from
A Bibliography of Literary Theory, Criticism and Philology
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel García Landa
(University of Zaragoza, Spain)
Warren Buckland
(Liverpool John Moores U)
Works
Buckland, Warren. Teach Yourself Film Studies. London: Hodder & Stoughton, 1998.
_____. The Film Spectator: From Sign to Mind.
_____. The Cognitive Semiotics of Film. Cambridge: Cambridge UP, 2000.*
_____. Directed by Steven Spielberg.
_____. Hollywood Puzzle Films. New York: Routledge, 2014.
_____, ed. Puzzle Films: Complex Storytelling in Contemporary Cinema. Chichester: Wiley; Malden: Blackwell, 2009.*
http://www.amazon.com/Puzzle-Films-Complex-Storytelling-Contemporary/dp/1405168625/ref=sr_1_1?s=books&ie=UTF8&qid=1281062645&sr=1-1
_____, ed. New Review of Film and Television Studies. Vol. 7.2 (June 2009).
http://www.tandf.co.uk/journals/titles/17400309.asp
Buckland, Warren, and Thomas Elsaesser. Studying Contemporary American Film.
Edited works
Puzzle Films:
Buckland, Warren. "Introduction: Puzzle Plots." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 1-12.*
Elsaesser, Thomas. "The Mind-Game Film." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 13-41.*
Buckland, Warren. "Making Sense of Lost Highway." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 42-61.* (David Lynch).
Barratt, Daniel. "'Twist Blindness': The Role of Primacy, Priming, Schemas, and Reconstructive Memory in a First-Time Viewing of The Sixth Sense." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 62-86.* (M. Night Shyamalan).
Ghislotti, Stefano. "Narrative Comprehension Made Difficult: Film Form and Mnemonic Devices in Memento." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 87-106.* (Christopher Nolan).
Dzialo, Chris. "'Frustrated Time' Narration: The Screenplays of Charlie Kaufman." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 107-28.*
Wedel, Michael. "Backbeat and Overlap: Time, Place and Character Subjectivity in Run Lola Run." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 129-50.* (Tom Tykwer).
Cameron, Allan, and Sean Cubitt. "Infernal Affairs and the Ethics of Complex Narrative." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 151-66.* (Wai Keung Lau and Alan Mak, 2002).
Bettinson, Gary. "Happy Together? Generic Hybridity in 2046 and In the Mood for Love." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 167-86.* (Wong Kar-wai).
Feng, Yunda Eddie. "Revitalizing the Thriller Genre: Lou Ye's Suzhou River and Purple Butterfly." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 187-202.*
Deutelbaum, Marshall. "The Pragmatic Poetics of Hong Sangsoo's The Day a Pig Fell into a Well." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 203-16.*
Thanouli, Eleftheria. "Looking for Access in Narrative Complexity: The New and the Old in Oldboy." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 217-32.* (Park Chan-wook).