Slide List for Final Test Fall 2010

Art 150

Slide List for Final Test Fall 2010

For unstarred pictures, you need to know general information about what is special about the work (which could include an invention, the technique, artist, style, purpose, subject matter, etc.) and/or what it reflects about its time.

For starred pictures, you need to know that general information plus the approximate date, photographic method, artist, and title.

Photographs from Test #1 & 2 can still be seen on Slide List #1 & 2, and I’ve kept their original numbers. They are also on Part 1 of the Slide Show for the Final Test. Slides 81 and above are on Part 2 of the Slide Show for the Final Test. They are:
3.*Joseph Nicephore NIEPCE. View from the Window at Gras, 1826. Heliograph. Fig. 1.10. First permanent photograph.

4.*Louis-Jacques-Mande DAGUERRE. Still Life (Interior of a cabinet of curiosities). 1837. Daguerrotype. Fig. 1.12.

5.*Hippolyte BAYARD. Self-Portrait as a Drowned Man, 1840. Direct paper positive. Fig. 1.14.

7. * William Henry Fox TALBOT. The Open Door, 1844. Salt print from calotype negative. Fig. 2.6. From The Pencil of Nature book.

9.* Hippolyte BAYARD. Self-Portrait with Plaster Cast, 1850. Gelatin silver print. Fig. 2.10.

16.* Edouard BALDUS. Cloister of Saint-Trophime, Arles. 1851. partly hand-painted paper print. Fig. 2.43.

20.* Albert Sands SOUTHWORTH. Self-Portrait. C. 1858. Daguerreotype. Fig. 2.62.

21.* David Octavius HILL and Robert ADAMSON. Dr. Alexander Keith. C. 1843. Paper print, calotype process. Fig. 2.63.

22.* Gustave LE GRAY, Mediterranean Sea at Sete. 1856-59. Albumen silver print from two glass negatives. Fig. 2.70.

26. *Oscar REJLANDER. The Two Ways of Life. 1857. albumen print. Combination print with more than 30 negatives. Fig. 3-12.

28. * Henry Peach ROBINSON. Fading Away. 1858. albumen composite print. Fig. 3-14

35. * Alexander GARDNER. Home of a Rebel Sharpshooter, Gettysburg. 1863. wet collodion print. Fig. 3-36.

45.*Peter Henry EMERSON. Poling the Marsh-Hay. 1886. Platinum print (platinotype).Naturalism.Fig. 4-5.

50. *Frederick H. EVANS. Steps to Chapter House: A Sea of Steps, Wells Cathedral, 1903. platinum print. Linked Ring member. Fig. 4-19.

51. *Alfred STIEGLITZ. The Steerage. 1907. photogravure. (from Camera Work, Photo-Secessionist magazine). Photo-Secessionist. Fig. 4-21.

54. * Gertrude KASEBIER. Blessed Art Thou Among Women. 1899. platinum print on Japanese tissue. Fig. 4-32.

60. *Paul STRAND. Abstractions, Porch Shadows, Connecticut. 1915. gelatin silver print. Fig. 4-43.

Those were from the first test. These were slides fromTest #2:

62. *Lewis W. HINE. Child in Carolina Cotton Mill, 1908. gelatin silver print on masonite. Fig. 4-49.

1. *Eadweard MUYBRIDGE. Untitled (Sequence photographs of the trot and gallop), Dec 1878. gravures. Fig. 4-52.
   
2. William RIDER-RIDER. Untitled (Devastation on the battlefield of Passchendaele taken with a panoramic camera). 1917. Fig. 4-75.
   A New Vision (1918-1945)
   

70. Zeppelin Blast Kills Thirty-Five, from Los Angeles Times, Friday, May 7, 1937. newsprint. Fig. 5-4.

71. El Lissitzky. The Constructor. 1924. Photomontage.

Fig. 3-5.

72.*Alexander RODCHENKO. Untitled (Walking Figure). 1928. gelatin silver print. Fig. 5-8.

73. * Hannah HOCH. Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany. 1919. photomontage. Fig. 5-10.

1. Charles SHEELER. Industry. 1932. gelatin silver print, triptych. Fig. 5-20.
   

76. MANRAY. Untitled, from Minotaure, 1936. Surrealist. 5-23.

77. BRASSAI (Gyula Halasz). Bijou of Montmartre, from Paris de Nuit (Paris by Night). 1933. 5-28. Surrealist.

79.Andre KERTESZ. Meudon. 1928. 5-30.

80.*Henri CARTIER-BRESSON. Behind the Gare St. Lazare. 1932. 5-31. (“the decisive moment”)

81.HORST P. HORST. Untitled. (from textbook cover)1936. 5-44.

1. * ANSEL ADAMS. Valley View, YosemiteNational Park, 1933. 5-49.

85.* EDWARD WESTON. Nude. 1934. 5-53.

86.* Dorothea LANGE. Migrant Mother, 1936. FSA (Farm Security Administration) photo. 5-55.

88.* Margaret BOURKE-WHITE. Cover of Life, volume 1, no. 1. (November 23) 1936. 5-60.

89.* Eugene ATGET. Café, Avenue de la Grande-Armee, 1924-25. 5-65.

93. Harold EDGERTON. Drop of Milk Splashing into a Saucer of Milk, 1936. 5-77.

94. Alfred EISENSTAEDT. Joseph Goebbels. 1933. 5-78.

95. * John HEARTFIELD. Durch Licht zur Nacht (Through Light to Night). (May 19) 1933. photographic collage. 5-80.

96. W. Eugene SMITH. U.S. Marines with a Wounded and Dying Infant, June 1944. 5-81.

98. * Henri CARTIER-BRESSON. Gestapo Informer, Dessau, Germany, 1945. 5-83.

99.* Robert CAPA. Death of a Loyalist Soldier, Spain, 1936. 5-84.

100. Joe ROSENTHAL. Marines Raising the American Flag on Iwo Jima—“Old Glory goes up on Mt.Suribachi,” February 23,1945. 5-86.

Chapter 6 -- Through the Lens of Culture (1945-1975)

101. * The Family of Man Exhibition, 1955, curated by Edward Steichen. 6-1.

103. Aaron SISKIND. Jerome, Arizona, 1949. 6-34.

109. Lotte JACOBI. Photogenic. 1950. 6-35.

110. * Jerry UELSMANN. Untitled (Landscape with a floating tree), 1969. Combination printing. 6-37.

111. MINOR WHITE. Empty Head, from sequence 14 of Sound of One Hand Clapping. 1962. 6-38.

112. * ROBERT FRANK. Drug Store, Detroit. 1955. From his book The Americans, 1959. 6-39.

113. Harry CALLAHAN. Chicago. 1961. 6-40.

114. * WEEGEE (Arthur Fellig). Their First Murder, October 9, 1941. 6-44.

115. * Lee FRIEDLANDER. New Orleans, 1968. 6-45.

116. Garry WINOGRAND. American Legion Convention, Dallas, Texas, 1964. 6-46.

117. Stephen FRANK. Untitled. (*Diane Arbus with her photo:Boy holding a toy grenade in Central Park, New York.) 1970. 6-48.

______

From this point on, you only need to know artists, titles, or dates for the few starred images. The others could be on the test, but if so you’ll only need to discuss main ideas about the photographs, not titles or artists.

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118.Danny LYON. Cal, Eikhorn, Wisconsin. 1966. 6-51.

119. * Duane MICHALS. The Bogeyman. 1973. Staged narrative. 6-54.

120. Bill OWENS. Untitled, from his book Suburbia. 1972 (1999). 6-57.

121. Bert STERN. Martini and Pyramid. 1955. Dye-transfer print. 6-59.

122. Edward WESTON. Waterfront, Monterey, 1946. silver dye bleach print (Cibachrome) 6-62.

123. Ralph Amdursky (designed by Norman Rockwell). COLORAMA (Blue “Woody” Stationwagon in Front of Summer Cottage). n.d. Kodak print. 18 x 60 feet. 6-64

124. Ernest Withers. Workers Assembling for a Solidarity March, Memphis, Tennessee. 1968. 6-68.

125. * Charles MOORE. Birmingham. 1963. 6-69.

126. Larry BURROWS. At A First-AidCenter During Operation Prairie. 1966. 6-70.

127. * Andy WARHOL Marilyn Diptych. 1962. acrylic on canvas. Pop Art. 6-81.

128. *Chuck Close. Self-Portrait. 1968. acrylic on canvas. 8’11 ½” x 6’11 ½”. 6-84.

129. * Audrey FLACK. World War II (Vanitas) Incorporating Part of Margaret Bourke-White’s Photograph “Buchenwald, April 1945. oil over acrylic. 6-85.

130. William EGGLESTON. Greenwood, Mississippi. 1970. 6-94.

131. Lucas SAMARAS. Untitled (eye). 1973. Polaroid. 6-95.

132a. William WEGMAN. Man Ray Portfolio – Man Ray Contemplating the Bust of Man Ray. 1978. 6-101.

132b. Don McCULLIN. Corpse of North Vietnamese Soldier. 1968. 6-102.

132c. Bob JACKSON. Lee Harvey Oswald Shot. 1963. 6-103.

Chapter 7 -- Convergences (1975-2000)

133. Adrian PIPER. Pretend no. 3, 1990. Four black-and-white photos, one pencil drawing on graph paper, silkscreened texts. 7-3.

134. Sigmar Polke. Lager. Acrylic and various pigments on fabric. 7-4.

135. Anselm KIEFER. Siegfried’s Difficult Way to Brunhilde, 1988. Lead and photo in glazed steel frame. 7-5.

136. David HOCKNEY. Christopher Isherwood Talking to Bob Holman, Santa Monica, Ca, 14 March 1983. 1983. photographic collage. 7-6.

137. ORLAN. Omnipresence Venus. 2001. Composite photograph. 7-7.

138. NASA. View of Venus. May 26, 1993. 7–8.

139. Derek JOHNSTON. Landscape Specimen 004 (HavisuFalls). 1996. 7-9.

140. Catherine CHALMERS. Bug from the Food Chain. 1994-96. 7-12.

141. Pedro MEYER. The Temptation of the Angel. 1991. Digital color print. 7-15.

142. Hulleah Tsinhnahjinnie. Damn! There goes the Neighborhood! 1998. digital print. 7-17.

143. Chen CHIEN-JEN. Self-Destruction. 1996. Digital print. 7-18.

144. Jeff WALL. Dead Troops Talk (A Vision after an Ambush of a Red Army Patrol, near Moqor, Afghanistan, Winter, 1986.) 1991-92. Cibachrome transparency, fluorescent light, aluminum display case. 7-19.

145. Yasumasa MORIMURA. Self-Portrait (Actress), Red Marilyn. 1996. 7-20.

146. Keith COTTINGHAM. Untitled (Triple). 1993. Digitally constructed color photograph. 7-22.

147. Mary Ellen Mark. “Rat” and Mike with a Gun, Seattle. 1983. 7-27.

148. Eugene RICHARDS. Crack Plague in Red Hook, Brooklyn, 1994. Gelatin silver print. 7-30.

149. Susan Meiselas. Street Fighter in Managua. (From her book, Nicaragua.) 1981. 7-31.

150. Donna FERRATO. Cover photo from her book, Living with the Enemy. 1981. 7-34.

151. James Nachtwey. Rioters in Belfast, Northern Ireland. 1981. From his book Deeds of War, 1989. 7-35.

152. Bettina WITTEVEEN. Jon, from the series Hybrid Identities, NYC. 1997-98. 7-37.

153. Sebastiao SALGADO. Serra Pelada, Brazil. From his book, An Uncertain Grace. 1990. 7-41.

154. Boris MIKHAILOV. Untitled from the Case History Series. 1997-98. 7-42.

155. Lorraine LEESON and Peter DUNN. Health Cuts Can Kill from series for the Bethnel Green Hospital Campaign, 1978. Street posters. 7-54.

156. Richard PRINCE. Untitled (Cowboys). 1993.Ektacolor print. 7-55.

157. * Cindy SHERMAN. Untitled Film Still. 1978. 7-56.

158. Kamel DRIDI. Mosque, Fes. 1987. 7-57.

159. Gerhard RICHTER. Shot Down (1), 1988, from his series 18 Oktober 1977. Oil on canvas from newspaper photograph. 7-58.

160. Uta BARTH. Ground #42. 1994. 7-60.

161. Barbara ESS. Untitled. From Food from the Moon series, 1986-87. 7-62.

162. Adam FUSS. Wish. 1992. Color photogram. 7-63.

163. Joan FONTCUBERTA. Ich danke ihnen fur die Rosen, from his series Paper Gardens, 1990. Photograph on foil wrapping paper. 7-64.

164. Carlos SOMONTE. Woman with Rattlesnake Skin, San Luis Potosi, Mexico (Senora con piel de serpiente, San Luis Potosi, Mexico), 1990, from the series The Last Poets (Los ultimos Poetas). 7-65.

165. Annette MESSAGER. My Vows (Mes Voeux). 1990. Black-and-white photographs and string. 7-68.

166. Andres SERRANO. Semen and Blood III. 1990. Cibachrome, silicone, plexiglass, wood frame, edition of 4. 7-71.

167. Sandy SKOGLUND. Revenge of the Goldfish, 1982. Silver dye-bleach (cibachrome). 7-72.

168. Tokhiro Satoh. Photo-Respiration (Breath-graph no. 22). 1988. 7-77.

169. Gregory CREWDSON. Ophelia. 2001. Digital c-print. 7-78.

170. Joel-Peter Witkin. Eve Knighting Daguerre. 7-80. Also, Self-Portrait with Las Meninas.

171. Bernard FAUCON. Les Papiers qui Volent. 19977-95. Fresson technique, edition of 40. 7-87.

175. Yurie NAGASHIMA. Self-Portrait. Mother no. 2, 1993. Gelatin silver print. 7-92.

176. Richard Billingham. Untitled. 1994. Colored print on aluminum. 7-96.

177. Clarissa SLIGH. Untitled from the series Reading Dick and Jane with Me, 1990. Cyanotype with crayone added while on exhibit at Art Awareness. 7-98.

178. Sally MANN. Naptime. 1989. From her book Immediate Family. 7-102.

179. Robert Parkeharrison. Patching the Sky. 1997. Photogravure with beeswax. 7-105.

180. Edward Burtynsky. Nickel Tailings No. 34. Sudbury, Ontario. 1996. 7-109.

181. Chan CHAO. Member of KNLA. (From Something Went Wrong series.). 1999. C-print. 7-116.

182. Corinne DAY. Georgina, Brixton, 1993. C-print. 7-118.

183. Therese FRARE. Pieta (AIDS Patient). 1992. 7-121.

CHAPTER EIGHT: Into the New Millenium

184. Bill HENSON. Untitled, 28/77, from the Paris Opera Project series. 1990-91. C-print. 8-5.

185. Ron HAVIV. Untitled from Blood and Honey: A Balkan War Journal, Bijeljina, Bosnia, March 31, 1992. 8-7.

186. Wendy Ewald. White Girl’s Alphabet. 2002. Chromogenic print. 8-8.

187. Liu ZHENG. Buddha in Cage, Sulai Mountain, Shanxi Province, gelatin silver print, 1998. 8-10.

188. Che LINGYANG. 25:00, 2002. Digitally combined photographs. 8-11.

189. Justine Kurland. Ochre Anointment. 2003. C-print edition of 8. 8-13.

190. Anna GASKELL. Untitled no. 74. (Resemblance), 2003. C-print. 8-14

Stanford University. The Stanford Visible Male, from the Visible Human Project. National Library of Medicine. 1990s. 7-11.

71.Suzanne Bloom and Ed Hill (Manual). From The Constructed Forest. 1993. Digital color print. 7-13.

76. Jeff WALL. Dead Troops Talk (A Vision after an Ambush of a Red Army Patrol, near Moqor, Afghanistan, Winter 1986). 1991-92. cibachrome transparency, fluorescent light, aluminum display case. 7-19.

73. Pedro MEYER. The Temptation of the Angel. 1991. digital color print. 7-15.

79. Nancy Burson. Mankind (an Asian, a Caucasian, and a Black blended, weighted according to current population statistics). 1983-84. gelatin silver print. 7-26.

83. Boris Mikhailov. Untitled from the Case History series (of homeless people in Kharkov, Ukraine). 1997-98. 7-42.

84. Lorraine Leeson and Peter Dunn. Health Cuts Can Kill, one of a series for the Bethnal Green Hospital Campaign, 1978. Street posters. 7-54.

91. Bernard Faucon. Les Papiers qui Volent. 1977-95. Fresson techniques. 7-87.

92. Sally MANN. Naptime. 1989. From her book, Immediate Family, 1992. 7-102.

93. Robert MAPPLETHORPE. Rosie. 1976. 7-103.

95. Richard Misrach. Bomb Crater and Destroyed Convoy. 1989. Chromogenic color print. 7-108.

97. Cover of Adbusters. Winter 2000. no. 28. 7-122.

98. John McCUSKER. Canal Street, New Orleans. September 2005. 8-1.

101. Bill Henson. Untitled. 28/77. 1990-1, from the Paris Opera Project series. C-print. 8-5.

104. Anna Gaskell. Untitled no. 74 (Resemblance). 2001. C-print. 8-14.

105. Mars Rover. “Spirit” approaches “Methuselah” Outcrop on Mars, April 13th, 2005. 8-15.

102. Ron Haviv. Untitled from Blood and Honey: A Balkan War Journal. Bijeljina, Bosnia. March 31, 1992. 8-7.