Management, Technical

Processing, Art and Literature

GENERAL POLICY

  • All new Shakespeare materials are being assigned Dewey or “B” classification.
  • 822.33 is the Dewey number used for Shakespeare both as author and as subject (e.g. criticism of plays, etc.)
  • The old “S” classification is used only for ADDED COPIES of plays, poems, criticism, etc. that already have the “S” classification.

NEW EDITION (or any edition not previously cataloged for DPL) of an individual play:

  • Use 822.33 Dewey number.
  • DO NOT CUTTER to Shakespeare’s name found in the 100 field.
  • Cutter to the title of the play according to the following list, then double cutter to the editor (or publisher if no editor is given).
  • For a collection of plays that does not include the name of any particular play in the title or subtitle (e.g., 245 00 #a William Shakespeare : #b the later plays) cutter to the title of the collection, then double cutter to the editor (or publisher if no editor is given).
  • If the title of a collection includes the names of 1 or more plays, (e.g., 245 00 #a Julius Caesar, Titus Andronicus : #b and other Roman plays) cutter to the named or first named play, using the following list, then double cutter to the editor (or publisher if no editor is given).

ADAPTATIONS of Shakespeare’s plays by other authors:

  • Use 822.33 Dewey number.
  • If adaptation is of a single play, cutter to the title of the play according to the following list, then double cutter to the author of the adaptation (if no 100 field with a personal author, cutter to the editor; cutter to publisher if no author or editor given).
  • For collections of more than one adaptation by the same author, cutter to the author followed by the title letter of the collection (i.e., standard cuttering practice) if no particular play is named in the title or subtitle of the collection.
  • For collections of more than one adaptation not under personal author main entry, cutter to the title of the collection (if title or subtitle does not include a named play), then double cutter to the editor or publisher as appropriate.
  • If the title of a collection of adaptations includes the names of 1 or more plays, (e.g., 245 00 #a Hamlet and other tales from Shakespeare) cutter to the named or first named play, using the following list, then double cutter to the author, editor, or publisher as appropriate.

ESSAYS, CRITICISM, ETC. of INDIVIDUAL plays:

  • Cutter to the title of the play (using the following list) then double cutter to the main entry (author or title as appropriate).

ESSAYS, CRITICISM, ETC. of MORE THAN ONE play:

  • Follow our standard practice and cutter to the main entry (i.e., do not double cutter) if the title/subtitle does not include a named play.
  • If the title includes the names of 1 or more plays, cutter to the named or first named play (using the following list), then double cutter to the main entry.

SHAKESPEAREAN THEMES AND TOPICS:

  • Follow our standard cuttering practice for works discussing other Shakespearean themes, including stagecraft, authorship controversies, psychological aspects, original sources, philosophy, etc.

“B”CLASSIFICATION:

  • Apply standard cuttering practice to biographical works classed in “B”

SHAKESPEARE’S POETRY:

  • Apply standard cuttering practice to works of or about Shakespeare’s poetry (e.g., sonnets) classed in 821.3.

CUTTER TO “SHAKESPEARE”?:

  • NEVER cutter or double cutter using Shakespeare’s name found in a 100, 600, or 700 field. The number 822.33 already tells us that an item is by or about Shakespeare.

Cutter numbers for individual plays

A2 All’s well that ends well M5 Merchant of Venice

A4 Anthony & Cleopatra M7 Merry wives of Windsor

A6 As you like it M8 Midsummer night’s dream

C2 Comedy of errors M9 Much ado about nothing

C4 Coriolanus O2 Othello

C6 Cymbeline

E2 Edward III (attributed to Shakespeare)

P2 Pericles

H2 Hamlet R2 Richard II

H4 Henry IV R3 Richard III

H5 Henry V R4 Romeo & Juliet

H6 Henry VI T2 Taming of the shrew

H8 Henry VIII T3 Tempest

J2 Julius Caesar T5 Timon of Athens

K2 King John

T6 Titus Andronicus

K4 King Lear

T7 Troilus & Cressida

L2 Love’s labour lost

T8 Twelfth night

M2 Macbeth T9 Two gentlemen of Verona

M4 Measure for measure W2 Winter’s tale

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