from
A Bibliography of Literary Theory, Criticism and Philology
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel García Landa
(University of Zaragoza, Spain)
Sexuality, Gender, and Film
Adair, Gilbert. "What Do Men Want?" In Adair, The Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 124-27. * (Gender in film).
Byars, Jackie. All that Hollywood Allows: Re-reading Gender in 1950s Melodrama. London: Routledge, 1991.
Clover, Carol J. "Her Body, Himself: Gender in the Slasher Film." In Fantasy and the Cinema. Ed. James Donald. London: BFI, 1989.
_____. "Her Body, Himself: Gender in the Slasher Film." In Gender, Language, and Myth. Ed. Glenwood Irons. Toronto: U of Toronto P, 1992. 252-302.*
Cornut-Gentille D'Arcy, Chantal. "Letting a Man Open the Door for You and Slamming It in His Face: Changing Gender Relations in British Situation Comedies of the Eighties and Nineties." In Culture and Power: Music, Media and Visual Arts. Ed. Fernando Galván, Julio Cañero and José Santiago Fernández. Alcalá de Henares: Servicio de Publicaciones U de Alcalá, 2003. 59-73.
Cornut-Gentille D'Arcy, Chantal, and José Angel García Landa, eds. Gender, I-deology: Essays on Theory, Fiction and Film. (Postmodern Studies, 16). Amsterdam: Rodopi, 1996.*
http://www.rodopi.nl/senj.asp?BookId=PMS+16
2004-11-20
Creed, Barbara. Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne UP, 2009.
Deleyto, Celestino. "1999, A Closet Odyssey: Sexual Discourses in Eyes Wide Shut." Atlantis 28.1 (June 2006): 29-43.*
Desai, Jigna. "Sex in the Global City: The Sexual and Gender Politics of the New Urban, Transnational, and Cosmopolitan Indian Cinema in English." In Desai, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York and London: Routledge, 2004. 193-210.*
Doane, Mary Ann. "The Female Spectator: Contexts and Directions." Camera Obscura: A Journal of Feminism and Film Theory 20/21 (May/Sept 1989): 5-27.
Fouz Hernández, Santiago. "Getting Real: A Brief History of the Representation of Homosexuality in British Cinema." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*
Fuery, Patrick. "Seduction: Gender, Genre and Power." In Fuery, New Developments in Film Theory. Houndmills: Macmillan, 2000.
hooks, bell. Reel to Real: Race, Sex, and Class at the Movies. New York: Routledge, 1996.*
Kaplan, Ann. Women and Film: Both Sides of the Camera. 1983. London: Routledge, 1987.
_____, ed. Women in Film Noir. 1978. London: British Film Institute, 1989.
Lehman, Peter. "Gender and Sexuality." In Peter Lehman and William Luhr, Thinking about Movies: Watching, Questioning, Enjoying. 2nd ed. Malden, MA and Oxford: Blackwell, 2003, 264-282.
Marín Fernández, Brais. Estereotipos de género: Los personajes en el cine de David O. Russell. TFG U de Valladolid, 2016. Online at UVaDOC.*
https://uvadoc.uva.es/handle/10324/22398
2017
Mellen, Joan. Women and Their Sexuality in the New Film. New York: Horizon, 1974.
Milliken, Christie. "Unheimlich Maneuvers: The Genres and Genders of Transsexual Documentary." The Velvet Light Trap 41 (Spring 1998): 47-61.
Muldoon, David. "The Postmodern Gender Divide in the Bob Dylan Biopic I'm Not There." Miscelánea 46 (2012): 53-70.*
Mulvey, Laura. "Visual Pleasure and Narrative Cinema." 1975. many editions. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 438-48.* .
Rodowick, David N. "The Difficulty of Difference." Wide Angle 5.1 (1982): 4-15.
_____. The Difficulty of Difference: Psychoanalysis, Sexual Difference and Film Theory. New York: Routledge, 1991.
Ruiz Pardos, Manuela. "Male Images in the New Romances: Towards the Construction of a New Romantic Hero." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 563-68.*
Silverman, Kaja. Male Subjectivity at the Margins. New York: Routledge, 1992.
Suárez Sánchez, Juan A. Bike Boys, Drag Queens, and Superstars: Avant-Garde, Mass Culture and Gay Identities in the 1960s Underground Cinema. Bloomington: Indiana UP, 1996.
Tasker, Yvonne. Spectacular Bodies: Gender, Genre and the Action Cinema. London: Routledge, 1993.
Williams, Linda Ruth. Sex in the Head: Visions of Femininity and Film in D. H. Lawrence. Hemel Hempstead: Harvester Wheathsheaf, 1994.
Williams, Linda. "Film Bodies: Gender, Genre, and Excess." 1991. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 701-14.*
See also Women and Film.