MUSIC RESEARCH POSTGRADUATES, 2014–15 Term 2
Student (* = part-time)SupervisorAdviser
Alekseeva, ElenaBrian LockMark Bowden
Musical composition and sound design for contemporary dance
AlSalhi, AhmedRachel Beckles WillsonHenry Stobart
A Comparative Study of Saut Music in Kuwait and Bahrain
Asaba, YuikoHenry StobartShzr Ee Tan
Tango in Japan: Music, Dance and Eroticism
Bank, KatherineHelen DeemingStephen Rose
Music and Minde in Early Seventeenth Century England
Bath, NaomiRachel Beckles WillsonErik Levi
Futures for Hungarian folk music: Institutions and performance strategies today
Bennett, ElizabethStephen Rose/Helen Deeming
Rupert Ridgewell (BritLib)
Lies, truth and religious identification in 16th-century music printing
Bettencourt Mendes, NunoNick CookGeoff Baker
Modernism and Modernity in Portuguese Music of Freitas Branco (1890-1955)
Blickhan, SamanthaHelen DeemingStephen Rose
The Influence of Digital Media on the Study of Medieval Music: Notation in British Song Manuscripts, 1150-1300
Brady, Clare*Julian JohnsonStephen Downes
From Seconda Prattica to the Italian avant-garde: vocal music tradition in the collaborative works of Luciano Berio and Cathy Berberian
Bruno, ChelseaBrian LockAnna Morcom
Electronic music composition and modular synthesis
Burton, SusanGeoff Baker/Henry Stobart(ST) Tina K. Ramnarine
Take Your Harem Pants Off, Baby: Ethnicity, Modernity and Tradition in the Musical Practice of the
Bosnian Krajina
Cattell, KatieJulian Johnson(SD) Paul Harper-Scott
Temporality and Subjectivity in Variation Form
Conde, Alfons*Brian LockHelen Grime
Composition
Cordeiro, Miguel*Brian LockMark Bowden
Composition
Cryne, Michael*Mark BowdenHelen Grime
Composition: Musical and Dramatic Structure: Narrative and Non-Narrative Coherence
Curran, DavidMark Berry/Stephen DownesDavid Charlton
A study into the aesthetic outlook of the French composer Hector Berlioz
Dachri, Zoi*Brian LockHelen Grime
Composition
Day, RebeccaPaul Harper-ScottStephen Downes
Philosophical, Analytical and Psychoanalytic Conceptions of Subjectivity in Mahler’s Musical Modernism
Dearden, Nathan*Mark BowdenBrian Lock
Composition for Voice in Music Theatre
Destribois, ClemenceStephen Rose(HD) Paul Harper-Scott
Pitch Organization in Seventeenth-Century Ensemble Music
Dunnahoe, SeanHelen DeemingStephen Rose
Anglo-Baltic Exchange in Swedish, Finnish and Norwegian Music Manuscripts up to the Thirteenth Century
Etxeberria Adrien, XabierHenry Stobart(AM) Geoff Baker
Participatory Ethnomusicology and Indigenous Music in Ecuador
Feeny, AntonyAnna Morcom/Shzr Ee TanAlan Bradshaw [Marketing]
Economic and Business Models and the Development of Western Classical Music
Gentili, BarbaraErik LeviMark Berry
Belcanto and Verismo as
Graham, Michael*Paul Harper-ScottKiernan Ryan [English]
Shakespeare and British Opera: The Knot Garden
Green, AndrewStobart, Henry(EL) Tina K. Ramnarine
Sounds of Solidarity: Music, the Zapatistas, and the Alter-Global
Harrison, LucyBrian LockHelen Grime
Composition. The Role of Context in the Compositional Process for Sound Installations and Film Scores
Heidemann, Diana-Maria*Shzr Ee Tan/James Bennett tbc [Media Arts]
J.P.Kelly [MediaArts]/AM
Transmedia Music Concepts
Higgins, GavinMark BowdenBrian Lock
Music and dance
Hunter-Bradley, LouisaStephen RoseHelen Deeming
The Officina Plantiniana as Music Publishers and Distributors [1555-1595]
Hyacinth, NatalieHenry Stobart/tba [Geography]
David Gilbert [Geog]
Music and popular creativity in suburban faith communities
Kiladi, Maria*Erik LeviStephen Downes
The London Labour Choral Union, 1920-1940: A Musical Institution of the Left
Knight, DouglasJulie BrownCarlo Cenciarelli
From the Ascetic to the Aesthetic: Classical Music in Non-Classical Cinema
Lachs, Vivienne (Hist/Mus)Rachel Beckles Wilson/Julie Brown
David Cesarani [Hist]
Yiddish songs of London 1880-1914 and their place in the political debates of the time
Lebedinski, Ester Stephen RoseHelen Deeming
Roman Vocal Music in England, 1660-1710: Court, Connoisseurs, and the Culture of Collecting
Lee, Annabelle Shzree Tan/Mark Berry/ELDerrick Chong [Management]
The Effects of Social Media Techniques of Concert Halls in London and New York: Marketing and Promotion of Classical Music Concerts
Marsden, HannahTina K. RamnarineAnna Morcom
Western Music in India
McCarthy, RachelPaul Harper-ScottErik Levi
Women and Listening in Early- to Mid-Twentieth-Century Britain
Mercieca, NathanPaul Harper-ScottMark Berry
Music, Writing, and the Self: the Ethics of Musicology
Millard, Russell*Stephen Downes(EL) Paul Harper-Scott
Gender and Narrative in Ravel’s Daphnis et Chloé
Morra, SalvatoreRachel Beckles WillsonTina K. Ramnarine
The Tunisian ʻūd Soundscape
Moynihan, Sarah*Paul Harper-ScottMark Berry
Sibelius: Post-‘Crisis’
Paine, Christina*Katharine Ellis/Erik LeviHenry Stobart
Angelica Catalani’s London Career
Parkinson, TomBrian LockMark Bowden
Music for theatre/dance
Plans, EliseBrian LockShzr Ee Tan
Adaptive music for mobile devices
Pons, ElenaStephen Rose(HD) Paul Harper-Scott
Arranging the Canon: Keyboard Arrangements, Publishing Strategies and the Rise of Musical Classics, 1750-1820
Porton, Jennie*Tina K. RamnarineErik Levi
Contemporary Conservatoires and their Practices
Ranasinghe, ShanikaAnna MorcomCarlo Cenciarelli
Ethnographic Studies of Nostalgia in Popular Music
Santos, Sorana Brian LockMark Bowden
Composition
Sarakatsanos, AnastasiosBrian Lock/Sue ClaytonAnna Morcom
Composition
Singh, SimranTina K. RamnarineJulie Gallagher [Politics]
Politics, Power and Identity: Popular Music in Fragile States
Sorayyapour, GitiRachel Beckles WillsonShrz Ee Tan
/Geoff Baker
‘The Revolution Will Not Be Terrorised’: Hip-Hop framing Global War on Terror resistance through Anti-Colonial discourse: the case of Lowkey
Springthorpe, Nigel*Stephen RoseHenry Stobart
The Works of Johann Georg and Johann Christian Röllig, with Thematic Catalogue
Stuart-Rees, Roya Stephen RoseHenry Stobart
London’s original Academy of Ancient Music c.1710–1810
Tarrant, ChrisPaul Harper-ScottJulian Johnson
Schubert, Sonata Theory, Psychoanalysis: Traversing the Fantasy in Schubert's Sonata Forms
Thomson, Kelvin*Mark BowdenStephen Downes
Portfolio of Compositions: Stratifying Modernist and Postmodernist Techniques of Musical Composition
Van der Heijden, FriedaHelen Deeming/Ruth Harvey [Fr]Stephen Rose
A full view of Paris, BnF fr. 12786
Vavva, GeorgiaTina K. RamnarineAnna Morcom
Professional Music Making in Recession Athens: Globalisation, Cosmopolitanism and Human Agency
Ventura, LauraStephen Rose(HD) Geoff Baker
Iconographical Representations of Women Making Music, 1500-1650: A Study of Cultural and Social Conventions
Vos, StephanieTina K. RamnarineErik Levi
‘Patterns in the Whole’: Contexts and Styles in South African Music of Exile
Walters, Adam*Brian Lock/Helen Grime(SD) Tina K. Ramnarine
Traditional Music as a Basis for New Art Music: A Caribbean Case Study
Wang, WeidaShzr Ee Tan/Erik LeviDerrick Chong [Management]
Record business & music
Wettermark, EsbjornTina K. RamnarineShzr Ee Tan
Socio-Musical Interaction and Sentiment in Vietnamese Opera
Whiter, ChristopherBrian LockHelen Grime
Composition
Whittaker, LaryssaTina K. RamnarineAnna Morcom
Beyond "Mzansi's Golden Economy":Inequality in neoliberal South Africa andthe economics of developmentthrough music education
Williams, JessicaPaul Harper-ScottMark Berry
Mythology and Politics in Twentieth-Century British Music
Wilson, TomBrian LockMark Bowden
Pop composition: expanded application of pop songwriting aesthetics
Young, KatieAnna Morcom/(HS) Geoff Baker
Simon David [Geog]
Global Bollywood in Northern Ghana: Tracing the Post-Colonial Circulation of Hindi Film Songs in Tamale, 1957-Present
Supervisions continue throughout sabbaticals; students temporarily change adviser during sabbaticals, (temporary advisers shown with initials).