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Figurative Language in Poetry

Sound Devices – use of sound for certain literary effects.

Alliteration-repetition of sounds in stressed syllables, phrases, or words in sequence.

(example: She sells seashells down by the seashore.)

Onomatopoeia-sound device in which the word echoes or suggests its meaning, so that

sound and sense are reinforced (example: hiss, splash, zap, whoosh, etc.)

Rhyme-sound device marked by the repetition of identical or similar stressed sounds

perfect or exact rhyme: differing consonant sounds followed by identical vowel

sounds, as in “bee” and “see”

approximate rhyme: the final consonant sounds are identical, as in “trip” and “slap” or

“sky” and “bye”.

end rhyme: the rhyming words occur at the end of the lines of poetry

internal rhyme: rhyming words occur within the lines of poetry (example: While I nodded

nearly napping, suddenly there came a tapping)

Rhythm-sound device characterized by the musical quality created by a pattern of stressed and unstressed syllables

The Rusty Spigot

by Eve Merriam

The rusty spigot
sputters,
utters
a splutter,
spatters a smattering of drops,
gashes wider;
slash,
splatters,
scatters,
spurts,
finally stops sputtering
and plash!
gushes rushes splashes
clear water dashes.


Weather by Eve Merriam

Dot a dot dot dot a dot dot
Spotting the windowpane.
Spack a spack speck flick a flack fleck
Freckling the windowpane.
A spatter a scatter a wet cat a clatter
A splatter a rumble outside.
Umbrella umbrella umbrella umbrella

Bumbershoot barrel of rain.

Slosh a galosh slosh a galosh

Slither and slather and glide

A puddle a jump a puddle a jump

A puddle a jump a puddle splosh

A juddle a pump a luddle a dump a

Puddlemuddle jump in and slide!

Bear In There by Shel Silverstein

There's a Polar Bear
In our Frigidaire--
He likes it 'cause it's cold in there.
With his seat in the meat
And his face in the fish
And his big hairy paws
In the buttery dish,
He's nibbling the noodles,
He's munching the rice,
He's slurping the soda,
He's licking the ice.
And he lets out a roar
If you open the door.
And it gives me a scare
To know he's in there--
That Polary Bear
In our Fridgitydaire.


SIFTS Method-A way to analyze literature and poetry.

Symbol: examine the title and text for symbolism for anything that can stand for something else such as a storm for anger.

Images: identify images and sensory details which are pictures you can see in you mind.

Figurative Language: analyze figurative language and other devices such as similie and metaphor.

Tone and Mood: discuss how all devices reveal tone and mood of poem

Sound Devices: identify how author uses words to create interesting

patterns in writing such as rhyme, rhythm, alliteration, and roar.

Theme: Main idea.

Similes- literary technique in which two unlike things are compared, using the words “like” or “as”

Examples: Some rain drops are as big as nickels. Ice is smooth as glass. His hair was like black flames as he rode his bicycle down the street.

Dreams by Langston Hughes

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams

For when dreams go

Life is a barren field

Frozen with snow.

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices

Life by Naomi Long Madgett

Life is but a toy that swings on a bright gold chain

Ticking for a little while

To amuse a fascinated infant,

Until the keeper, a very old man,

Becomes tired of the game

And lets the watch run down.

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices

The Courage That My Mother Had by Edna St. Vincent Millay

The courage that my mother had

Went with her, and is with her still;

Rock from New England quarried;

Now granite in a granite hill.

The gold brooch my mother wore

She left behind for me to wear;

I have no treasure I treasure more;

Yet, it is something I could spare.

Oh, if instead she’d left to me

The thing she took into the grave!—

That courage like a rock, which she

Has no more need of, and I have.

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices

Metaphor – literary technique that makes a direct comparison between two unlike things; a comparison that does not use the connective words “like” or “as”. Even though the items are not alike physically, they have one quality in common, enough to make a comparison.

Examples: Her mind is a computer. The inky-black sky is home to the bats. Love is a rose. His hair was black flames as he rode his bicycle down the street.

Fog by Carl Sandburg

The fog comes

on little cat feet.

It sits looking

over harbor and city

on silent haunches

and then moves on.

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices


The Lighthouse by Katherine Sessor

The light house, the guardian angel of the night
She shines her light for all the lost sailors passing by
Her beam bright as the sun, flashing through the night sky
The lighthouse, a soldier during the storms
Standing tall, unafraid of the chaos
Her light piercing through the storm like sharp knives
The light house the night owl of the day
Sleeping and cozzed away until the night
Her beam off as silent as a deer not wanting to be found

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices

Loo-wit by Wendy Rose

She crouches in the north,

her trembling the source of dawn.

Light appears with the shudder of her slopes,

the movement of her arm.

Blackberries unravel,

stones dislodge;

it’s not as if they weren’t warned.

She was sleeping

but she heard the boot scrape,

the creaking floor,

felt the pull of the blanket

from her thin shoulder.

With one free hand

she finds her weapons

and raises them high;

clearing the twigs from her throat

she sings, she sings,

shaking the sky

like a blanket about her

Loo-wit sings and sings and sings!

The way they do

this old woman

no longer cares

what others think

but spits her black tobacco

any which way

stretching full length

from her bumpy bed.

Finally up

she sprinkles ashes

on the snow,

cold buttes

promise nothing

but the walk

of winter.

Centuries of cedar

have bound her

to earth,

huckleberry ropes

lay prickly

on her neck.

Around her

machinery growls,

snarls and plows

great patches

of her skin.

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices


The Road Not Taken by Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I -
I took the one less traveled by,
And that has made all the difference

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices


Personification -literary technique in which a non-living or non-human thing (e.g. animal, plant, object, natural force, emotion, idea) is endowed with human senses, characteristics, and qualities

Examples: The tea kettle whistled merrily on the stove. It was a happy home. His hair danced in the wind as he rode down the street.

The Rider by Naomi Shihab Nye

A boy told me

if he rollerskated fast enough

his loneliness couldn't catch up to him.

the best reason I ever heard

for trying to be a champion.

What I wonder tonight

pedaling hard down King William Street

is if it translates to bicycles.

A victory! To leave your loneliness

panting behind you on some street corner

while you float free into a cloud of sudden azaleas,

luminous pink petals that have never felt loneliness,

no matter how slowly they fell.

Symbols
/ Images / Figurative Language
Tone/mood / Theme(main idea) / Sound Devices


The Desert is My Mother by Pat Mora

I say feed me.

She serves red prickly pear on a spiked cactus.

I say tease me.

She sprinkles raindrops in my face on a sunny day.

I say frighten me.

She shouts thunder, flashes lightning.

I say hold me. She whispers, “Lie in my arms.”

I say heal me.

She gives me chamomile, oregano, peppermint.

I say caress me.

She strokes my skin with her warm breath.

I say make me beautiful.

She offers turquoise for my fingers,

a pink blossom for my hair.

I say sing to me.

She chants her windy songs.

I say teach me.

She blooms in the sun’s glare,

the snow’s silence,

the driest sand.

The desert is my mother.

El desierto es mi madre.

The desert is my strong mother.

Symbol / Images / Figurative Language
Tone / Theme / Sound Devices

Imagery- descriptive language that appeals to the five senses: touch, taste, smell, sound, and sight; mental pictures evoked through use of simile and metaphor; and sensory language words that show what the speaker feels, sees, hears, tastes, smells and touches.

Example: Snow fell like coconut flakes, fluttering to the cold ground as gracefully as feathers.

Seal

by William Jay Smith

From the rocks with a zoom!

See how he darts

Through his watery room

Past crabs and eels

And green seaweed,

Past fluffs of sandy

Minnow feed!

See how he swims

With a swerve and a twist,

A flip of the flipper,

A flick of the wrist!

Quick-silver quick,

Softer than spray,

Down he plunges

And sweeps away;

Be fore you can think,

Before you can utter

Words like “Dill pickle”

See how he dives

Or “Apple butter,”

Back up he swims

Past Sting Ray and Shark,

Out with a zoom,

A whoop, a bark;

Before you can say

Whatever you wish,

He plops at your side

With a mouthful of fish!

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices


Where the Sidewalk Ends by Shel Silverstein

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.
Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.
Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices


Stopping by Woods on a Snowy Evening by Robert Frost

Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Symbols
/ Images / Figurative Language
Tone/Mood / Theme(main idea) / Sound Devices

Hyperbole-literary technique in which exaggeration is used to convey meaning

Example: Aunt Mary’s head was the size of a barn after I complimented her cooking. I’ve told you a million times.

Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out

by Shel Silverstein

Sarah Cynthia Sylvia Stout

Would not take the garbage out!

She’d scour the pots and scrape the pans,

Candy the yams and spice the hams,

And though her daddy would scream and shout,

She simply would not take the garbage out.

Coffee grounds, potato peelings,

Brown bananas, rotten peas,

Chunks of sour cottage cheese.

It filled the can, it covered the floor,

It cracked the window and blocked the door

With bacon rinds and chicken bones,

Drippy ends of ice cream cones,

Prune pits, peach pits, orange peel.

Gloppy glumps of cold oatmeal,

Pizza crusts and withered greens,

Soggy beans and tangerines,

Crusts of black burned buttered toast,

Gristly bits of beefy roasts…

The garbage rolled on down the hall,

It raised the rood, it broke the wall…

Greasy napkins, cookie crumbs,

Globs of gooey bubble gum,

Cellophane from green baloney,

Rubbery blubbery macaroni,

Peanut butter, caked and dry,

Curdled mile and crusts of pie,

Moldy melons, dried-up mustard,

Eggshells mixed with lemon custard,

Cold French fries and rancid meat,

Yellow lumps of Cream of Wheat,

At last the garbage reached so high

That finally Sarah Cynthia Stout said,

“OK, I’ll take the garbage out!”

But then, of course, it was too late…

The garbage reached across the state,

From new York to the Golden gate.

And there, in the garbage she did hate,

Poor Sarah met an awful fate,

That I cannot right now relate

Because the hour is much too late.