Books and Exhibition Catalogues
Sources
Secondary Sources
Books and Exhibition Catalogues
Adams, H. Art of the Sixties, London,Phaidon, 1978
Amaya, M. Pop As Art: A Survey of the New Super-Realism, London, Studio Vista, 1965
Anstey, T., Grillner, K. And Hughes, R. (Eds) Architecture and Authorship, London, Black Dog Publishing, 2007
Arts Council, Eduardo Paolozzi: Sculpture, Drawings, Collages and Graphics, London, 1976
Arts Council, Edward Wright: graphic work & painting, London, 1985
Atkinson, P., Coffey, A., Delamont, S., Lofland, J. and Lofland, L. (Eds) Handbook of Ethnography, London, Sage Publications, 2001
Aynsley, J. and Atkinson, H. (Eds) The Banham Lectures: Essays on Designing the Future, Oxford, Berg, 2009
Bal, M and Boer, I E (Eds) The Point of Theory: Practices of Cultural Analysis, New York, Continuum, 1994
Banham, M. (ed) A Tonic To The Nation, London, Thames and Hudson, 1977
Banham, R. Theory and Design in the First Machine Age, London, Architectural Press, 1966
Banham, R. The New Brutalism: Ethic of Aesthetic? , London, Architectural Press, 1966
Banham, R. Edited by Sparke, P. Design by Choice, London, Academy Editions, 1981
Banham, R. A Critic Writes Selected Essays by Reyner Banham, University of California Press, Berkley and Los Angeles, 1996.
Barker, M. A Haunt of Fears: The Strange History of the British Horror Comics Campaign, London, Pluto Press, 1984
Barker,M. Comics-Ideology, Power and the Critics, Manchester, Manchester University Press, 1989
Barthes, R. Mythologies, London, Paladin, 1973
Booker, C. The Neophiliacs, London, Collins, 1969
Boyle, A. A Climate of Treason, London, Coronet Books, 2nd edition, 1980
Bracewell, M. Re-make/Re-mould, London, Faber and Faber, 2007
Breward, C. Fashioning London, Oxford, Berg, 2004
Breward, C. and Evans, C. (Eds) Fashion and Modernity, Berg, Oxford, 2005
Breward, C. and Wood, G. (Eds) British Design from 1948: Innovation in the Modern Age, London, V & A Publishing, 2012
Brown, P., Gere, C., Lambert, N. and Mason, C. (Eds) White Heat, Cold Logic: British Computer Art 1960-1980, Cambridge, Massachusetts and London, The MIT Press, 2008
Carey, J. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia 1880-1939, London, Faber and Faber, 1992
Church, R. The rise and decline of the British motor industry, Cambridge University Press, Cambridge, 1994
Clocktower Gallery, Modern Dreams: The Rise and Fall of Pop, Cambridge, Massachusetts and London, MIT Press, 1988.
Cohen, S. Folk Devils and Moral Panics, Adingdon, Routledge, 3rd edition 2002, 1st published 1972
Compton, M. Pop Art, London, Hamlyn, 1970
Crinson, M and Zimmerman, C (Eds) Neo-avant-garde and Postmodern: Postwar Architecture in Britain and Beyond, Studies in British Art 21, the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art, New Haven and London, 2010
Crinson, M. (Ed) James Stirling: Early Published Writings on Architecture, London, Routledge, 2010
Dorfles, G. Kitsch: The World of Bad Taste, London, New York, Universe Books, 1969
Eshun, E. How Soon Is Now: 60 Years of the Institute of Contemporary Arts, London, ICA, 2007
Finch, C. Image as Language: Aspects of British Art, London, Penguin, 1969
Fiske, J. Understanding Popular Culture, London, Unwin Hyman, 1989
Flowers, Eduardo Paolozzi: Projects 1975-2000, London, Angela flowers Gallery, 2005
Ford, H. These Were The Hours: Memoirs of My Hours Press, Reanville and Paris 1928-31, London, Fieffer and Simons, 1968
Foster, H (Ed) ‘Richard Hamilton’, October Files, No 10, MIT Press, Cambridge, Mass. and London, 2010
Foster, H. The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha , Princeton University Press, Princeton and Oxford, 2012
Friedman, A. T., American Glamour and the Evolution of Modern Architecture, Yale University Press, New Haven and London, 2010
Geraghty, C. British Cinema in the Fifties: Gender, Genre and the ‘New Look’, London, Routledge, 2000
Gere, C. Digital Culture, expanded 2nd edition, London, Reaktion, 2008
Gioia, T. The History of Jazz, 2nd Edition, Oxford, Oxford University Press, 2011
Girouard, M.Big Jim: The Life and Work of James Stirling, Chatto & Windus, London, 1998
Guggenheim, P. Out of this Century: Confessions of an Art Addict, London, Andre Deutsch, 1980
Hall, S. And Whannel, P. The Popular Arts, London, Hutchinson, 1964
Hamilton, R. Imaging Ulyssess, British Council, London, 2002
Harrison, T. Britain Revisited, London, Gollancz, 1961
Hebdige, D. Subculture: The Meaning of Style, London, Methuen, 1979
Heuvel, D. Van den and Risselada, M (Eds) Alison and Peter Smithson – from the House of the Future to a House of today, Rotterdam, 010 publishers, 2004
Heynen, H. Architecture and Modernity: A Critique, London and Massachusetts, MIT Press, 1999
Hewison, R. In Anger: Culture in the Cold War, 1945-60, London, Weidenfeld & Nicolson, 1981
Hillier, B. Austerity Binge: The Decorative Arts in the Forties and Fifties, London, Studio Vista, 1975
Hoggart, R. The Uses of Literacy, London, Penguin, 1973, first published 1957
Hornsey, R. The Spiv and the Architect: Unruly Life in Postwar London, Minneapolis and London, University of Minnesota Press, 2010
Horowitz, D. Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World, Philadelphia, University of Pennsylvania Press, 2012
Huyssen, A. After the Great Divide: Modernism, Mass Culture, Postmodernism, Bloomington, NY, Indiana University Press, 1986
Kitnick, A.and Foster, H. (eds) ‘New Brutalism’, OctoberNo1, Volume 36, New York, Massachusetts Institute of Technology Press, Spring 2011
Kitnick, A. (Ed) The Expendable Reader, John McHale, New York, GSAPP BOOKS, 2011
Kynaston, D.Austerity Britain 1945-51, Bloomsbury, London, 2007
Kynaston, D. Family Britain 1951-57, London, Bloomsbury, 2009
Les Abattoirs, Blast to Freeze: L’Art Britannique au XXe Siecle, Toulouse, 2003
Lewis, P. The 50s, Heinemann, 1978
Lichtenstein, C. and Schregenberger, T. (Eds) As Found: The Discovery of the Ordinary, Zurich, Lars Muller Pubishers, 2001
Livingstone, M. Pop Art: A Continuing History, London, Thames and Hudson, 1990
MacCarthy, F. A History of British Design, London, George Allen and Unwin, Ltd., 1979
McGuigan, J. Cultural Populism, London, Routledge, 1992
Marwick, A. British Society Since 1945, London, Penguin, 1982
Marwick, A. Culture in Britain Since 1945, Oxford, Basil Blackwell, 1991
Mason, C. A Computer in the Art Room: The Origins of British Computer Arts 1950-80, Hindrigham, JJG Publishing, 2008
Massey, A. The Independent Group: Modernism and Mass Culture, 1945-59, Manchester, Manchester University Press, 1995
Massey, A. Hollywood Beyond the Screen: Design and Material Culture, Oxford, Berg, 2000
Mellor, D. The Sixties Art Scene in London, London, Phaidon, 1993
Melly, G. Revolt into Style: The Pop Arts in Britain, London, Penguin, 1970
Menin, S. and Kite, S. An Architecture of Invitation: Colin St John Wilson, Ashgate Publishing, Aldershot, 2005
Miles, B. London Calling: A Countercultural History of London Since 1945, Atlantic Books, London, 2010
Miller, D. Material Culture and Mass Consumption, London, Blackwell, 1987
Muncey, T. Creating Auto-Ethnographies, London, Sage, 2010
Norwich Gallery, Things: Assemblage, Collage and Photography Since 1935, Norwich, 2000
Obelkevich, J. and Catterall, P. (Eds) Understanding Post-War British Society, London, Routlege, 1994
Pallant House Gallery, Modern British Art at Pallant House Gallery, London, Scala, 2004
Penrose, R. Scrap Book, London, Thames and Hudson, 1981
Philadelphia Art Alliance, An Unnerving Romanticism: The Art of Sylvia Sleigh & Lawrence Alloway, Philadelphia, 2001
Powers, A. Britain: Modern Architecture in History, London, Reaktion, 2007
Reed, C. (Ed), Not at Home: The Suppression of Domesticity in Modern Art and Architecture, Thames and Hudson, London, 1996,
Reed-Danahay, D. E. (Ed) Auto/Ethnography: Rewriting the Self and the Social, Oxford, Berg, 1997
Rendell, J. Art and Architecture: A Place Between, London, I B Tauris, 2006
Risselada, M. (Ed) Alison & Peter Smithson: A Critical Anthology, Barcelona, Ediciones Poligrafa, 2011
Robbins, D. (Ed) The Independent Group: Postwar Britain and the Aesthetics of Plenty, Cambridge, Massachusetts and London, 1990
Rose, B. American Art Since 1900, London, Thames and Hudson, 2nd edition, 1975
Russell, J. and Gablik, S (Eds) Pop Art Re-Defined, London,Thames and Hudson, 1969
Ryan, D. S. The Ideal Home Through the 20th Century, London, Hazar Publishing, 1997
Schneede, U. M. Paolozzi, London, Thames and Hudson, 1971
Scott, R. Some of My Best Friends Are Blues, Northway Publications, London, 1st edition 1979, 2nd edition 2004.
Seago, A. Burning the Box of Beautiful Things: The Development of a Postmodern Sensibility, Oxford, Oxford University Press, 1995
Serpentine Gallery, Richard Hamilton: Modern Moral Matters, London, 2010
Sparke, P. A Century of Car Design, Mitchell Beazley, London, 2002
Spencer, R. (Ed), Eduardo Paolozzi: Writings and Interviews, Oxford University Press, Oxford, 2000
Stonehouse, R. Colin St John Wilson: Buildings and Projects, London, Black Dog Publishing, 2007
Strinati, D. And Wagg, S. (eds) Come On Down: Popular Media Culture, London, Routledge, 1992
Tate Gallery, Richard Hamilton, London, 1992
Tate Gallery, William Turnbull: Sculpture and Painting, London, 1973
Tate Liverpool, Making History: Art and Documentary in Britain from 1929 to Now, Liverpool, 2006
Thompson, D. (ed) Discrimination and Popular Culture, London, Penguin, 1964
Varnedoe, K. And Gopnik, A. (eds) Modern Art and Popular Culture: Readings in High and Low, New York, Museum of Modern Art, 1990
Vidler, A. James Frazer Stirling: Notes From the Archive, New Haven and London, Yale University Press, 2010
Walker, J. A. Art in the Age of Mass Media, London, Pluto Press, 1983
Walker, J. A. Art Since Pop, New York, Woodbury, 1978
Wallis, B. Modern Dreams: The Rise and Fall of Pop, New York, 1988
Walsh, V. Nigel Henderson: Parallel of Life and Art, London, Thames & Hudson, 2001
Webster, D. Looka Yonder! The Imaginary America of Populist Culture, London, Routledge, 1988
Whiteley, N. Pop Design: Modernism to Mod, London, Design Council, 1987
Whiteley, N. Reyner Banham: Historian of the Immediate Future, Cambridge, Mass and London, Massachusetts Institute of Technology Press, 2002.
Whiteley, N. Art and Pluralism: Lawrence Alloway’s Cultural Criticism (Value, Art, Politics), Liverpool, Liverpool University Press, 2012.
Wilson, E. Adorned in Dreams: Fashion and Modernity, London, Virago, 1985
Wilson, E. And Taylor, L. Through the Looking Glass: A History of Dress From 1860 to the Present Day, London, BBC Books, 1989
Wilson, S. Pop, London, Thames and Hudson, 1974
Wollen, P. Raiding the Icebox: Reflections on Twentieth Century Culture, London, Verso, 1993
Wright Mills, C. ‘On Intellectual Craftmanship’, Appendix to The Sociological Imagination, Oxford, Oxford University Press, 1959
Secondary Sources
Articles
Berry, K. and Clair, R. P. ‘Reflecting on the Call to Ethnographic Reflexivity: A Collage of Responses to Questions of Contestation’, Cultural Studies –Critical Methodologies, 11 (2), 2011, pp199-2-9
Crinson, M. ‘Picturesque and Intransigent: “Creative Tension” and Collaboration in the Early House Projects of Stirling and Gowan’, Architectural History, Vol 50, 2007, pp267-295
Haraway, D. ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’, Feminist Studies, Autumn 1988, pp575-599
Hebdige, D. ‘Towards a Cartography of Taste 1935-1962’, Block, No 4, 1981, pp39-56
Highmore, B. ‘Richard Hamilton at the Ideal Home Exhibition of 1958: Gallery for a Collector of Brutalist and Tachiste Art’, Art History, Volume 30, Issue 5, November 2007, pp712-737.
Massey, A. and Sparke, P. ‘The Myth of the Independent Group’, Block, 10, 1985, pp.48-56
Pillar, A. ‘Edward Wright’s “Written Volume” ‘, Forum: Journal of Letter Exchange, Issue 22, September 2011, pp8-13
Stanfield, P. ‘Maximum movies: Lawrence Alloway’s pop art film criticism’, Screen, Summer 2008, pp179-193
Stanfield, ‘Regular Novelties: Lawrence Alloway’s Film Criticism’, Tate Papers, Issue 16, Autumn 2011
Stonard, J P, ‘Pop in the Age of Boom: Richard Hamilton’s “Just what is it that makes today’s homes so different, so appealing?”, The Burlington Magazine, September 2007, pp607-620
Stonard, J P, ‘The “Bunk” collages of Eduardo Paolozzi’, The Burlington Magazine, April 2008, pp238-249
Vidler, A. ‘Whatever Happened to Ecology? John McHale and the Bucky Fuller Revival’, Log, Fall 2008, pp24-33
Websites
Films
Fathers of Pop, Arts Council, 1979. Directed by Julian Cooper, Research by Penny Sparke.
Beyond Time: William Turnbull, a film by Alex Turnbull and Pete Stern, narrated by Jude Law, 2011
Primary Sources
Books and Exhibition Catalogues
Alloway, L. Nine Abstract Artists, London, Alec Tiranti Ltd, 1954
Alloway, L. ‘The Development of British Pop’ in Lippard, L. Pop Art, London, Thames and Hudson, 3rd Edition, 1970, first published 1967, pp26-67
Alloway, L. Violent America: The Movies 1946-64, New York, Museum of Modern Art, 1971
Alloway, L. Topics in American Art Since 1945, New York, W. W. Norton & Company Inc, 1975
Cox, I. The South Bank Exhibition: A Guide to the Story it Tells, London, HMSO, 1951
Hamilton, R. Collected Words, London, Thames and Hudson, 1982
Hanover Gallery, Eduardo Paolozzi Sculpture and Graphics, London, 1967
Korzybski, A. C. Science and Sanity: An Introduction to Non-Aristotelean Systems and General Semantics, Lancaster, Pennsylvania, The International Non-Aristotelean Library Publishing Co., the Science Press Printing Co., 1933
Lambert, M. And Marx, E. English Popular Culture, London, Batsford, 1951
McHale, J. ‘The Plastic Parthenon’ in Dorfles, G. Kitsch: The World of Bad Taste, London, Studio Vista, 1969, pp98-110
McHale, J. The Future of the Future, New York, Braziller, 1969
Middleton, M. Eduardo Paolozzi, London, Methun, 1963
Packard, V. The Hidden Persuaders, London, Longman, 1957
Paolozzi, E with a commentary by Alloway, L. The Metallization of a Dream, London, Lion and Unicorn Press, 1963
Payne, R. Fabulous America, London, Victor Gollancz, 1949
Riesman, D. The Lonely Crowd, New Haven, Yale University Press, 1961, first published 1950
Smithson, A. A Portrait of the Female Mind as a Young Girl, London, Chatto & Windus, 1966
Smithson, A. AS IN DS: AN EYE ON THE ROAD, Baden, Switzerland, Lars Muller Publishers, 2001
Smithson, A & P, Urban Structuring, London, Studio Vista, 1967
Spectorsky, A. C., The Exurbanites, Philadelphia and New York, J. B. Lippincott & Co, 1955
Tate Gallery, Eduardo Paolozzi, London, 1971
Whitechapel Art Gallery, This is Tomorrow, London, 1956. Reprinted 2010
Articles
Alloway, L. ‘Re: Vision’, Art News and Review, Vol 6, January 22nd 1955, p5
Alloway, L. ‘Technology and Sex in Science Fiction, ARK, No 17, 1956, pp19-23
Alloway, L. ‘Personal Statement’, ARK, No 19, March 1957, p28
Alloway, L. ‘The Arts and the Mass Media’, Architectural Design, February 1958, pp.84-5
Alloway, L. ‘Notes on Abstract Art and the Mass Media’, Art News and Review, 27th February-12th March 1960, pp3 and 12.
L. Alloway, ‘Artists as Consumers’, Image, No 3, 1961, pp14-19
Alloway, L. ‘Architecture and the Modern Cinema’, The Listener, June 22nd 1961, p1085-6
Alloway, L. ‘ “Pop Art” Since 1949’, The Listener, 27th December 1962, pp1085-87
Alloway, L. ‘The Iconography of the Movies’, Movie, No 7, Feb-March 1963, pp4-6
Banham, R. ‘Vision in Motion’, Art, 5th January 1955, p4
Banham, R. ‘Industrial Design e arte popolare’, Civilta delle Macchine, November 1955
Banham, R. ‘The New Brutalism’, Architectural Review, 118, December 1955, pp355-361
Banham, R. ‘New Look in Cruiserwights’, ARK, No 16, Summer 1956, pp44-47.
Banham, R. ‘Alloway and After’, The Architects’ Journal, December 26th 1957, p941
Banham, R. ‘TOP POP BOFFIN’, Architects’ Journal, February 20th 1958, pp83-4
Banham, R. ‘Space, Fiction and Architecture’, The Architects’ Journal, April 17th 1958, pp557-559.
Banham, R. ‘Machine Aesthetes’, New Statesman, 16th August 1958, pp192-193
Banham, R. ‘Home of Taste’, New Statesman, October 11th 1958, pp488-9
Banham, R. ‘Corb Goes To Liverpool’, New Statesman, 20th December 1958, p882-3
Banham, R. ‘Lecturing at Ulm’, The Architects’ Journal, April 16th 1959, p587
Banham, R. ‘HM Fashion House’, New Statesman, January 27th 1961, pp151-2
R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, p?
Banham, R. ‘Who is this “Pop”?, Motif, No 10, Winter 1962/3, pp3-13
R. Banham, ‘The Atavism of the Short-Distance Mini-Cyclist’, Living Arts, No 3, 1964, pp91-7
Banham, R. ‘Softer Hardware’, Ark, Summer 1969, pp2-11
Banham, R. ‘Detroit Tin Re-visited’ in Faulkner, T. (Ed) Design 1900-1960: Studies in Design and Popular Culture of the 20th Century, Newcastle upon Tyne Polytechnic, Newcastle, 1976, pp120-140
del Renzio, T. ‘after a fashion...’, ICA publications, No 2, 1956
Hamilton, R. ‘Homage a Chrysler Corp’, Architectural Design, March 1958, pp120-2
R. Hamilton, ‘Persuading Image’, Design, February 1960, pp28-32
R. Hamilton, ‘Art and Design’, Popular Culture and Personal Responsibility, October 26-28, 1960, pp135-55.
McHale, J. ‘Buckminster Fuller’, Architectural Review, July 1956, pp12-20
McHale, J. ‘Technology and the Home’, ARK, 19 March 1957, pp24-27
McHale, J. ‘Marginalia’, Architectural Review, May 1957, p291
McHale, J. ‘The expendable ikon1’, Architectural Design, February 1959, pp82-3
J. McHale, ‘The expendable ikon 2’, Architectural Design, March 1959, pp116-7
McHale, J. ‘The Future of the Future’, Architectural Design, May 1967, pp65-6
Reichardt, J. ‘Pop Art and After’, Art International, 7, 2 ,25th February 1963, pp42-47.
Smithson, A. & P., ‘But Today we Collect Ads’, ARK, No 18, 1957, 49-50
Smithson, A. ‘The future of furniture’, Interior Design Supplement, Architectural Design, Vol XXVIII, April 1958, pp175-178
A. Smithson, ‘Caravan-embryo “Appliance House” P, Architectural Design, September 1959, p348
Smithson, P. ‘And now Dhamas are dying out in Japan’, Architectural Design, 36, September 1966, p448
Archive Sources
Getty Archive
The Getty holds the Alloway and Banham papers, but most material relates to their later work after moving to America
National Galleries Scotland
The Paolozzi Gift is held in Edinburgh at the Dean Gallery, including the artist’s studio
Tate
The Tate Archives holds the Nigel Henderson Archive, the ICA Archive, the Dorothy Morland Papers and various BBC Transcript materials.
Archive of Art and Design, V & A Museum
Paolozzi’s Krazy Kat Arkive
Whitechapel Gallery
This is Tomorrow Archive
Yale Center For British Art
Holds some material relating to John McHale, including original collages
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