Subject Area Syllabus 2015
150574
ISBN: 978-1-921-80268-3Music in Practice Senior Subject Area Syllabus 2015
© The State of Queensland (Queensland Curriculum & Assessment Authority) 2015
Queensland Curriculum & Assessment Authority
PO Box 307Spring HillQLD4004Australia
Level 7, 154 Melbourne Street, South Brisbane
Phone: +61 7 3864 0299
Fax: +61 7 3221 2553
Email:
Website: www.qcaa.qld.edu.au
Contents
Introduction 1
Study plans 1
Composite classes 1
1 Rationale 2
2 Dimensions and objectives 3
2.1 Dimension 1: Knowing and understanding 3
2.2 Dimension 2: Applying and analysing 4
2.3 Dimension 3: Creating and evaluating 4
3 Course organisation 6
3.1 Underpinning factors 6
3.1.1 Applied learning 6
3.1.2 Community connections 7
3.1.3 Core Skills for Work 8
3.1.4 Literacy in Music in Practice 8
3.1.5 Numeracy in Music in Practice 9
3.2 Planning a course of study 10
3.3 Core 11
3.3.1 Core topic 1: Music principles 12
3.3.2 Core topic 2: Music practices 13
3.4 Electives 14
3.4.1 Community music 15
3.4.2 Contemporary music 15
3.4.3 Live production and performance 15
3.4.4 Music for film, TV and video games 16
3.4.5 Music in advertising 17
3.4.6 The music industry 17
3.4.7 Music technology and production 18
3.4.8 Performance craft 18
3.4.9 Practical music skills 19
3.4.10 Songwriting 19
3.4.11 World music 20
3.5 Teaching and learning 21
3.5.1 Developing a unit of work 21
3.5.2 Music activities 21
3.5.3 Aboriginal and Torres Strait Islander perspectives 22
3.5.4 Embedding educational equity in the course of study 23
4 Assessment 24
4.1 Planning an assessment program 24
4.2 Special provisions 24
4.3 Authentication of student work 25
4.4 Assessment techniques 25
4.4.1 Project 27
4.4.2 Performance 30
4.4.3 Composition 32
4.4.4 Extended response to stimulus 33
4.4.5 Investigation 35
4.5 Folio requirements 37
4.5.1 Folios for external moderation 37
4.5.2 Exit folios 37
4.6 Exit standards 37
4.7 Determining exit levels of achievement 37
4.7.1 Determining a standard 38
4.7.2 Awarding exit levels of achievement 38
4.7.3 Standards matrix 39
Glossary 41
Introduction
Music in Practice is an Authority-registered subject.
Successfully completed Authority-registered subjects contribute four credits towards the Queensland Certificate of Education (QCE). Results in these subjects are not used in the calculation of Overall Positions (OPs) and Field Positions (FPs).
Study plans
A study plan is the school’s plan of how the course of study will be delivered and assessed. Studyplan requirements are available on the Music in Practice study plan tab: www.qcaa.qld.edu.au/36672-sp.html.
Composite classes
This subject area syllabus enables teachers to develop a course of study that caters for a variety of ways to organise learning, such as combined classes for Years 11 and 12, shared campuses, or modes of delivery involving periods of student-managed study.
1 Rationale
Music is a unique aural art form that uses sound and silence as a means of personal expression. It is a powerful medium because it affects a wide range of human activities, including personal, social, cultural and entertainment pursuits.
Musicians fulfil many roles in a community — as makers/creators, performers, presenters, journalists, technicians, administrators and managers. Music in Practice gives students opportunities to explore these and other roles through active engagement with music and music productions, and, where possible, by interacting with practising artists. Students are exposed to authentic music practices in which they learn to view the world from different perspectives, experiment with different ways of sharing ideas and feelings, gain confidence and self-esteem, and contribute to the social and cultural lives of their school and local community.
In Music in Practice, students explore and engage with the core of music principles and practices as they create, perform, produce and respond to their own and others’ music works in class, school and community settings. They gain practical, technical and listening skills and make choices to communicate in and through their music. Through the music activities of composing, performing and responding, they apply techniques, processes and skills, individually and in groups, to express music ideas that serve particular functions and purposes. This fosters creativity, helps students develop problem-solving skills, and heightens their imaginative, emotional, aesthetic, analytical and reflective experiences.
Students learn about workplace health and safety (WHS) issues relevant to the music industry and effective work practices that lead to the acquisition of industry skills needed by a practising musician. Preparation for the workplace is further enhanced by fostering a positive work ethic, teamwork and project management skills. The syllabus provides the flexibility for schools to cater for students with interests in career, industry or technical aspects of music, and for those with interests in performance-based and creative aspects.
Involvement in music making, becoming part of music and arts communities and interacting with practising musicians and artists nurtures students’ creative thinking and problem-solving skills as they follow processes from conception to realisation and work to express music ideas of personal significance. The discipline and commitment of music-making provides opportunity for personal growth and the development of lifelong learning skills. It helps build students’ self-esteem, resilience and personal motivation, and allows them to refine time management and collaborative teamwork skills in activities that reflect the real-world practices of composers, performers and audiences.
A course of study in Music in Practice can establish a basis for further education and employment by giving students the knowledge and skills that should enhance their employment prospects in the music industry in areas such as performance, critical listening, music management and music promotions. With additional training and experience, potential employment opportunities may include musician, band or recording group member, music journalist, media composer, DJ, sound or studio engineer, songwriter or arranger, music sales and merchandising staff, record producer, concert promoter, entertainment manager, tour manager or music director.
2 Dimensions and objectives
The dimensions are the salient properties or characteristics of distinctive learning for this subject. The objectives describe what students should know and be able to do by the end of the course of study.
Progress in a particular dimension may depend on the knowledge, understanding and skills developed in other dimensions. Learning through each of the dimensions increases in complexity to allow for greater independence for learners over a four-semester course of study.
The standards have adirect relationship with the objectives, and are described in the same dimensions as the objectives. Schools assess how well students have achieved all of the objectives using the standards.
The dimensions for a course of study in this subject are:
· Dimension 1: Knowing and understanding
· Dimension 2: Applying and analysing
· Dimension 3: Creating and evaluating.
2.1 Dimension 1: Knowing and understanding
Knowing and understanding refers to the remembering and comprehending of music principles and practices related to composing, performing and responding in and to music, and the ability to construct meaning from music texts.
Objectives
By the conclusion of the course of study, students should:
· identify and explain music principles and practices
· interpret music principles and practices
· demonstrate music principles and practices.
When students identify, they locate and recall music information, recognising particular qualities and/or characteristics of music principles and music practices. When students explain, they provide additional information and examples that demonstrate understanding and help clarify, illustrate and exemplify meaning.
When students interpret, they show understanding of the meaning of words, sounds and other symbols (e.g. notation, graphs, pictures, letters, characters, numbers and signs) and make the meaning clear or explicit, presenting it in a context with clarity, precision and completeness. They are able to change from one form of representation to another, e.g. by translating written symbols into sounds, and vice versa.
When students demonstrate, they show their comprehension and understanding of music elements, forms, styles, conventions and techniques by reproducing learnt skills when engaging in music.
2.2 Dimension 2: Applying and analysing
Applying and analysing refers to the application, investigation and analysis of music principles and practices involved in composing, performing and responding in and to music. It involves gathering and dissecting information about music concepts and ideas to find meaning and purpose, identify patterns, similarities and differences, and determine relationships in an overall structure.
Objectives
By the conclusion of the course of study, students should:
· apply technical and expressive skills to performance and production of music works
· analyse the use of music principles and practices in their own and others’ music works
· use language conventions and features to communicate ideas and information about music, according to context and purpose.
When students apply technical and expressive skills, they enact a set of cognitive and creative procedures or steps in order to make or present music works or productions.
When students analyse, they dissect and consider information in detail for the purposes of finding meaning, exploring and examining alternative viewpoints, recognising and interpreting patterns and relationships, identifying function and purpose, and showing the significance of similarities and differences.
When students use verbal and symbolic language conventions and features in context, they use correct grammar, spelling, punctuation, vocabulary, text types and structures, and symbolic notation/language in written, oral, visual and aural communication modes.
2.3 Dimension 3: Creating and evaluating
Creating and evaluating refers to the generation of music ideas, the planning and execution of processes and the management of music sources and resources to respond to music activities and communicate music ideas. It involves reflection on music works, and on the processes, strategies and outcomes of composing, performing and responding in and to music.
Objectives
By the conclusion of the course of study, students should:
· plan and modify music works using music principles and practices to achieve purposes
· create music works to communicate music ideas to audiences
· evaluate the application of music principles and practices to music works and music activities.
When students plan, they conceptualise, create and develop ideas. They manage time and the technological, human, financial and consumable resources required to organise composing and performing activities and bring their music ideas to reality. Students devise processes for achieving purposes and accomplishing tasks, based on their ability to use their knowledge and understanding of music principles and practices, and to analyse and apply them. When students modify, they critically reflect, refine and adjust their music works, demonstrating an understanding of music principles and practices.
When students create music works, they put their planning into effect to create a coherent and functional whole. They synthesise music ideas, principles and practices, and make decisions about the way to communicate the intended meaning through music performances, products or forms of music text. When students communicate music ideas, they present information and convey meaning through written, spoken, physical, graphical, visual and/or auditory modes, appropriate to audiences. This may be through creating original music, playing instruments, singing, manipulating sound using technology, writing an article for a music magazine, writing a review of a concert or album, or discussing their own music and the music of others.
When students evaluate, they reflect on and critique their own and others’ application of music principles and practices to music works and to composing, performing and responding activities. They make judgments about the processes, outcomes and success of these creative works and activities, providing reasons or evidence to support statements and decisions through written, spoken, physical, graphical, visual and/or auditory modes.
3 Course organisation
Music in Practice is a four-semester course of study.
Semesters 1 and 2 of the course are designed to allow students to begin their engagement with the course content, i.e. the knowledge, understanding and skills of the subject. Course content, learning experiences and assessment increase in complexity across the four semesters as students develop greater independence as learners.
Semesters 3 and 4 consolidate student learning.
3.1 Underpinning factors
There are five factors that underpin subject area syllabuses and that are essential for defining the distinctive nature of Authority-registered subjects:
· applied learning
· community connections
· Core Skills for Work
· literacy
· numeracy.
These factors, which overlap and interact, are derived from current education, industry and community expectations, and inform and shape Music in Practice.
All subject area syllabuses cover all of the underpinning factors in some way, though coverage may vary from syllabus to syllabus. Students should be provided with a variety of opportunities to learn through and about the five underpinning factors across the four-semester course of study.
Applied learning and community connections emphasise the importance of applying learning in workplace and community situations. Applied learning is an approach to contextualised learning; community connections provide contexts for learning, acquiring and applying knowledge, understanding and skills. However, Core Skills for Work, literacy and numeracy contain identifiable knowledge and skills which can be directly assessed. The relevant knowledge and skills for these three factors are contained in the course dimensions and objectives for Music in Practice.
3.1.1 Applied learning
Applied learning is the acquisition and application of knowledge, understanding and skills in
real-world or lifelike contexts. Contexts should be authentic and may encompass workplace, industry and community situations.
Applied learning values knowledge — including subject knowledge, skills, techniques and procedures — and emphasises learning through doing. It includes both theory and the application of theory, connecting subject knowledge and understanding with the development of practical skills.
Applied learning:
· links theory and practice
· integrates knowledge and skills in real-world or lifelike contexts
· encourages students to work individually and in teams to complete tasks and solve problems
· enables students to develop new learnings and transfer their knowledge, understanding and skills to a range of contexts
· uses assessment that is authentic and reflects the content and contexts.
3.1.2 Community connections
Community connections build students’ awareness and understanding of life beyond school through authentic interactions. This understanding supports the transition from school to participation in, and contribution to, community, industry, work and non-profit organisations. ‘Community’ includes the school community and the wider community beyond the school, including virtual communities.