COURSE SYLLABUS

MUJS 1132

SPRING, 2010

Instructor

Fred Hamilton

Office #277

Office Hours- see my bulletin board

Goals

Apply creative chord voicings to tunes, improvisation concepts, learn more tunes, transcribe solos, and perform.

Repertoire to be studied:

Straight, No Chaser

Solid; Sonny Rollins; Movin’ Out, Sonny Rollins; Solid, Grant Green; Solid, Woody Shaw (with Peter Leitch)

Scrapple from the Apple; Live! Jim Hall; Yardbird Suite, the Ultimate Charlie Parker; Stitt Plays Bird, Sonny Stitt (with Jim Hall)

I Hear a Rhapsody; George Fragos, Jack Baker, Dick Gasparre; Live! (Jim Hall), Lush Life, Coltrane

Four on Six; Wes Montgomery, Smokin’ at the Half Note and the Incredible Guitar of

You’ld Be So Nice to Come Home To; Cole Porter; At the Blue Note, Keith Jarrett, Concierto, Jim Hall, Julian “Cannonball” Adderly

Old Folks; Far Wes, Wes Montgomery; The Apartment, Dexter Gordon; Someday My Prince will Come, Miles Davis; Question and Answer, Pat Metheny

Anthropology

Technical Information to be Studied this Semester:

Chords

Chord Substitution, Intros, Endings and Tags

Comping

Improvisation

Reading

Grades and Due Dates:

Artist Paper (20%)- Due on March 2 or 4 along with the transcription

Performances (40%)-midterm and final

Transcriptions (40%)-midterm and final

Melodies must be played for your private teacher during the week of the listed dates, no exceptions.

Feb 1- Straight No Chaser

Feb 8- Solid

Feb 15- I Hear a Rhapsody

Feb 22- Four on Six

March 2 and 4 Transcription performances in class

March 9 and 11 Performances with rhythm section in class

March 29- You’ld be So Nice to Come Home To

April 5- Old Folks

April 12- Anthropology

April 20 and 22 Transcription performances

April 27 and 29 Performances with rhythm section

Transcriptions:

Two complete solos of major jazz artists performing one of the required semester tunes. These will be performed with the recording at midterm and final. Must be memorized and performed well to receive an A. Start early and consult your private teacher for help and advice.

Performances: At midterm and at final, two tunes from required repertoire with rhythm section, demonstrating melody and chords, comping and improvisation. Bring an MP3 recorder to record your performance.

Attendance Policy

One absence allowed for this course. Two absences will lower the semester grade one letter. Three will lower it two letters and four or more constitute a failing grade. If three are accrued before the final drop deadline, the student is responsible to drop the class.

Grades of Incomplete

Jazz Guitar Fundamentals must be completed during the semester enrolled. Problems of excessive absence should be taken care of with the professor, or the class should be dropped prior to the deadline.

Americans with Disabilities Act

The College of Music complies with the ADA in making reasonable accommodation for qualified students with disability. Talk to me.