Review Packet

Essential Terms for the Exam:

Generally applicable to both fiction and non-fiction.

-Diction + Syntax = Tone

-Imagery (also heavily involved in creating a certain tone)

-Theme = big ideas ONLY

-Denotation/Connotation

-Literal/Symbolic

-Explicit/Implicit (inferred or implied)

-Context-outside information that helps us to make sense of a text

-Irony-means many different things depending on the context in which it is used

Nonfiction/Rhetoric (Essays and Speeches)

-Rhetorical strategies/devices (“moves” is my word)

-Metaphor (and simile)

-Personification

-Juxtaposition

-Repetition

-Rhetorical Questions

-Understatement/Overstatement

-Allusion

-Anecdote

-Modes of Appeal

-Ethos

-Pathos

-Logos

Literature (Stories and Poems)

-Literary Devices

-Figurative language

-Metaphor (and simile)

-Personification

-Ambiguity

-Repetition

-Paradox/Oxymoron

-Word play

Narrative specifically

-Characterization

-Protagonist/Antagonist

-Foil

-Suspense/tension

-Climax

-Denouement

-Foreshadowing

-Motif

-Parallel

In the remainder of this packet, you will find a selection of texts and prompts intended to give you a refresher on the techniques and terminology you will need to bring to bear on the exam. Critical “buzzwords” have been underlined. The length of each text is close to what you can expect to see on the exam. Below is a generic rubric emphasizing habits that will prove reliable for the purposes of the exam:

3: You have responded directly to the prompt, supported your response with relevant textual evidence, and fully and clearly explained the relevance of your evidence to the prompt.

2: You have responded directly to the prompt and supported your claim with relevant textual evidence, but your explanation fails to fully establish the connection between your claim and your evidence.

1: You have responded directly to the prompt but have not supported your response with relevant textual evidence.

0: You haven’t responded to the prompt.

Annabel LeeEdgar Allan Poe

It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee;

And this maiden she lived with no other thought

Than to love and be loved by me.

I was a child and she was a child,

In this kingdom by the sea,

But we loved with a love that was more than love—

I and my Annabel Lee—

With a love that the wingèd seraphs of Heaven

Coveted her and me.

And this was the reason that, long ago,

In this kingdom by the sea,

A wind blew out of a cloud, chilling

My beautiful Annabel Lee;

So that her highborn kinsmen came

And bore her away from me,

To shut her up in a sepulchre

In this kingdom by the sea.

The angels, not half so happy in Heaven,

Went envying her and me—

Yes!—that was the reason (as all men know,

In this kingdom by the sea)

That the wind came out of the cloud by night,

Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love

Of those who were older than we—

Of many far wiser than we—

And neither the angels in Heaven above

Nor the demons down under the sea

Can ever dissever my soul from the soul

Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams

Of the beautiful Annabel Lee;

And the stars never rise, but I feel the bright eyes

Of the beautiful Annabel Lee;

And so, all the night-tide, I lie down by the side

Of my darling—my darling—my life and my bride,

In her sepulchre there by the sea—

In her tomb by the sounding sea.

Prompt 1: How are diction and syntax creating a particular tone in this text? Describe the tone of the text, and demonstrate how both diction and syntax are creating this tone. Provide 2 pieces of textual evidence for diction and 2 pieces of textual evidence for syntax.

Prompt 2: Citing at least 3 pieces of textual evidence, describe how Poe uses imagery to develop a certain perspective toward the theme of death (the theme of “love” could just as easily be substituted, but your response would change).

Prompt 3: Citing at least 2 pieces of textual evidence, explain how the text characterizes the speaker as anunreliable narrator.

War is Kind

Do not weep, maiden, for war is kind.

Because your lover threw wild hands toward the sky

And the affrighted steed ran on alone,

Do not weep.

War is kind.

Hoarse, booming drums of the regiment,
Little souls who thirst for fight,
These men were born to drill and die.
The unexplained glory flies above them,
Great is the battle-god, great, and his kingdom --
A field where a thousand corpses lie.

Do not weep, babe, for war is kind.

Because your father tumbled in the yellow trenches,

Raged at his breast, gulped and died,

Do not weep.

War is kind.

Swift blazing flag of the regiment,
Eagle with crest of red and gold,
These men were born to drill and die.
Point for them the virtue of slaughter,
Make plain to them the excellence of killing
And a field where a thousand corpses lie.

Mother whose heart hung humble as a button

On the bright splendid shroud of your son,

Do not weep.

War is kind.

Prompt 1: How are diction and syntax creating a particular tone in this text? Describe the tone of the text, and demonstrate how both diction and syntax are creating this tone. Provide 2 pieces of textual evidence for diction and 2 pieces of textual evidence for syntax.

Prompt 2: What strategies does Crane employ to create a sense of irony/sarcasm in the text? Explain your answer with at least 3 direct textual examples.

Prompt 3: Citing at least 3 pieces of textual evidence, describe how Crane uses imagery to develop a certain perspective toward the theme of war (the theme of “death” could just as easily be substituted, but your response would change).

Prompt 4: Citing at least 3 pieces of textual evidence, describe how Crane uses figurative language (metaphor, simile, personification) to develop a certain perspective toward the theme of war.

Prompt 5: Citing at least 3 pieces of textual evidence, describe how Crane uses paradox/oxymoron to develop a certain perspective toward the theme of war.

“Give Me Liberty or Give Me Death!” -Patrick Henry

MR. PRESIDENT: No man thinks more highly than I do of the patriotism, as well as abilities, of the very worthy gentlemen who have just addressed the House. But different men often see the same subject in different lights; and, therefore, I hope it will not be thought disrespectful to those gentlemen if, entertaining as I do, opinions of a character very opposite to theirs, I shall speak forth my sentiments freely, and without reserve. This is no time for ceremony. The question before the House is one of awful moment to this country. For my own part, I consider it as nothing less than a question of freedom or slavery; and in proportion to the magnitude of the subject ought to be the freedom of the debate. It is only in this way that we can hope to arrive at truth, and fulfil the great responsibility which we hold to God and our country. Should I keep back my opinions at such a time, through fear of giving offence, I should consider myself as guilty of treason towards my country, and of an act of disloyalty toward the majesty of heaven, which I revere above all earthly kings.

Mr. President, it is natural to man to indulge in the illusions of hope. We are apt to shut our eyes against a painful truth, and listen to the song of that siren till she transforms us into beasts. Is this the part of wise men, engaged in a great and arduous struggle for liberty? Are we disposed to be of the number of those who, having eyes, see not, and, having ears, hear not, the things which so nearly concern their temporal salvation? For my part, whatever anguish of spirit it may cost, I am willing to know the whole truth; to know the worst, and to provide for it.

I have but one lamp by which my feet are guided; and that is the lamp of experience. I know of no way of judging of the future but by the past. And judging by the past, I wish to know what there has been in the conduct of the British ministry for the last ten years, to justify those hopes with which gentlemen have been pleased to solace themselves, and the House? Is it that insidious smile with which our petition has been lately received? Trust it not, sir; it will prove a snare to your feet. Suffer not yourselves to be betrayed with a kiss. Ask yourselves how this gracious reception of our petition comports with these war-like preparations which cover our waters and darken our land. Are fleets and armies necessary to a work of love and reconciliation? Have we shown ourselves so unwilling to be reconciled, that force must be called in to win back our love? Let us not deceive ourselves, sir. These are the implements of war and subjugation; the last arguments to which kings resort. I ask, gentlemen, sir, what means this martial array, if its purpose be not to force us to submission? Can gentlemen assign any other possible motive for it? Has Great Britain any enemy, in this quarter of the world, to call for all this accumulation of navies and armies? No, sir, she has none. They are meant for us; they can be meant for no other. They are sent over to bind and rivet upon us those chains which the British ministry have been so long forging. And what have we to oppose to them? Shall we try argument? Sir, we have been trying that for the last ten years. Have we anything new to offer upon the subject? Nothing. We have held the subject up in every light of which it is capable; but it has been all in vain. Shall we resort to entreaty and humble supplication? What terms shall we find which have not been already exhausted? Let us not, I beseech you, sir, deceive ourselves. Sir, we have done everything that could be done, to avert the storm which is now coming on. We have petitioned; we have remonstrated; we have supplicated; we have prostrated ourselves before the throne, and have implored its interposition to arrest the tyrannical hands of the ministry and Parliament. Our petitions have been slighted; our remonstrances have produced additional violence and insult; our supplications have been disregarded; and we have been spurned, with contempt, from the foot of the throne. In vain, after these things, may we indulge the fond hope of peace and reconciliation. There is no longer any room for hope. If we wish to be free² if we mean to preserve inviolate those inestimable privileges for which we have been so long contending²if we mean not basely to abandon the noble struggle in which we have been so long engaged, and which we have pledged ourselves never to abandon until the glorious object of our contest shall be obtained, we must fight! I repeat it, sir, we must fight! An appeal to arms and to the God of Hosts is all that is left us!

They tell us, sir, that we are weak; unable to cope with so formidable an adversary. But when shall we be stronger? Will it be the next week, or the next year? Will it be when we are totally disarmed, and when a British guard shall be stationed in every house? Shall we gather strength by irresolution and inaction? Shall we acquire the means of effectual resistance, by lying supinely on our backs, and hugging the delusive phantom of hope, until our enemies shall have bound us hand and foot? Sir, we are not weak if we make a proper use of those means which the God of nature hath placed in our power. Three millions of people, armed in the holy cause of liberty, and in such a country as that which we possess, are invincible by any force which our enemy can send against us. Besides, sir, we shall not fight our battles alone. There is a just God who presides over the destinies of nations; and who will raise up friends to fight our battles for us. The battle, sir, is not to the strong alone; it is to the vigilant, the active, the brave. Besides, sir, we have no election. If we were base enough to desire it, it is now too late to retire from the contest. There is no retreat but in submission and slavery! Our chains are forged! Their clanking may be heard on the plains of Boston! The war is inevitable²and let it come! I repeat it, sir, let it come.

It is in vain, sir, to extenuate the matter. Gentlemen may cry, Peace, Peace²but there is no peace. The war is actually begun! The next gale that sweeps from the north will bring to our ears the clash of resounding arms! Our brethren are already in the field! Why stand we here idle? What is it that gentlemen wish? What would they have? Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty or give me death!

Prompt 1: How are diction and syntax creating a particular tone in this text? Describe the tone, and demonstrate how both diction and syntax are creating this tone. Provide 2 pieces of textual evidence for diction and 2 pieces of textual evidence for syntax.

Prompt 2: Using at least 3 textual examples, describe how Henry’s tone shifts throughout the text.

Prompt 3: Locate, and explain the effects of, at least 3 rhetorical strategiesthat Henry employs to develop his claim. Referencing the claim and 3 rhetorical strategies will make 4 total pieces of textual evidence.

Prompt 4: Citing at least 3 pieces of textual evidence, explain how Henry uses rhetorical devices to develop his perspective on the themes of liberty and government.

I Have a Dream-Dr. Martin Luther King, Jr.

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.

Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.

But one hundred years later, the Negro still is not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languishing in the corners of American society and finds himself an exile in his own land. So we have come here today to dramatize a shameful condition.

In a sense we have come to our nation's capital to cash a check. When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men, yes, black men as well as white men, would be guaranteed the unalienable rights of life, liberty, and the pursuit of happiness.

It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check which has come back marked "insufficient funds." But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. So we have come to cash this check — a check that will give us upon demand the riches of freedom and the security of justice. We have also come to this hallowed spot to remind America of the fierce urgency of now. This is no time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism. Now is the time to make real the promises of democracy. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to lift our nation from the quick sands of racial injustice to the solid rock of brotherhood. Now is the time to make justice a reality for all of God's children.

It would be fatal for the nation to overlook the urgency of the moment. This sweltering summer of the Negro's legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end, but a beginning. Those who hope that the Negro needed to blow off steam and will now be content will have a rude awakening if the nation returns to business as usual. There will be neither rest nor tranquility in America until the Negro is granted his citizenship rights. The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.