Project Title: ‘URBAN/SUBURBAN LONDON’ Painting & Printmaking project / Teacher
C.G/ K.B1/ J.L/ K.B2 / Project length
10 WEEKS / Dates
Spring
term / Year/Group
KS3 Y9
Aims – The Big Picture: To create an A2 Painting and Mono- Print which explores the theme of Urban & Suburban London.
/Resources
Drawing/ Painting:Charcoal, pencils, pen/ ink, powder paints, palettes, brushes, water pots, & A2 sugar paper.
Mono-printing:
Newspaper, perspex / glass plates, inks, rollers, brushes, palettes, rags, tissue paper/ white paper/ newsprint.
Visual aids:
Photographs/ digital images of London and suburban scenes, buildings & people.
Health & Safety
Ensuring clear tidying up guidelines.ICT
Internet research of artists and urban images.Literacy
Analysis of written and oral art work.Numeracy
Analysis and use of different of scale, proportion & arrangement.Differentiation
Give weaker pupils less challenging starting points and more able pupils more complicated images to analyse and reference in their work.Learning Objectives:
To analyse different perspectives on the theme of urban/suburban London through analysis of different artists’ work.To experience at first hand, the way a contemporary artist approaches the theme of Urban/Suburban London.
To develop ways of looking and recording Urban/Suburban scenes through a half day drawing workshop run by an artist whose work is concerned with the London theme.
To explore drawing skills from direct observation and visuals, developing line, tone and colour to depict mood/ space/ atmosphere.
To make reference to artists whose work reflects the theme and analyses artists use of colour and texture.
To develop compositions for paintings and prints.
To explore various painting techniques, use of colour and tone to depict space/ mood/ atmosphere.
To evaluate, adapt and refine ideas and outcomes as work progresses.
To explore mono-printing techniques.
To create preparation worksheets to show their idea development and influence of relevant artists.
Historical & Contextual:
Reference to the following artists to analyse their use of composition, colour, atmosphere and depth;Jeanette Barnes, Leon Kossof, Lucian Freud, Michael Andrews, Frank Auerbauch, John Lessore, Bernard Evans, Walter Sickert.
Various Artists looked up on the Tate website.
Assessment Criteria:
Ability to record observations and experiences. To understand how a variety of artists depict mood, atmosphere, space and distance. To develop composition ideas to depict mood, atmosphere, space and distance. To explore structure and form using line, tone, colour and texture.
Ability to discuss and evaluate artists’ paintings and pupils own work.
Ability to create an A2 painting and accompanying print depicting an urban scene reflecting the above.
National Curriculum Links:
1a,b,c, 2a,b,c, 3a,b, 4a,b,c, 5a,b,c,dKEY WORDS:
URBAN, SUBURBAN, PERSPECTIVE, DEPTH OF SPACE, DISTANCE, ATMOSPHERE, TONE, LINE, COLOUR, TEXTURE, TIME OFDAY, SEASONS & ENVIRONMENT.
Lesson plans
Session
/Learning Objectives
/Learning Outcomes
/Assessment
/Homework
1 / To introduce different perspectives on the theme of urban/suburban London through analysis of different artists’ work.To develop analytical skills through a worksheet designed to focus pupils learning. / Intro to the project and theme of urban/suburban London. Brainstorming – working in pairs to discuss ideas. Pupils analyse examples of different artist’s work, following a worksheet designed to focus their evaluation on the artists’ depth of space, composition, perspective, distance and atmosphere. / Ability to analyse & evaluate examples of urban life in terms of depth of space, perspective and atmosphere.
1bc, 3a,4abc,5abd. / Collect at least 5 Images of contrasting scenes of
Urban/suburban life from newspapers.
2 / To develop direct observation drawing.
To draw more quickly.
To draw using a wide range of different marks.
To see how different artists have painted and drawn urban environments. / Art workshop with an artist, Jeanette Barnes, whose work is concerned with urban views of London. Various drawing techniques are explored using charcoal:
Word play, pupils draw as a response to descriptive words, A2.
From imagination, a descriptive passage is read and the pupils have to depict it, A1.
Pupils draw from direct observation through the window, working fast to capture the feeling of the space, no detail.
Pupils draw from images of Finchley working fast to depict the feeling of space, no detail. / Ability to draw from direct observation and experiences.
Ability to develop and explore ideas through various media & resources
Ability to make a personal response and informed connections to the work of others.
1abc,2abc, 3ab, 4abc, 5abcd.
3 / To develop linear drawings which depict space, perspective and scale. / Pupils re-cap on outcomes from the workshop working in pairs they analyse what they achieved at the workshop.
Pupils organised in 4s and are given a specific artist as a focus for the project. They discuss how the artist has shown space, perspective and scale.
They select a scene of urban /suburban London from their homework, in the genre of their artist, and create an A2 line drawing from the image. / Ability to analyse and evaluate other artists’ work and show an understanding of context through their selection of images and drawing.
Ability to draw using line to depict space and mood.
1abc, 2abc, 3a, 4ab, 5abcd / Select a space seen through a window in your home. Make a line drawing from direct observation. Vary your line to depict space.
4 / To develop tonal skills to depict atmosphere & environment. / Pupils show and discuss H/W selecting good examples and sharing knowledge about the best way to achieve linear depictions of space. Pupils are shown examples of tonal depictions of urban/suburban London and discuss how artists use tone to depict atmosphere and environment. Pupils look at the effect of light, times of day and weather conditions. Using charcoal pupils add tone to their line drawings. / Ability to analyse and evaluate other artists’ use of light through students’ use of tone.
Ability to review and modify ideas and processes. To explore charcoal media to develop tone.
1abc, 2abc, 3ab, 4ab, 5abcd.
5 / To develop analysis of colour, colour mixing and texture in paintings.
To explore painting techniques and colour application. / Re-cap on last lesson; Look at how artists have used tone, colour and texture create mood and atmosphere. In pairs pupils are given a painting and colour swatches of paint samples and analyse the ”recipe” for its colour.
Pupils paint a section from their painting trying out their colour mixing “recipes”, A3 in size. / Ability to analyse and evaluate other artists’ use of colour and texture to depict mood and atmosphere.
Ability to understand colour mixing.
Ability to apply colour following the style of an artist.
1abc, 2abc, 3ab, 4ab, 5abcd / Working from the same view point make adjustments to improve your drawing and then apply colour to depict the time of day you are working in.
6 / To develop compositional arrangements for painting.
To explore mono-printing techniques. / Pupils develop 3 A5 compositions to lead into an A2 painting, using drawings and visuals of London. Each pupil uses their given artist to consider mood, paint techniques etc… Pupils select their most successful composition idea and begin sketching out the A2 composition using charcoal.
Teacher demonstrates mono-printing process.
4 pupils begin mono-printing. / Ability to develop their ideas for a final painting and mono-print.
Making informed connections to their artist. Making a personal response in light of this influence in the construction of their painting.
1abc, 2abc, 3ab, 4ab, 5abcd
7 / To explore mono-printing techniques.
To explore colour mixing and paint application to depict space, mood and atmosphere of their specific locations. / 4 different pupils begin mono-printing. Pupils begin painting their A2 compositions, making clear reference to their given artists, colour mixing and paint application to show space, mood, atmosphere. / Ability to develop their ideas in mono-printing techniques.
Ability to develop their ideas through painting.
Making informed connections to their artist. Making a personal response in light of this influence.
1abc, 2abc, 3ab, 4ab, 5abcd / Make a study of your artists’ use of colour and mood, working in mixed media.
8 / To explore mono-printing techniques.
To explore colour mixing and paint application to depict space, moos and atmosphere of their specific locations. / Class analysis of H/W. Looking at ways to reflect your artists’ techniques in your work. Pupils apply colour to and texture to images making clear reference to their artist.
4 new pupils begin mono printing. / Ability to develop their ideas in mono-printing techniques.
Ability to develop their ideas through painting.
Making informed connections to their artist. Making a personal response in light of this influence.
1abc, 2abc, 3ab, 4ab, 5abcd
9 / To explore mono-printing techniques.
To explore colour mixing and paint application to depict space, moos and atmosphere of their specific locations.
To review and refine ideas as work develops. / 4 new pupils begin mono printing.
Class analysis of paintings so far. Pupils discuss good examples of paint application, texture and tone to depict specific environments.
Completion of painting. / Ability to develop their ideas in mono-printing techniques.
Ability to develop their ideas through painting.
Making informed connections to their artist. Making a personal response in light of this influence.
Ability to complete a painting and mono print.
1abc, 2abc, 3ab, 4ab, 5abcd / Assessment spiders.
10 / To evaluate outcomes and present work on preparation sheets to reflect idea development. / Pupils present work onto A2 paper prep. sheets to support the development of ideas and show understanding of how their painting and mono-print relate to their given artists. / Ability to use Photoshop to illustrate presentation skills.
Realising intentions and making and showing informed connections to influencing artist through their presentations of ideas.
1bc, 2ac, 3a, 4b, 5cd.