Translate the following subtitles using no more than 39 characters per line including punctuation and blank spaces.

Dialogue participants: Boris, a former college professor who lives in New York,and Melody, an unsophisticated Southern girl, who lodges temporarily in Boris’s apartment.

Oh, hi!
I was gonna surprise you!
What's all this?
I'm making you a special dinner.
- Really? For me?
- Yeah.
And me, 'cause we're celebrating.
We are? What is it?
Crawfish! I found some at the market.
Jesus. It's stinking up
the whole house!
No, they're so good.
You'll love them.
Listen, Melody, seriously,
we have to talk.
Oh, yeah. I know. We'll talk
over dinner. It's almost done.
Melody, you're a very nice
young woman. Really, very nice.
You have a lot of nice attributes,
but, you know, you just can't continue
to stay here ad infinitum.
Yeah, yeah, but that's my news.
Guess what?
I got a job!
I can start paying you rent.
Rent? I don't want you
to pay me rent!
I want my life back.
What kind of job?
I start tomorrow
as a dog walker.
A dog walker? Oh, my God.
Seriously...
Melody, don't you think you should
go back home and finish high school,
maybe even go to college?
I thought the other night
you were talking about how America has
one of the worst education systems
in the Old West.
No, no, the Western world.
Yeah, right, exactly,
and how most colleges just
turn out mindless zombie morons.
You could benefit from classes.
I think the crawfish are ready.
What is that song?
They played that song the first time
I went out with Jessica.
Where did you go?
We went to a dance.
We were both students
at the University of Chicago.
She had a high IQ
and a low-cut dress.
Boy, they really don't write them
like they used to.
Oh! That's a cliché.
Ah! Good, Melody. You caught it.
Well, you always get
so mad when I do them.
Yeah, I shouldn't really.
Sometimes a cliché
is finally the best way
to make one's point.

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