JAHF Annual Bibliography, 2007-2008

Table of Contents

1. REFERENCES AND SURVEY BOOKS

A. REFERENCE BOOKS AND BIBLIOGRAPHIES

B. WEB RESOURCES

C. SURVEY BOOKS AND ARTICLES

D. EXHIBITION AND COLLECTION CATALOGUES (w/cross-listing)

1. Exhibitions

2. Collections and Collectors

2. ARCHITECTURE AND GARDENS (PRE-MODERN)

3. CRAFTS AND FOLK ARTS

A. CERAMICS

B. LACQUERWARE

C. METALWORK

D. MINGEI (FOLK ARTS)

E. NETSUKE, INRO AND OJIME

F. TEXTILES AND BASKETRY

G. THEATRICAL ARTS: COSTUMES AND MASKS

4. PAINTINGS, PRINTS, AND CALLIGRAPHY

A. PAINTING AND CALLIGRAPHY (Note: for Ukiyoe--see section 4B, below)

1. Broad Studies

2. Studies on Individual Artists and Lineages

B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS

1. Broad Studies

2. Studies on Individual Artists, Types of Prints, and Lineages

5. THEMATIC AND INTERDISCIPLINARY STUDIES

A. ARCHAEOLOGY

B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL CONTACTS

C. GENDER STUDIES/SEXUALITY IN ART

D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS

1. Buddhist Art and Architecture

2. Shinto Art and Architecture

3. Folk Religion and Syncretic Religious Arts and Architecture

E. SAMURAI ARTS, ARMS, AND ARMOR

F. TEA CEREMONY AND RELATED ARTS

G. MODERN AND CONTEMPORARY ART AND ARCHITECTURE

1. Modern and Contemporary Art

2. Modern Architecture

3. Photography

H. OTHER THEMATIC AND INTERDISCIPLINARY STUDIES

1. Edo/Early modern Japan

2. Literati and Literary themes

3. Representations of Nature

4. Important People in the Field

5. Museums and Museumology

6. DISSERTATIONS AND POST- DOCTORAL THESES

A. IN NORTH AMERICA

B. IN EUROPE

Bibliography 2007-2008

1. REFERENCES AND SURVEY BOOKS

A. REFERENCE BOOKS AND BIBLIOGRAPHIES

2008

Marks, Andreas. "Art: East Asia." In Encyclopedia of the Modern World, edited by Peter N. Stearns. New York: Oxford University Press, 2008.

B. WEB RESOURCES

C. SURVEY BOOKS AND ARTICLES

2007

Graham, Patricia J. Faith and Power in Japanese Buddhist Art, 1600-2005. Honolulu: University of Hawai'i Press, 2007.

D. EXHIBITION AND COLLECTION CATALOGUES (w/cross-listing)

1. Exhibitions

2008

Berry, Paul. Literati Modern, Bunjinga from Late Edo to Twentieth-Century Japan: The Terry Welch Collection at the Honolulu Academy of Arts. Honolulu: Honolulu Academy of Arts, 2008.

Chancey, Jill R. ed. The Floating World: Ukiyo-e Prints from the Wallace B. Rogers Collection. Laurel, MS: Lauren Rogers Museum of Art, 2008.

Fischer, Felice. The Art of Japanese Craft: 1875 to the Present. Philadelphia and New Haven, CT: Philadelphia Museum of Art and Yale University Press, 2008.

Gluckman, Dale Carolyn and Hollis Goodall. Kimono as Art: The Landscapes of Itchiku Kubota. San Diego: Thames & Hudson, 2008.

Knelman, Sara. Great New Wave: Contemporary Art from Japan. Victoria: Art Gallery of Greater Victoria, 2008.

Long, Gregory et. al. Kiku: The Art of the Japanese Chrysanthemum: The Chrysanthemum in Japanese Art. Bronx, NY: The New York Botanical Garden, 2008.

Marks, Andreas. Generosity in Clay: Modern Japanese Ceramics from the Natalie Fitz-Gerald Collection. Clark Center Exhibition Series 3. Hanford: Clark Center for Japanese Art and Culture, 2008.

———. They Swim, Fly, Wiggle, Walk, Or Slither: The Hidden Code of Animals in Japanese Art. Clark Center Exhibition Series 2. Hanford: Clark Center for Japanese Art and Culture, 2008.

———. Traces of China: The Japanese Transformation of Chinese Themes and Techniques. Clark Center Exhibition Series 1. Hanford: Clark Center for Japanese Art and Culture, 2008.

McKee, Daniel. Colored in the Year’s New Light: Japanese Surimono from the Becker Collection. Ithaca, NY: Herbert F. Johnson Museum of Art, 2008.

2007

De Vonyar, Jill and Richard Kendall. Degas and The Art of Japan. Reading, PA and New Haven, CT: Reading Public Museum and Yale University Press, 2007.

Fischer, Felice. Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush. Philadelphia and New Haven, CT: Philadelphia Museum of Art and Yale University Press, 2007.

Fowler, Sherry. "Between Six and Thirty-Three: Manifestations of Kannon in Japan” (“Zwischen Sechs Und Dreiunddreissig: Erscheinungsformen Von Kannon Bosatsu”) " In Divine Compassion: Early Buddhist Art from Japan (Kannon Göttliches Mitgefuhl Frühe Buddhistische Kunst Aus Japan). Rietberg Museum at the University of Zürich: Zürich, 2007.

Mueller, Laura J. Competition and Collaboration: Japanese Prints of the Utagawa School. Leiden and Boston: Hotel Publishing, 2007.

2. Collections and Collectors

2008

Berry, Paul. Literati Modern, Bunjinga from Late Edo to Twentieth-Century Japan: The Terry Welch Collection at the Honolulu Academy of Arts. Honolulu: Honolulu Academy of Arts, 2008.

Chancey, Jill R. ed. The Floating World: Ukiyo-e Prints from the Wallace B. Rogers Collection. Laurel, MS: Lauren Rogers Museum of Art, 2008.

Marks, Andreas. Generosity in Clay: Modern Japanese Ceramics from the Natalie Fitz-Gerald Collection. Clark Center Exhibition Series 3. Hanford: Clark Center for Japanese Art and Culture, 2008.

McKee, Daniel. Colored in the Year’s New Light: Japanese Surimono from the Becker Collection. Ithaca, NY: Herbert F. Johnson Museum of Art, 2008.

Steiner, Evgeny, Catalog of Japanese Prints in the Pushkin Museum of Fine Arts. 2 Vols. Evgeny Steiner, ed. Moscow: 2008.

Waterhouse, David. Warriors and Entertainers. Japanese Woodblock Prints in the Alice T. Miner Museum, Chazy, NY. Chazy, NY: Alice T. Miner Colonial Collection, Inc., 2008.

2007

Suchomel, Filip. Zlata Černá, Půvaby Orientálního Salonu, Umělecké Řemeslo Dálného Východu z Jihomoravských a Jihočeských Zámeckých Sbírek, (Delights of the Oriental Salon. Arts and Crafts of the Far East in the South Moravian and South Bohemian Chateaux Collections). Brno: Prague, 2007.

2. ARCHITECTURE AND GARDENS (PRE-MODERN)

3. CRAFTS AND FOLK ARTS

A. CERAMICS

2008

Marks, Andreas. Generosity in Clay: Modern Japanese Ceramics from the Natalie Fitz-Gerald Collection. Clark Center Exhibition Series 3. Hanford: Clark Center for Japanese Art and Culture, 2008.

2007

Suchomel, Filip. "Figural Porcelain from the Kakiemon Workshop and its Decoration." Fukuoka Sangyo Daigaku, 2007.

B. LACQUERWARE

C. METALWORK

D. MINGEI (FOLK ARTS)

2008

Fischer, Felice. The Art of Japanese Craft: 1875 to the present. Philadelphia and New Haven, CT: Philadelphia Museum of Art and Yale University Press, 2008.

E. NETSUKE, INRO & OJIME

F. TEXTILES AND BASKETRY

2008

Gluckman, Dale Carolyn and Hollis Goodall. Kimono as Art: The Landscapes of Itchiku Kubota. San Diego: Thames & Hudson, 2008.

Goodall, Hollis. "Kubota as Imagist: Reinventing Pictorial Icons in Kimono Form." In Kimono as Art: The Landscapes of Itchiku Kubota, edited by Dale Carolyn Gluckman and Hollis Goodall. San Diego: Thames & Hudson, 2008.

G. THEATRICAL ARTS: COSTUMES AND MASKS

4. PAINTINGS, PRINTS, AND CALLIGRAPHY

A. PAINTING AND CALLIGRAPHY (Note: for Ukiyoe--see section 4B, below)

1. Broad Studies

2008

Berry, Paul. Literati Modern, Bunjinga from Late Edo to Twentieth-Century Japan: The Terry Welch Collection at the Honolulu Academy of Arts. Honolulu: Honolulu Academy of Arts, 2008.

Marks, Andreas. They Swim, Fly, Wiggle, Walk, Or Slither: The Hidden Code of Animals in Japanese Art. Clark Center Exhibition Series 2. Hanford: Clark Center for Japanese Art and Culture, 2008.

———. Traces of China: The Japanese Transformation of Chinese Themes and Techniques. Clark Center Exhibition Series 1. Hanford: Clark Center for Japanese Art and Culture, 2008.

Steiner, Evgeny. Catalog of Japanese Prints in the Pushkin Museum of Fine Arts. 2 Vols. Evgeny Steiner, ed. Moscow: 2008.

Vinhais, Luisa and Jorge Welsh eds. After the Barbarians II: Namban Works of Art for the Japanese, Portuguese and Dutch Markets. London: Jorge Welsh Books, 2008.

2007

Screech, Timon. "Owning Edo-Period Paintings." In Acquisition: Art and Ownership in Edo-Period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions, 2007.

2. Studies on Individual Artists and Lineages

2008

Gluckman, Dale Carolyn and Hollis Goodall. Kimono as Art: The Landscapes of Itchiku Kubota. San Diego: Thames & Hudson, 2008.

Goodall, Hollis. "Kubota as Imagist: Reinventing Pictorial Icons in Kimono Form." In Kimono as Art: The Landscapes of Itchiku Kubota, edited by Dale Carolyn Gluckman and Hollis Goodall. San Diego: Thames & Hudson, 2008.

2007

Fischer, Felice. Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush. Philadelphia and New Haven, CT: Philadelphia Museum of Art and Yale University Press, 2007.

Ito, Daisuke. "The Kotohiragu Collection: Dedications to the Kompira Deity." In Acquisition: Art and Ownership in Edo-Period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions, 2007.

Mostow, Joshua. "Female Readers and Early Heian Romances: The Hakubyō Tales of Ise Illustrated Scroll Fragments." Monumenta Nipponica 62, no. 2 (Summer 2007): 135-177.

Szostak, John. "Two Paths to the Pure Land: The Niga-Byakudō Theme and the Modernist Buddhist Art of Hada Teruo." Archives of Asian Art57 (2007): 121-150.

B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS

1. Broad Studies

2008

Chancey, Jill R. ed. The Floating World: Ukiyo-e Prints from the Wallace B. Rogers Collection. Laurel, MS: Lauren Rogers Museum of Art, 2008.

Davis, Julie Nelson. "Peindre Les Couleurs Du Monde Flottant: Réflexions Sur Le Peintre De l’ukiyo-e Et Son Art” (“Painting the Colors of the Floating World: Reflections on the Ukiyo-e Painter and His Art”)." In Splendeurs Des Courtisanes – Japon, Peintures Ukiyo-e Du Musée Idemitsu. Translated by Elisabeth Luc, edited by Michel Maucuer. Paris: Cernuschi Museum, 2008.

Guth, Christine. "Hokusai’s Geometry." Review of Japanese Culture and Society 20, (December 2008): 120-132.

Meech, Julia and Jane Oliver, eds. 2008. Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680-1860. New York: Asia Society and Japanese Art Society of America.

Till, Barry. Japan Awakens: Woodblock Prints of the Meiji Period (1868-1912). San Francisco: Pomegranate Communications, 2008.

Tinios, Ellis. "Japanese Warrior Prints." Print Quarterly 25, no. 2 (2008): 219-221.

2007

Chance, Frank L. and Julie Nelson Davis. Dramatic Impressions: Japanese Theatre Prints from the Gilbert Luber Collection. Philadelphia: Arthur Ross Gallery, University of Pennsylvania, distributed by the University of Pennsylvania Press, 2007.

Marks, Andreas. "When the Shogun Travels to Kyoto—The Great 'Processional Tokaido' Series." Andon 81, (January 2007): 5-44.

2. Studies on Individual Artists, Types of Prints, and Lineages

2008

Davis, Julie Nelson. "The Utagawa School." Print Quarterly 25, no. 4 (2008): 453-455.

Davis, Julie Nelson. "Tsutaya Jūzaburō, Master Publisher." In Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680 – 1860, edited by Julia Meech and Jane Oliver. New York & Seattle: Asia Society and Japanese Art Society of America, 2008.

Fowler, Sherry. 2008. “Views of Japanese Temples and Shrines from Near and Far: Precinct Prints of the Eighteenth and Nineteenth Centuries.” Artibus Asiae (68/2): 247-285.

Haft, Alfred. "Immortalizing the Yoshiwara Courtesan: Mitate in a Surimono Series by [Yashima] Gakutei." In Reading Surimono: The Interplay of Text and Image in Japanese Prints, edited by John Carpenter. Leiden: Brill, 2008.

Marks, Andreas. "Hiroshige’s Publishers." In Hiroshige: Shaping the Image of Japan, edited by Chris Uhlenbeck and Marije Jansen. Leiden: Brill, 2008.

———. "When Two Utagawa Masters Get Together: The Artistic Relationship of Hiroshige and Kunisada." Andon 84, (2008): 33-49.

McKee, Daniel. Colored in the Year’s New Light: Japanese Surimono from the Becker Collection. Ithaca, NY: Herbert F. Johnson Museum of Art, 2008.

Mostow, Joshua. "Utagawa Shunga, Kuki’s ‘Chic,’ and the Construction of a National Erotics in Japan." In Performing 'Nation': Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880-1940, edited by Doris Croissant, Catherine Vance Yeh, and Joshua Mostow, 383-424, Brill, 2008.

Waterhouse, David. "Hishikawa Moronobu: Tracking Down an Elusive Master." In Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680-1860, edited by Julia Meech and Jane Oliver. New York: Asia Society and Japanese Art Society of America in association with University of Washington Press, Seattle and London, 2008.

———. Warriors and Entertainers. Japanese Woodblock Prints in the Alice T. Miner Museum, Chazy, NY. Chazy, NY: Alice T. Miner Colonial Collection, Inc., 2008.

2007

Davis, Julie Nelson. "Teisai Hokuba Hitsu ‘Mitate Komatsu-Hikizu’: Teisai Hokuba’s ‘Parody of the New Year’s Pine Tree Festival.’" Kokka 1340, (2007): 30-35.

. Utamaro and the Spectacle of Beauty. London & Honolulu: Reaktion Books; University of Hawai’i Press, 2007.

———. "The Trouble with Hideyoshi: Censoring Ukiyo-e and the Ehon Taikōki Incident of 1804." Japan Forum 19, no. 3 (2007): 281-315.

Herwig, Henk J. and Joshua Mostow. The Hundred Poets Compared: A Print Series by Kuniyoshi, Hiroshige, and Kunisada. Leiden & Boston: Hotei Publishing, 2007.

Marks, Andreas. "Third Month 1807 (Bunka 4), Utagawa Kunisada’s Debut?" Ukiyo-e geijutsu 154, (2007): 66-69.

Mueller, Laura J. Competition and Collaboration: Japanese Prints of the Utagawa School. Leiden and Boston: Hotel Publishing, 2007.

Trede, Melanie. "Edo: Images of a City between Visual Poetry and Idealized Reality / Edo: Bilder Einer Stadt Zwischen Visueller Poesie Und Idealisierter Wirklichkeit / Images d’une Ville Entre Poésie Visuelle Et Réalité Idéale." In Hiroshige: One Hundred Famous Views of Edo, edited by Melanie Trede. Cologne, New York: Taschen, 2007.

Trede, Melanie and Lorenz Bichler. Hiroshige: One Hundred Famous Views of Edo. Cologne, New York: Taschen, 2007.

5. THEMATIC AND INTERDISCIPLINARY STUDIES

A. ARCHAEOLOGY

B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL CONTACTS

2008

Croissant, Doris, Catherine Vance Yeh, and Joshua S. Mostow, eds. Performing 'Nation': Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880-1940. Leiden: Brill, 2008.

Hánová, Markéta. 2008. "Iluze Nebo Realita? Ikonografie Japonské a Evropské Krajinomalby Na Přelomu 19. a 20. Století v Kontextu Reflexe Skutečnosti a Fenoménu Japonismu (Illusion Or Reality? Iconography of Japanese and European Landscape Painting at the Turn of the 19th and 20th Century in Reflection of Reality and the Japonisme Phenomenon)."Charles University.

Ikeda, Shinobu. “The Allure of a "Woman in Chinese Dress": Representation of the Oilier in Imperial Japan.” In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill, 2008.

Marks, Andreas. Traces of China: The Japanese Transformation of Chinese Themes and Techniques. Clark Center Exhibition Series 1. Hanford: Clark Center for Japanese Art and Culture, 2008.

Simms, Larry. "Drawing on Japan: Ceramics Designed by the Artist Felix Bracquemond Pioneered the use of Motifs Drawn from Japanese Art in 19th-Century French Decorative Arts." Apollo 168, no. 557 (2008): 64-73.

Suchomel, Filip. "Evropští Fotografové v Japonsku a Japonsko v Evropské Fotografii Druhé Poloviny 19. Století (European Photographs in Japan and Japan in European Photography in the Second Half of the 19th Century)." Praha, Academia, February 22-24, 2008.

Tseng, Alice. The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation. Seattle: University of Washington Press, 2008.

———. "Kuroda Seiki’s Morning Toilette on Exhibition in Modern Kyoto." The Art Bulletin(September 2008): 418-441

Vinhais, Luisa and Jorge Welsh eds. After the Barbarians II: Namban Works of Art for the Japanese, Portuguese and Dutch Markets. London: Jorge Welsh Books, 2008.

Watanabe, Shinya and Jean Miyake Downey. 2008. "Into the Atomic Sunshine: Post-War Art Under Japanese Peace Constitution Article 9." Japan Focus.

2007

De Vonyar, Jill and Richard Kendall. Degas and The Art of Japan. Reading, PA and New Haven, CT: Reading Public Museum and Yale University Press, 2007.

Fogel, Joshua A. "Lust for Still Life: Chinese Painters in Japan and Japanese Painters in China in the 1860s and 1870s." In Acquisition: Art and Ownership in Edo-Period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions, 2007.

Mrazek, Jan and Morgan Pitelka, eds. What's the use of Art?: Asian Visual and Material Culture in Context. Honolulu: University of Hawaii Press, 2007.

C. GENDER STUDIES/SEXUALITY IN ART

2008

Berndt, Jaqueline. “Nationally Naked? The Female Nude in Japanese Oil Painting and Posters (1890's-1920's).” In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill, 2008.

Croissant, Doris. “From Madonna to Femme Fatale: Gender Play in Japanese National Painting.” In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill, 2008.

Croissant, Doris, Catherine Vance Yeh, and Joshua S. Mostow, eds. Performing 'Nation': Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880-1940. Leiden: Brill, 2008.

Trede, Melanie. "Banknote Design as a Battlefield of Gender Politics and National Representation in Meiji Japan." In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill, 2008.

2007

Graham, Patricia J. "Ōtagaki Rengetsu and the Japanese Tea Ceremony." In Black Robe, White Mist: The Art of the Japanese Buddhist Nun Ōtagaki Rengetsu. Canberra: National Gallery of Australia, 2007.

Mostow, Joshua. "Female Readers and Early Heian Romances: The Hakubyō Tales of Ise Illustrated Scroll Fragments." Monumenta Nipponica 62, no. 2 (Summer 2007): 135-177.

D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS

1. Buddhist Art and Architecture

2008

Fowler, Sherry. 2008. “Views of Japanese Temples and Shrines from Near and Far: Precinct Prints of the Eighteenth and Nineteenth Centuries.” Artibus Asiae (68/2): 247-285.

Hirasawa, Caroline. "The Inflatable, Collapsible Kingdom of Retribution: A Primer on Japanese Hell Imagery and Imagination." Monumenta Nipponica 63, no. 1 (2008): 1-50.

Mack, Karen J. "A Reconsideration of the Program of the Goshichinichi Mishuhō." Proceedings of the International Conference on Esoteric Buddhism (3/2008): 85-89.

2007

Fowler, Sherry. "Between Six and Thirty-Three: Manifestations of Kannon in Japan” (“Zwischen Sechs Und Dreiunddreissig: Erscheinungsformen Von Kannon Bosatsu”) " In Divine Compassion: Early Buddhist Art from Japan (Kannon Göttliches Mitgefuhl Frühe Buddhistische Kunst Aus Japan). Rietberg Museum at the University of Zürich: Zürich, 2007.

Graham, Patricia J. Faith and Power in Japanese Buddhist Art, 1600-2005. Honolulu: University of Hawai'i Press, 2007.

2. Shinto Art and Architecture

2008